SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Sarah Naudi. Show all posts
Showing posts with label Sarah Naudi. Show all posts

BY THE SEA Review

It's clear there is a driving force of sorts behind Angelina Jolie Pitt's (who I'll simply refer to as Jolie throughout this review because I'm not typing Jolie Pitt three hundred times) writing and direction, it's just not clear what that force is. While I never saw her debut, In the Land of Blood and Honey, last year's insanely promising but ultimately disappointing Unbroken more or less set the prospects for any future Jolie pictures to that of being hopeful, but not necessarily optimistic. While the less than enthusiastic response to Unbroken must have been a blow to not only the writer/directors ego, but to the faith she has in herself and her abilities it seems her reaction has been to return to the forum with a much lower-key project, inspired by the films of yesteryear and containing only a select number of characters. Jolie sets her film in the seventies and then isolates her characters to a French Riviera where this character study is almost forced into existence. Taking the idea of a strained marriage and somewhat bravely allowing such a dysfunctional portrait to be painted with herself and real life husband Brad Pitt in the roles Jolie goes for a restrained and bleakly artistic look at two people at the end of their ropes for reasons we're not exactly clear on. In fact, while I can appreciate a good slow burn, By the Sea is such a staggering epic of quietness and indulgence that the boredom overtakes the measured emotions by the time the twenty minute mark hits. The problem is the quiet characters and their inability to communicate make it difficult for the viewer to find anything interesting or worth investing in about them and thus the patience wears thin before the film ever glimpses it's portions that might seem interesting. There is a good movie in here somewhere, no doubt, a wholly engaging film about the natural dynamics of a seasoned couple and how the dealings of going through something unbelievably difficult while initially testing their bond might eventually lead to an even stronger one. Unfortunately, By the Sea is too generous with the amount of time we spend with this couple and too tedious in the events it depicts to be that film.