Showing posts with label Rebecca Hazlewood. Show all posts
Showing posts with label Rebecca Hazlewood. Show all posts
EQUALS Review
Note: This is a reprint of my review for Equals, which originally ran on September 15, 2015 after seeing it at the Toronto Film Festival. I am publishing it again today as it hits select theaters this weekend.
Man, that Nicholas Hoult really likes himself some Romeo & Juliet stories, doesn't he? If you recall, he made a little subversion of the zombie genre back in 2013 that also borrowed from Shakespeare's doomed story of young lovers. While Warm Bodies at least had the sense to have a sense of humor about itself Equals is not that kind of movie, but instead plays it completely straight allowing it to end up completely boring. From the outset of the film it all feels familiar. One can see where this thing is going from a mile away and I'm not even sure how anyone read Nathan Parker's (Moon) script and thought it was a good idea to make this movie again. Again you ask? Yeah, do you recall a little 2005 Michael Bay film by the name of The Island? Remember how that film was accused of ripping off another movie? Well, I'm sure the makers of the 1979 film, Parts: The Clonus Horror, found inspiration from another source (George Lucas?) and their source before that (George Orwell?). This happens all the time. I'm not saying Equals has done anything wrong as far as copyright infringement goes, but I am saying it feels like they took out the clone aspect of The Island, added in some aspects of The Giver and threw in a third act R & J twist and called it a day. Director Drake Doremus made a nice little examination of young love with his breakout hit in 2011, Like Crazy, but this utopian set version of that story yields nothing fresh or interesting.
Man, that Nicholas Hoult really likes himself some Romeo & Juliet stories, doesn't he? If you recall, he made a little subversion of the zombie genre back in 2013 that also borrowed from Shakespeare's doomed story of young lovers. While Warm Bodies at least had the sense to have a sense of humor about itself Equals is not that kind of movie, but instead plays it completely straight allowing it to end up completely boring. From the outset of the film it all feels familiar. One can see where this thing is going from a mile away and I'm not even sure how anyone read Nathan Parker's (Moon) script and thought it was a good idea to make this movie again. Again you ask? Yeah, do you recall a little 2005 Michael Bay film by the name of The Island? Remember how that film was accused of ripping off another movie? Well, I'm sure the makers of the 1979 film, Parts: The Clonus Horror, found inspiration from another source (George Lucas?) and their source before that (George Orwell?). This happens all the time. I'm not saying Equals has done anything wrong as far as copyright infringement goes, but I am saying it feels like they took out the clone aspect of The Island, added in some aspects of The Giver and threw in a third act R & J twist and called it a day. Director Drake Doremus made a nice little examination of young love with his breakout hit in 2011, Like Crazy, but this utopian set version of that story yields nothing fresh or interesting.
First Trailer for EQUALS Starring Kristen Stewart
The first trailer has arrived for director Drake Doremus' (Like Crazy) new science fiction film, Equals, starring Kristen Stewart and Nicholas Hoult. A futuristic love story set in a world where emotions have been eradicated the film is indeed as rote as that description makes it sound with only the aesthetic standing to set it apart. We've seen this story countless times before and trust me when I say Dormeus' take unfortunately offers nothing new on the subject and resorts to a clichéd visual style to relay this age old cautionary tale. I saw the film in Toronto last year and while I like both lead performers the final product felt as if, "they took out the clone aspect of The Island, added in some aspects of The Giver, threw in a third act Romeo & Juliet twist and called it a day. Director Drake Doremus made a nice little examination of young love with his breakout hit in 2011, Like Crazy, but this utopian set version of that story yields nothing fresh or interesting." Needless to say, I wasn't enthralled with the premise nor its execution, but the visual style is at least something genuinely attractive to distract us from the standard story. Reservations aside concerning the actual product, this trailer does an incredibly effective job of selling the love story and the style of it all with hardly any dialogue until the last possible moment. I only wish the actual film might have been been as, well, emotional. Equals also stars Guy Pearce, Bel Powley, Jacki Weaver, Kate Lyn Sheil, Toby Huss with distributor A24 scheduling it for a summer release. You can read my full review from TIFF here.
TIFF 2015: EQUALS Review
Man, that Nicholas Hoult really likes himself some Romeo & Juliet stories, doesn't he? If you recall, he made a little subversion of the zombie genre back in 2013 that also borrowed from Shakespeare's doomed story of young lovers. While Warm Bodies at least had the sense to have a sense of humor about itself Equals is not that kind of movie, but instead plays it completely straight allowing it to end up completely boring. From the outset of the film it all feels familiar. One can see where this thing is going from a mile away and I'm not even sure how anyone read Nathan Parker's (Moon) script and thought it was a good idea to make this movie again. Again you ask? Yeah, do you recall a little 2005 Michael Bay film by the name of The Island? Remember how that film was accused of ripping off another movie? Well, I'm sure the makers of the 1979 film, Parts: The Clonus Horror, found inspiration from another source (George Lucas?) and there source before that (George Orwell?). This happens all the time. I'm not saying Equals has done anything wrong as far as copyright infringement goes, but I am saying it feels like they took out the clone aspect of The Island, added in some aspects of The Giver and threw in a third act R & J twist and called it a day. Director Drake Doremus made a nice little examination of young love with his breakout hit in 2011, Like Crazy, but this utopian set version of that story yields nothing fresh or interesting.
Subscribe to:
Posts (Atom)







