WICKED: FOR GOOD Review

With a More Interesting Narrative Perspective and Higher Stakes, Jon M. Chu's Follow-Up is a Meaningful and Compelling Conclusion to the Saga of the Wicked Witch.

RUNNING MAN Review

Despite Glen Powell's Star Power this is Director Edgar Wright's Least Distinctive Effort to Date as it's Never as Biting or Specific as His Riffs on Other Genres.

PREDATOR: BADLANDS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

AFTER THE HUNT Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

ONE BATTLE AFTER ANOTHER Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Peggy Gallagher. Show all posts
Showing posts with label Peggy Gallagher. Show all posts

OASIS: SUPERSONIC Review

I have defended myself for being nearly thirty years-old and never really getting into Oasis or their music in the mid-nineties (though I was only nine or so when they peaked so I don't really have to defend myself) by stating that I was the oldest of my siblings and thus had no older brother or sister to guide me in the direction of what was hip or cool at the time. I had to blaze my own path, dammit! This applies to other, more mature music and movies of that decade that I'm still not overly familiar with or don't have a strong nostalgia for, but I mention Oasis due to the obvious fact there is a new documentary surrounding the toxic band that could never get far enough past themselves to see what more they could have been to the rest of the world. And so, going into such a music documentary where I wasn't overly knowledgeable of the band, their history, or their music (I mean, I know "Champagne Supernova" and "Wonderwall", of course) I based how I would gauge the effectiveness of the documentary on whether or not I was inspired to search out and listen to more music by the band once the credits rolled. And to its credit, director Mat Whitecross' take on the band and their insanely fast rise and even quicker fall is as swift and level as one could hope to achieve when you're unable to get the two key members of the group you're focusing on in the same room for interviews. In other words, having to shape a single story from what would no doubt be two very different perspectives comes off more effortless than it likely was to actually pull off. Told solely through video clips that are cut together to form something of a re-enactment of the scenes and events being described Oasis: Supersonic is almost exactly what one would expect from a film titled as so, but through this easily recognizable structure and to someone uninitiated with the mythos of Oasis I found the enlightening early moments of how both Noel and Liam Gallagher fell into their roles in the band and how they evolved as the group gained more and more notoriety to be gripping and more than telling as to why the band met the fate it ultimately and inevitably did. Like a ticking time bomb waiting to explode the elements that made up the Oasis its fans will forever remember were never destined to remain together forever, but only long enough to produce the music they brand as timeless and curate the impressions and attitudes that will unfortunately always overshadow those songs.