My wife and I took our four-year-old daughter to see this despite her having seemingly no interest in the trailers or TV spots that have been on heavy rotation-especially over the past week or so. Admittedly, this was partly for the reason both of us wanted to see this fifty-four-year-later sequel to
Mary Poppins and didn't want to have to go through the hassle of finding a babysitter the weekend before Christmas, but it was mostly due to the fact that despite the lack of interest in the promotional materials that sometimes you just have to trust your parents know better than you and, lucky for us, our little four-year-old girl decided to indulge us on this particular matter (the slush and popcorn might have factored in, but I digress). The point being, that once director Rob Marshall's (
Chicago, Into the Woods)
Mary Poppins Returns began and Emily Blunt's incarnation of the practically perfect nanny showed up and began teaching the new generation of Banks children (as well as reminding their parents) that while imagination may not always be approved of, that it's more than necessary to make life fun and largely bearable, the little one was more than hooked by the magic of the titular character. And so, while
Mary Poppins Returns is admittedly more of a re-hash or re-imagining of that first, 1964 film than I would have either thought or hoped it to be it is also a reminder of how powerful and delightful the imagination can truly be. Though my personal experience with the film may not be as heartening as those who take their teenagers to the theater and see their faces revert to a state of child-like wonder; to experience the kind of magic and possibilities Mary Poppins brings to the table and exerts with pure enthusiasm strike our daughter in such a clear and distinct way-especially during the numerous musical numbers-was quite something. The Julie Andrews picture was always one of those movies that was always on whenever we needed it to be growing up and taking on the burden of crafting a follow-up to that respected classic (the only live-action film Disney saw garner a Best Picture nod in his day) there was a degree of respect built-in for even attempting as much and while
Mary Poppins Returns could have certainly done a little more to stand on its own it is so excessively charming, appropriately cute, and full of original songs and creative executions that it's hard to argue the film is anything but perfectly pleasant in every way.
