THE ANGRY BIRDS MOVIE Review

Walking into this feature length film based on, not even a legit video game, but an app I had no idea what to expect or what type of story this thing might entail. That said, I didn't expect much from The Angry Birds Movie and so to find out that it wasn't a complete waste of time, but in fact pretty funny in certain spots and put together with a fair amount of competence and investment that it delivered lush visuals and entertaining characters was nothing short of a pleasant surprise. In reality, this is a movie that epitomizes an inconsequential piece of entertainment, as it is neither important nor significant by any stretch of the imagination. What The Angry Birds Movie does well enough though, is serve the purpose for which it was created and that is to keep the kiddos and fans of the game entertained for a brief ninety minutes on a weekend afternoon. Having never played the game I can't really speak to how well the film integrates the elements of the game or if these are done in natural, organic ways as opposed to being shoehorned in for the sake of hitting the more popular elements of the game, but as far as story is concerned the premise that is set up with our three main protagonists is more or less an excuse to have the climactic third act of the film be a more detailed version of watching the computer play a round of the game for you. This isn't really an issue-it's kind of the point after all, but in doing this the question that arose was if the characters we're introduced to are interesting enough to care about when it comes time for them to risk their lives potentially knocking down a pig city. Do we care about what is being risked, what is potentially being destroyed, or what is being sought after? For the most part, the answer is a fine enough yes. There is no reason to become emotionally invested in these proceedings and there is certainly no need to become frustrated with the expected beats this redemption story hits, but in tackling this particular kind of story the film hits the beats well enough that you're willing to go along for the ride, listen to the pop-infused soundtrack, and smile against your better judgement when pop culture references are made for no apparent reason or every time Jason Sudeikis has to spout a bad bird pun.

THE GUNMAN Review

The Gunman, which takes Sean Penn and does the only thing Hollywood now knows to do with aging male actors by turning them into would-be action stars, has some rather interesting elements to it. There is a clear issue to be addressed here that a news reporter even states while looking directly into the camera at one point which is that of large corporations seeking control of the development of resources in poor and impoverished countries. Where our titular gunman comes into the fold is when America's corporate and government contractors hire mercenaries to knock off Third World socialists in order to protect their profits. The issue here is that the film presenting these issues is neither as compelling nor as important feeling as it would like us to think it is. As directed by Pierre Morel (Taken) the film clearly knows it is a genre film, but even with this approach one would be hard pressed to find anything fun or interesting that it brings to the mix of this current crop of action flicks. As fun is clearly not the game this film wants to play one has to ask what unique or original element it brings to the table and in that regard there isn't much to discuss. Much like Get the Gringo, The November Man or even After the Sunset, The Gunman deals with the standard tale of an aged assassin somehow gone awry after his supposed last job who is looking for redemption as he comes to terms with mortality that also happens to feature exotic locations. Morel can always be counted on for highly-stylized and rather beautifully rendered action sequences especially considering his backdrops, but unfortunately here they end up being more riveting that the story or the characters they serve. As mentioned near the top, there are certainly some interesting elements at play including the overall mission statement of the film as well as the largely metaphorical, but extremely literal medical condition that Penn's character suffers from. It also cannot be argued that The Gunman features an impressive cast with a great mix of acting styles that fuse for some interesting moments, but there still remains a hollowness to the production that is inescapable and ultimately renders the film as unaffecting.

New Trailer for THE GUNMAN

When the first trailer for the new Pierre Morel (Taken) film premiered a few months back I didn't feel inclined to really highlight it given it seemed little more than an attempt by Sean Penn to copy the same success Liam Neeson found in Morel's 2009 thriller. That success only came about as it was different and unexpected, lightning in a bottle if you will that rarely strikes twice (just ask Kevin Costner and Guy Pearce). With the latest trailer for the film though this looks less and less like a generic action thriller and more along the lines of something akin to Penn's 2010 flick, Fair Game. Based on the novel by Jean-Patrick Manchette this seems closer to a man on the run-type story where Penn is dealing with the dynamics of his role in the bigger scope of the organization he works for rather than a simple, catch the bad guys premise. In short, this seems to be a little more complex which is expected given Manchette was a French crime novelist who was credited with reinventing and reinvigorating the genre. It should also be noted that Morel didn't helm either of the horrible Taken sequels and that his keen sense of action and intimate character development could push this past the immediate generic vibe you take away from both the title and the trailer. It is also not just one well known, pedigreed actor in action here, but several. With a strong cast led by Penn who looks on point as a military contractor suffering from PTSD I'm optimistic this could turn out to be better than most are expecting. The Gunman also stars Javier Bardem, Idris Elba, Ray Winstone, Jasmine Trinca, Mark Rylance and opens March 20th.

