SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Tarra Riggs. Show all posts
Showing posts with label Tarra Riggs. Show all posts

THE LAST EXORCISM PART II Review

I re-watched 2010's The Last Exorcism just the other day as I planned on seeing the sequel this week. I remembered liking it much more than I expected, but not for the reasons one expects when going to see a horror flick. No, I was never truly scared by what I saw on screen with the original film but more I was intrigued by the originality of it. Just when I thought I'd seen every kind of incarnation in which an exorcism could be presented on screen this found footage, documentary-like movie set a new standard for the exorcism film. The heart of that film, despite Ashley Bell's wonderfully innocent performance as sheltered yet possessed farm girl Nell Sweetzer, was Patrick Fabian as Reverend Cotton Marcus. Fabian created a charismatic character that was difficult to like, but at the same time able to create a sympathetic reasoning for his actions. He was a con man toying with peoples beliefs, but he was funny and to be fair he always had the best of intentions. The first film that needed no sequel, that called for no continuation of the story, or left anyone with a desire to see what happened to Nell (I think we all just assumed she died giving birth to a demon child!) was a brief hour and twenty-seven minutes long. The Last Exorcism Part II (which may be the most misleading title in the history of cinema) clocks in at only a minute longer, but feels like it goes on for days. It has an episodic feel to it that never picks up and never feels like a coherent work but instead a compilation of scenes that show our protagonist running from something, who we're never given a real reason as to why, and are expected to be frightened every time a loud sound interrupts the scene over and over again.