SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Sonja Richter. Show all posts
Showing posts with label Sonja Richter. Show all posts

THE HOMESMAN Review

Nowadays when one sees Hilary Swank gazing past the camera and through to the unknown on a poster we typically imagine it as a precursor to some uplifting tale where her character is the catalyst for change. One would again think that is the case with The Homesman as her Mary Bee Cuddy is certainly the most honorable character we come in contact with, but this isn't an uplifting drama that feels manufactured to redeem your confidence in the human race. In fact, if the film says anything about the human race it is about the savagery from which we spawned and the role of the female in the old west. Cuddy was a feminist without knowing the word to describe herself. She was a woman who heralded the strength of being a woman on her own, supporting herself and an advocate for equality all while feeling out of place because of the time in which she lived. It is an unfortunate scenario to say the least, but it certainly makes for an interesting character study and director Tommy Lee Jones seems to understand the ideas and themes he is playing with as his character, George Briggs, is both confused by yet struck with admiration by the confident and brave Ms. Cuddy. In The Homesman, what we have is a straight-forward tale of straight-forward people. There are no artistic flourishes (though much of the framing here results in a gorgeous visual prowess) or intent to be subtle about the politics of what topics the story is playing with, but rather Jones presents this story in a very matter-of-fact manner that suits the time period and the personalities of most while leaving the audience riddled with an unexpected clarity. It is one thing to say something turns out different than you expected because that would more generally be the case in film, but it is another to say you didn't expect what something had to offer and while I expected to get a fine enough western from an actor/director who clearly appreciates the genre, what I received was a meditative, heartbreaking and downright moving look at what life promised (or couldn't depending on how you look at it) during that time and how sometimes that wasn't enough to keep on going.