SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Stephen J. Anderson. Show all posts
Showing posts with label Stephen J. Anderson. Show all posts

FROZEN Review

Frozen is all about defying expectation and convention. Looking at the marketing campaign for the film you really don't get much of a sense of what the story is (very similar to Pixar's usual tactics in fact) and what we do gather from the commercials we've seen and the pictures plastered all over Wal*Mart and Target is that this is more than likely a new Princess tale from Disney looking to capitalize on the good will of both Tangled and Wreck-It Ralph as those two films have come to be revered with much more excitement than anything Pixar has produced in the past few years. Going into the film, I wasn't overly sure of what I was getting myself into, but the early word of mouth that praised it as being the best Disney animated film since Beauty & the Beast or the The Lion King was certainly something that caught my attention. If nothing else, I was now curious to see how the film would measure up against these other films that shaped my childhood and are nothing short of classics in my mind. Frozen does indeed fit nicely into the library of what Disney has brought us before in terms of beautifully realized castles and princesses with funny supporting characters to lean on and charming princes or underdogs that rise to the occasion, but as I said earlier it is also all about defying those expectations and it is those variations on the structure, those added moments where the characters within the film look at each other as if to say what every grown-up in the audience is thinking, that make this all the more delightful and all the more fulfilling than simply being another knock-off of the early princess stories that made Disney the brand that it is.  Disney animated films have always been able to transcend age groups and trends, but what makes this film work along with its past couple of efforts that differentiate it from something like Treasure Planet is that it is no longer trying to be cool or stay with the times, but is instead playing by its own rules and letting the magic flow without any caution as to what might be widely accepted and in return is being rewarded handsomely.