THE SECRET LIFE OF WALTER MITTY Review

A sense of anticipation and excitement fills me whenever Ben Stiller decides to direct a film and to know that his latest, The Secret Life of Walter Mitty, was as much a passion project as it was an option for the producing studio to re-make a classic title that starred Danny Kaye from the late 40's only upped my anticipation for what would hopefully turn out to be an insightful and life affirming tale of a man equally forced and scared out of the direction he once believed his life was going to take. Many people take issue with Stiller for reasons I can understand, but that mostly pertains to his acting ability, comic schtick and lack of range rather than the creative choices he makes when he is in full control. The guy can make however many Focker and Night at the Museum movies he'd like and I will still attend them because there is simply something about him and his ability to play the everyman with the right touch of comedy that appeals to me, but seems to have worn thin with many audiences. The good news here is that Stiller keeps his persona in check and the outright moments that are played for laughs to a minimum simply allowing the story to breathe. The Secret Life of Walter Mitty is truly something to take on and though I have not seen the original Kaye version nor have I read the short story from James Thurber that inspired both films, it seems best to take Stiller's version on its own terms as it has modernized the themes that were likely the spirit of the original source material. I was floored by the initial trailer for this film as I had the rare experience of seeing it for the first time on a theater screen rather than on my phone or computer and with no pre-conception of what to expect. The tone, the shot selection, the music and everything else about it were sprawling yet exquisitely calculated and seemed primed to hint at a complete film that not only allowed for a bit of fantastical elements amidst the doldrums of a nine to five routine, but looked to say something akin to what we find on the inside of greeting cards without all the cheese and ingenuity. Instead, with a sense of real merit and heart; something that would speak across all kinds of racial and generational boundaries to the simple fact that life is worth living, so go out and make something of it. Stiller's film is indeed beautifully captured and delicately precise, but it never reaches the emotional heights it seemed so intent on achieving and in that regard it never truly captures the audience, but gives us more an interesting perspective than an engulfing experience.

First Trailer for THE SECRET LIFE OF WALTER MITTY

It is not customary anymore to see a trailer for the first time when your sitting in a theater seat as much as it is in front of your computer screen. Given the power of YouTube and the ease of access it is no wonder things have wound up this way, but I still remember the rush of excitement that came with seeing new trailers in front of movies and having no idea what they might turn out to be. In many ways I'd thought this was something lost with the internet, but I was able to experience those feelings of surprise again last weekend when I sat down for a Thursday night screening of The Wolverine. The opening trailer began and I didn't immediately recognize it, yet as soon as we saw Ben Stiller I realized what we were getting. I've always been a big fan of Stiller's and especially of his directorial works. Both Zoolander and Tropic Thunder are high caliber comedies that last and offer big laughs every time I watch them. Having had his hand in the re-make of Danny Kaye's 1947 film for some time now, it is nice to see he has really taken the time and care to perfect what looks like his most ambitious project to date. Taking a very simplistic approach the trailer lets the images do the talking as we only get a few words from Stiller and not much from anyone else. We see glimpses of both Adam Scott and Kristen Wiig and how their roles in Walter's life influence what he becomes when he drifts into the fantasy-land that creates the hook for this tale about a seemingly boring proofreader at TIME magazine. The trailer has an air of profound understanding to it, a tone that tells the audience it is a piece of art that truly hopes to move you, to make you feel something. I'm truly excited for this film and will certainly include it on my top 10 most anticipated films for the fall of 2013. It is unclear of the Award chances the film stands, but if the film delivers on what the trailer promises I wouldn't be surprised to see Stiller in the running come February. Also, bonus points for the great use of Of Monsters and Men's "Dirty Paws". The film also stars Sean Penn, Patton Oswalt, and Shirley MacLaine. The Secret Life of Walter Mitty opens on Christmas day.

GANGSTER SQUAD Review

What has happened to director Ruben Fleischer? The guy had such a promising feature debut in Zombieland and has had ample opportunity to make equally fun films in his two follow-ups yet each have failed to capture that same magic that invigorated his first. In saying that, his latest Gangster Squad isn't necessarily a bad film but it certainly isn't anything spectacular. With a cast that features the likes of Josh Brolin (who actually seems to be losing credibility with each role), the re-teaming of Ryan Gosling and Emma Stone (whose relationship has none of the substance their previous screen incarnations did), supporting players like Anthony Mackie (loving these low grade B-movies, isn't he?), Michael Pena (he deserves much better than this), Robert Patrick (maybe the best part of the movie), and Nick Nolte (is he even acting?) you expect there to be some level of fun that comes along with it. Unfortunately, the experience of the film is something more akin to an assignment you feel more relieved to have finished after going through the doldrums of every standard cliche and requirement rather than having experienced anything close to a genuine emotion. In other words, Gangster Squad is very simply a complacent piece of entertainment that reaches for nothing more than what requirements it needs to qualify as a coherent story. Then there is the issue of Sean Penn as head gangster Mickey Cohen. The likes of which could have been a great, flashy, over-the-top character but instead turns out to be a campy, cheesy villain instead. This also echoes an issue with the entire film in general where it doesn't know exactly what it wants to be and if the makers don't know where to go with it, we don't know how to take it and it all falls apart from there.