SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Nico Cortez. Show all posts
Showing posts with label Nico Cortez. Show all posts

HACKSAW RIDGE Review

It has been a decade since Mel Gibson directed his last film. Almost as much time as there was between Braveheart and Passion of the Christ, but in this latest interval Gibson has unfortunately become more discussed for things besides his filmmaking talents. With Hacksaw Ridge, the story of WWII American Army Medic Desmond T. Doss who refused to kill people as a Conscientious Objector, Gibson is very much back in the playing field he seems comfortable with. That said, Gibson seems to have also taken the time away to pull in other influences for his art as many of the early scenes here in which the director develops and builds the character of Doss with actor Andrew Garfield (The Social Network, The Amazing Spider-Man) feel as if they were constructed to be a love letter to Hollywood's golden years. This, of course, deeply contrasts the usually stark and brutal tone that Gibson's films take on, but don't fret as those qualities are sure to come still in Hacksaw Ridge. More, Gibson understands that by painting these early, more serene portraits of where his pacifist of a protagonist comes from he by default makes the bloody and downright horrific war sequences that inevitably take place that much more affecting and that much more powerful. Though somewhat working at odds with one another given how realistically and viscerally Gibson paints his scenes of war with a story that more or less condemns such actions these two elements of what we're seeing and what train of thought we're being encouraged to consider come to work in each other's favors. For as quickly as we see how easily a life can be snuffed out and how faithful Doss has to be to trust that he can "run into the hell fire of battle without a weapon to protect his self," and still survive the point is made that the violence of war is senseless and that, after such an experience, most soldiers would likely agree with such a sentiment. Gibson isn't just making a war film to show off how skilled an action director he is or to revel in the gluttony of violence, but more he is using this profusion of blood and gore to align us more with the mentality that Doss brings to the battlefield and why, despite popular opinion, that might not be such a bad thing. The greatest accomplishment of Hacksaw Ridge though, is that it accomplishes relaying such ideas without preaching them, but instead more by standing with its lead character who stands by his principles even in the great circumstances of a world war.