SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Rodrigo Santoro Jaimie Alexander. Show all posts
Showing posts with label Rodrigo Santoro Jaimie Alexander. Show all posts

THE LAST STAND Review

You get what you pay for with The Last Stand and though that may be a generic movie, it is a generic action movie in top form. It earns this reputation largely due to the fact it has the man who defined the action genre at its center. It is a good thing Arnold Schwarzenegger chose this as his welcome back film otherwise it wouldn't be nearly as fun or even been made in the first place I imagine. There has been a good amount of positive press going towards these kind of throwback films to 80's no-brainer B-movies that shoot first and think later. Schwarzenegger has been featured in both Expendable films and though he makes his grand return with this one he doesn't plan on stopping anytime soon as he will re-team with pal Sylvester Stallone again later this year in The Tomb. As the first shoot, think later train of thought plays fast and loose with the standard script structure allowing plausibility and logic to fly right out the window, none of it matters as the reason people even go to see a movie like this is not for the insightful story or original storytelling methods but instead to see things and people blow up. There is no shortage of that here as director Jee-woon Kim makes his English-language debut with a film that mixes in tons of over-the-top violence with a cartoonish style that never meshes as well as it should to find a balance in tone. I haven't seen any of Kim's previous films, but despite his lack of story to work with and his tendencies to sway between gritty and silly the guy knows how to utilize his star and he plays that angle nicely. He helps the iconic action star prove he really might be back even if not as many people were waiting on his return as he expected.