SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

852/
Showing posts with label Taylor Tunes. Show all posts
Showing posts with label Taylor Tunes. Show all posts

GREEN ROOM Review

Much like with director Jeremy Saulnier's previous film, Blue Ruin, his latest positions itself as something of a straight genre film with bigger ambitions underneath the surface. With Ruin, Saulnier was keen to allow the audience to piece together the story of the protagonist as he pulled back the layers at his own pace, but the real trick was that he kept audiences transfixed the whole time despite the fact we lacked large chunks of context. In his new feature, Green Room, Saulnier once again works from a script solely of his own doing, but instead of teasing out the challenges our main characters face this time around our "heroes" are placed on the front lines against their very visible enemies-Saulnier standing between them ready to let his checkered flag fly at any moment. This choice to not rely so much on mystery seems to come from nothing more than a need to tell a different story in a different way, but the tendency to want to hold back seems natural to the writer/director as the backbone of Green Room's plot (but not all of its tension) relies on the audience knowing the immediate threats of the situation without knowing what originally put these events in motion. It's a keenly crafted screenplay that tends to get slightly redundant near the end despite its already slim running time. That said, the main objective for the multiple protagonists is never unclear and the conspiring reasons they find themselves in the situation along with several other factors that come to be of critical importance are introduced in a sharp fashion. It is not the storytelling that will fascinate here though, but rather the way in which Saulnier and his team are able to balance the downright horrific nature of what unfolds in front of us while keeping the tone that akin to something of an eighties era slasher. There is a heft, an integrity even to a number of characters and events, but there is also a very knowing tone, a sarcastic or rather a very punk attitude to the whole affair that elevates what is essentially a hostage thriller to that of a true rebel among its genre trappings.