SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Tómas Lemarquis. Show all posts
Showing posts with label Tómas Lemarquis. Show all posts

3 DAYS TO KILL Review

From the opening moments of 3 Days to Kill I wasn't sure whether I was supposed to be laughing or not. That the first real "name" we see on screen comes in the form of Amber Heard is nothing but disheartening, but when you start throwing in nicknamed bad guys like "the albino" and "the wolf" I think everyone sat back in their seats and immediately realized what type of movie we were in for. As Luc Besson has done ever since truly breaking through in America with Taken six years ago it seems he has been keen to write another action hit starring a credible, middle-aged actor at the center of it. Granted, Besson only writes these things and hardly directs, but his distinct European flavor is written all over them and while neither Lockout nor this will work the way Neeson's surprise hit did it was nice to see Kevin Costner give it a try and it was surprising, if not concerning, to see McG behind the wheel of another seemingly brainless action movie that if not proving to be exactly artistic could at least be fun. The guy has directed competent action/comedies before, I actually enjoyed the two Charlie's Angels films though history doesn't look too kindly on them now, but has had a rocky road of swaying back and forth between genres since and has never really found a way to re-gain his footing. This is also the problem with 3 Days to Kill as not only does it not know what it wants to be, but it never seems to gain its footing in the first place. From the opening sequence that has Costner's senior CIA agent tripping and coughing through a large European hotel we are made to think he is going to be the nonchalant charmer who does his incredibly difficult job with an ease that makes him appealing, but instead it simply turns out he is in the right place at the right time and there isn't necessarily anything special about him other than the fact that he is dying and sees the error of his ways in choosing to chase bad guys rather than develop meaningful relationships with his wife and daughter. 3 Days to Kill could have easily been that dumb fun action flick that sees Costner re-gain some of his prime in a leading role, but instead it just turns out to be dumb with an identity crisis that leaves us nothing if not discontent.