SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

852/
Showing posts with label Richard Lane Jr.. Show all posts
Showing posts with label Richard Lane Jr.. Show all posts

STRONGER Review

On the surface, Stronger is a movie that looks as if it is trying desperately to be little more than an awards-contender. True Story? Check. Tragedy? Check. Severe disability? Check. Indie darling director? Check. Jake Gyllenhaal being intense? Check. So yeah, taking the main factors into consideration it's not hard to see why this would seemingly be anything more than an attempt at scoring Gyllenhaal an Oscar and maybe, to some degree, the hope is that might work out in the end, but it's not Stronger's main objective and it certainly isn't where the intent of the film lies as Stronger is easily one of the most genuine movies I've seen all year. Genuine in that it never cops to sensationalizing anything that would be an easy target given the subject matter. No, Stronger is a human story, a story about a relationship more than it is the Boston Marathon bombing and within that the film goes to places where it is able to cut deeper emotionally than it would had the film simply resorted to recreating the horror of that day. Director David Gordon Green, who came to prominence on the back of indies such as George Washington and All the Real Girls only to go on to helm big budget comedies like Pineapple Express and Your Highness, has, in recent years, found a kind of middle ground between these two wide-ranging genres where mid-budgeted, character driven stories featuring big names have become something of the filmmaker's forte. Green only continues to hone this kind of movie-making in Stronger. Combining his knack for naturalistic and improvised moments with that of his major studio experience in staging a recreation of the bombing as well as shooting at both Boston hockey and baseball games Green has, in many ways, culminated all of his past experiences with Stronger and the result is a film that is deceptively simple, deceptively easy to misread and/or label as one thing, but is so much more than it initially appears to be. Stronger is a movie that delves into one man coming to terms with a new way of life, a new status among his peers, and a relationship he isn't sure is destined to work out all while recovering from the most traumatic day of his life. Stronger doesn't resonate due to big, dramatic moments, but more for the ones that aren't; the quite moments where one can't verbalize why they're significant, but feel that they are. Stronger is somehow able to tap into these unspoken moments and is all the more authentic because of that.