SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

852/
Showing posts with label Tabatha Shaun. Show all posts
Showing posts with label Tabatha Shaun. Show all posts

THE GUEST Review

First things first: I pretty much loved every single aspect of director Adam Wingard's The Guest and only give it a less than perfect score because while I love and revel in it, it certainly isn't something to be regarded as exceptional. It's not exceptional because it isn't necessarily innovative, but it is still highly entertaining and well-constructed because it knowingly draws from very specific inspiration. Horror movies of the late 70's and early 80's as well as the thrillers of the same decade infuse every angle of Wingard's tale of uncertainty. He plows over every moment in the film with his unabashed soundtrack fueled by synthesizers and one note tones that dispel any notion we should take this seriously. Instead, seasoned moviegoers will acknowledge this as an exercise in form, of style and take note of how every story, even the most generic of ones, can be made fresh and interesting with a unique directorial approach. The same was true of Wingard's previous effort, last years You're Next, in that it was a self-aware, goofy riff on the home invasion thriller. With The Guest though, Wingard has stepped up his intent in not confining himself to a single genre, but rather expanding the story possibilities to afford him endless opportunities while keeping the tone in check with those films that clearly inspired his childhood ambition to be a filmmaker. As the film begins we are introduced to David (Dan Stevens of Downton Abbey) and with only the 80's inspired soundtrack to overstate his subdued line readings we are immediately entranced into the world of who this man is and what his purpose might be. His surroundings are minimal, but his presence is immediately worthy of note and Wingard knows what he has both in terms of technique and in Stevens as a performer and with that he mines them to their full potential. Again, The Guest, isn't anything that should necessarily be celebrated as a triumph or as wholly original, especially in the wake of Drive a few years ago (which this film could easily draw comparisons to) but nonetheless it is a hell of a lot of fun and well worth ones time.