Showing posts with label Milo Ventimiglia. Show all posts
Showing posts with label Milo Ventimiglia. Show all posts
Official Trailer for THE ART OF RACING IN THE RAIN
In what could be seen as the next big trend in Hollywood we have yet another talking dog picture that guides us through the life of their owner this time featuring Kevin Costner as the pretentious, but completely pleasing puppy. While Sony and Universal have chosen to produce film adaptations of author W. Bruce Cameron's series of books about dogs finding their purposes and their way home, 20th Century Fox has instead decided to go with an adaptation of The Art of Racing in the Rain by Garth Stein in which a dog named Enzo recalls the life lessons he has learned from his race car driving owner, Denny. Milo Ventimiglia plays Denny Swift in the film and though I've never seen a single episode of This is Us certainly seems to be playing on that shows audience to try and give his film career a boost as The Art of Racing in the Rain and Fox have no qualms about sporting the fact this is the same studio that brought you the heart-wrenching Marley & Me. In other words, they know exactly what they're doing and I honestly can't be that mad about it given my appreciation for that Owen Wilson/Jennifer Aniston tear-jerker and the fact this trailer sports more seemingly authentic moments in than all of any of those other Dog's Purpose films that set their premise on the idea of canine reincarnation. In fact, The Art of Racing in the Rain looks to be a more traditional reaffirmation of appreciating the little things in life as conveyed through the eyes of a spectator to Denny’s journey of life, love, and loss who undoubtedly appreciates all of it more those of us who become so wrapped up in what needs and has to be done that we forget to appreciate what we do. This is all well and good and will naturally move those who are suckered into watching it all the way to tears, but I'm anxious to see just how much more genuine this feels as opposed to Purpose or if we're operating in the same type of schmaltzy melodrama realm as those other, recent film where our hero is a witty and philosophically sophisticated dog. Directed by Simon Curtis (My Week with Marilyn) and written by Mark Bomback (War for the Planet of the Apes) The Art of Racing in the Rain also stars Amanda Seyfried, Ryan Kiera Armstrong, Gary Cole, Kathy Baker, Martin Donovan, and opens on August 9th, 2019.
WILD CARD Review
Wild Card starts off by quickly setting up two intriguing predicaments. One is to show what our main character, Nick Wild (Jason Statham), does for a living while the other is an unspecified woman being dropped off, beaten and battered, at the emergency room. There is no need to understand how the two scenarios might connect as the movie isn't intent on making a major mystery of anything, but rather Wild Card is more intent on simply hooking you in hopes that you might stick around to see what scenario the next Statham caricature might be forced to use his martial arts skills to take care of. Giving credit where credit is due, the hook is nicely placed and I'm a fan of Statham so I was willing to go along with what could of course never rise to become more than a mediocre action flick. That is simply what we expect from Statham in his solo outings, but somehow he always manages to bring something more to the table than we ever expect. Whether it be the tone and setting of Homefront, the large amount of sympathy and goodwill contained in his character from Safe, the twists of War, the time period and fellow actors in Killer Elite or even the gritty, grimy style of something like The Mechanic-there is always an aspect of these Statham films that allow them become more than what we bargained for which was a direct to video movie so trashy and standard it is instantly forgettable. Instead, Statham operates on the principles of intriguing character pieces despite him being pegged as playing the same guy over and over again. This is partially true as each of the characters the action star portrays resembles one another in some form or fashion, but their circumstances always paint a different picture and it is this information that informs the state of mind of the character that allows Statham leniency from his British accent and bad boy facade. In Wild Card he is again a kind of bodyguard, but he is a man with an addiction and one that doesn't derive from drugs or alcohol, but that of one he could make a clean break from if he so chose. It's the choices that make Statham's characters different and if anything new comes to light in this otherwise generic film it is why Statham is equally as heralded as he is crapped upon.
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