On the surface it would seem this latest incarnation of a familiar property was made both only for financial gain (or so they thought) and with the old-fashioned mindset that sequels must be bigger in order to be better. What is more frightening than one possessed girl? Two, right? Fortunately, this isn't exactly the line of thought eclectic (to say the least) writer/director David Gordon Green was following when making this decision. Rather, this decision is all about choice as choice is what informs the whole of this first in an intended trilogy of new
Exorcist films.
Opening with an earthquake in Haiti that forces Leslie Odom Jr.'s character to choose between the survival of his wife and the life of his daughter, the film is keen to emphasize the role of our moral agency in this life and how seriously we take responsibility for our choices is just as important as the choices themselves. The way Green and co-writers Danny McBride, Scott Teems, and largely Peter Sattler weave this weight of responsibility and the constant questioning Odom's Victor Fielding has regarding the choices he's made and is confronted with making throughout the course of the film lend the otherwise familiar template of the exorcism movie some necessary weight, especially considering the lineage of William Friedkin's original.
While that original film saw both Jason Miller's Father Karras and Ellen Burstyn's Chris MacNeil grappling with their faith in the face of this possession, Green and co. have smartly updated not only the location of the film from Washington, D.C. to Georgia, but also the role of church and faith in what I feel I can safely assume is presently a more secular America than in 1973. In doing so, we have Fielding who is or has become an absolute non-believer in the wake of his wife dying. Fielding's daughter, Angela (Lidya Jewett), who is now thirteen and friends with Katherine (Olivia O'Neill) has a mother and father (Jennifer Nettles and Norbert Leo Butz) who are very much ingrained in a community church and seem genuinely convicted in their beliefs (I lowkey kind of loved Nettles' performance in this as she lends a certain credibility to the southern protestant persona that is often easy to dismiss). When the girls disappear after school one day to secretly attempt to contact Angela's dead mother, they naturally conjure the unwanted spirits/demons that then begin to possess their bodies.
