SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Robert Aramayo. Show all posts
Showing posts with label Robert Aramayo. Show all posts

NOCTURNAL ANIMALS Review

Editing. Editing is key in director Tom Ford's follow-up to his 2009 debut A Single Man titled Nocturnal Animals as the narrative begins by introducing Susan Morrow (Amy Adams) as a woman who seemingly has it all together, but whose world it tears to shreds in less than two hours. It accomplishes such a visceral effect on the viewer due largely to the skill in which it is cut. To unravel the neatly wrapped facade of Morrow's life is to cut back and forth between her present timeline, her past detailing how she reunited and fell in love with first husband, Edward Sheffield (Jake Gyllenhaal), as well as the story in which she is reading. The key factor being the story that she is reading comes to her from Sheffield as a novel he wrote that will soon be published, but as it was inspired by Morrow he thought she deserved to read it first. The book, also titled "Nocturnal Animals", is the story of a family on a road trip whose car is hijacked by a band of troublemakers that includes a nearly unrecognizable Aaron Taylor-Johnson where terrible things happen. The representation of this novel as put to screen is what will come to garner the most attention from the viewer as it is high-tension drama filled with moving and effective plot points as well as performances. What makes Nocturnal Animals, the film, more than just a stirring adaptation of the work within the work though, is the foresight it utilizes in the outside stories and how they will influence our reactions to the actions taking place within that most engaging storyline. How is this accomplished though? How are these two outlying narratives so effective in both supporting and drawing from the narrative that undoubtedly holds the weight of the film on its shoulders? Through the editing. The film is cut in such an extraordinarily unpredictable fashion that, as an audience member, when it cuts we are never allowed to know what it might be cutting to. There are even long pauses that fill the screen with darkness designed to make the audience think a certain segment is over only to drop us back into the same story moments later. This unpredictability not only ups the tension in terms of seeing where certain plot strands might go, but in ultimately structuring the story in such a way that when the payoff for everything each of the three individual storylines has been building to finally arrives it hits you. And I mean really hits you. Nocturnal Animals is an exercise in sheer audacity and nearly every one of its risks pays off.