SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Phil Grieve. Show all posts
Showing posts with label Phil Grieve. Show all posts

PETE'S DRAGON Review

I saw the 1977 version of Pete's Dragon numerous times throughout my childhood. I still own a DVD copy of it that sits alongside the likes of Mary Poppins and Bedknobs and Broomsticks on my shelf, but do I recall much of it? No, not really. I can't put my finger on why exactly nothing other than the character design of Elliot the hand-drawn dragon comes to mind, but it doesn't. Not so far as story goes anyway or what the underlying lessons of the picture might have been attempting to teach children of that generation. And so, while I have memories surrounding the original film on which this new, 2016 version directed and written by David Lowery (Ain't Them Bodies Saints) is based I don't recall the specifics of the actual movie-leaving me to wonder what about this story was worth retelling. What, if anything, might make it relevant now? On the surface it would seem that this new, updated version of Pete's Dragon is here for no other reason than for the studio to continue operating on brand recognition; remaking their older classics into new, live-action spectacles enhanced by today's digital effects. It could also be that every generation more or less needs its evil corporation cautionary tale and what better way to do that here then by positioning the adults as not necessarily bad guys, but people simply caught-up in their own agendas who happen to work for timber companies? Immediately this version of Pete's Dragon feels different than this though, there seems no hidden agenda, no sense of obligation to re-make this specific material because Disney deemed it necessary, but rather one can sense a desire to convey this story for reasons bigger than any financial gain or profit it might earn. Rather, Lowery has crafted a film that desires to get at the heart of what makes the innocence of childhood so hard to grasp, so difficult to define, and how depressing it can be that we don't understand the preciousness of that time as we're experiencing it or more harshly-when it is taken away from us and all we have to remember it by are those rose-tinted glasses that distort it in favor of the pleasantries. The 2016 Pete's Dragon is something of a love letter to those pleasant moments. To how strong the ability to believe in something greater is at an age when we don't fully understand the scope or nature of the world or the human race. The best part is that none of these ideas are overtly telegraphed in the film. The film is very much the story of what happens when a town discovers a boy living in the woods with his pet dragon, but through this it makes one feel all of the aforementioned emotions and it is in those elicited emotions the movie transcends whatever it might have originally been intended to be.