SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Roger Bart. Show all posts
Showing posts with label Roger Bart. Show all posts

TRUMBO Review

Dalton Trumbo is no doubt an interesting figure and a perfect case of someone whom it would be worthwhile to make a Hollywood biopic about. Maybe it's simply that director Jay Roach, who has mostly worked in broad comedy while mixing in politics lately with the likes of Game Change and The Campaign, doesn't know what else to do as a director, but his latest effort that profiles the rogue screenwriter feels all too complacent to accurately depict the radical and rebel ways of Mr. Trumbo. In short, this is a by the numbers biopic that tells us what happened, why it happened, and how the titular character lived out the rest of his days with the obligatory pre-credit note cards. That isn't to say the history isn't interesting or that there aren't good or intriguing moments throughout, but more that Roach does nothing with these moments to make them feel as vital or illuminating as they likely were for these people in the context of their actual lives. More than that, the biggest downfall of the film for me personally is that of the same mistake many biopics about musicians make in that they never explore what makes the artist want or need to create. To this effect, Trumbo never delves into its protagonist's writing process. Now, I understand that this film is not exclusively about the life of Dalton Trumbo, but more specifically the decade long fight he put up that saw him blacklisted and sent to prison due to his political beliefs. Still, this man was largely known as the biggest and best screenwriter working at the time his political entanglements began and is a large factor in how he fought back-managing to win two Academy awards in a time when everyone in the industry shunned him. Writing was not just a part of who this man was, it was who he was and to essentially skim over this opportunity to explain not just that he was a good and prolific writer, but how he came to be this way and how he remained inspired is one that is missed in exchange for little more than hitting the cliff notes of who this man was and how he dealt with the biggest trial of his life. Trumbo is by no means a bad movie; it has a number of good to great performances and due simply to the nature of the story it is endlessly fascinating, but this particular representation is little more than average given all it had to work with.