SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Orto Ignatiussen. Show all posts
Showing posts with label Orto Ignatiussen. Show all posts

GRAVITY Review

The moment the title card came up at the end of Gravity I was ready to see it again. It has that type of effect on you where despite the fact what you've been a part of over the last ninety minutes was completely terrifying, completely out of your comfort zone, completely eye-opening and maybe to certain things you wouldn't want to admit; it was still so exhilarating that you want to experience it again and immediately. That is the kind of reaction I expect most people will have as they leave the theater and begin to reflect on what they've just witnessed for not only is it a visual delight, a technological wonder that defies all convention and expectation, but it never forgets story and character, the two driving forces behind anything worth telling. If there isn't an engaging story, a narrative to pull us in and recognizable characters, people with whom we live vicariously through or sympathize with in their moments of need and desperation then there is no connection to the film other than that of a superficial one. Director Alfonso CuarĂ³n, who made the well-received but little seen Children of Men and my personal favorite Harry Potter film (The Prisoner of Azkaban), has crafted what could easily become one of those defining moments in cinematic history where the mythology that will no doubt come to surround Gravity will be as great as the content of the film itself. This is a game-changer in ways only those who hope to create something bigger than themselves, something that pushes the boundaries, but does so for the right reasons could only hope to achieve. It is a film that as far as I can tell best captures the feeling of being in space without actually having to go there. The vastness of it, the colossal weight of what it means, the beauty of it all, yet the film also comes to carry much more weight than simply functioning as a National Geographic tutorial on space travel while teaching a lesson about the consequences of space junk; it is a story about existence, about human nature, about the will to live and everything that comes along with these giant themes that are as extensive as the universe itself.