SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Nicki Minaj. Show all posts
Showing posts with label Nicki Minaj. Show all posts

THE OTHER WOMAN Review

Given the bad rap that romantic comedies typically get it seems The Other Woman was bound and determined to make sure people didn't think of it as a film that fit squarely into that cardboard box and so instead first time screenwriter Melissa Stack took cues from 9 to 5 and The First Wives Club and smashed them together into modern day giving us a comedy of errors in which three women, all scorned by the same man of course, get together and plot their revenge on the sick schlub. Thus, this is the antithesis of the rom-com, the movie not where some hopelessly romantic woman falls for a man who seems to be the perfect fit only to find out he isn't and that she has been blind to the real man of her dreams who's resided three cubicles down for years now, no, The Other Woman is out for revenge on the fanciful relationship and instead wanting to make sure everyone knows how the wrong kind of infatuation can lead nowhere and that it's only the healthy kind that might offer more meaningful fulfillment in our little time on this earth. That said, you don't really go into a movie that looks like what The Other Woman is going to be and expect much and maybe that is exactly why I had a pretty good time at this one. The film sports a pair of hilarious leading ladies with chemistry to burn and a solid guiding force in director Nick Cassavetes (The Notebook, My Sister's Keeper) who seems to have a taste for the eclectic and in trying his hand at straight-up comedy for the first time in his career, for the most part, lands on his feet only to stumble a few times in the area of slapstick and poop jokes that feel too immature for the subject matter the film is inherently taking on. Everything about The Other Woman screams that it should be easily shoved into the chick flick doldrums (shiny New York City setting, jobs for all that make life a breeze, cheesy pop soundtrack, several montages) but in a slight turn of hand we find that the film ultimately is able to divert the clichés of this formula and show the growing and repairing of relationships between women rather than the more idiotic road of watching these sophisticated women fight over a man clearly below their standards only for one of them to fool themselves into thinking our central schlub here is still the one, still worth keeping around, while never nailing down the entire male species as one stereotype.