SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Tom Bennett. Show all posts
Showing posts with label Tom Bennett. Show all posts

LOVE & FRIENDSHIP Review

From the outset of director Whit Stillman's Jane Austen adaptation, Love & Friendship, it is apparent that this is unlike any Austen adaptation one has seen before and probably unlike any film one has seen set in the Georgian era as well. Joel Coen has said, and the sentiment has been repeated and discussed many times, that directing is more or less about managing tone and it is in this aspect that Stillman more than excels here by giving this distinguished era in British history a tinge of the sardonic. The Georgian era is most prominent for the beginnings of the Industrial Revolution in Britain and how such changes brought about more tension between the social classes. Love & Friendship more or less capitalizes on such anxiety by putting our protagonist in a transitional stage between losing a wealthy husband and finding another suitor who might allow her to live out the rest of her days in comfort. This protagonist is the titular character of Austen's 1871 novella, Lady Susan, who has a duplicitous personality and a keen understanding of man's nature that makes such a transition all the more entertaining. And this is kind of the crux that allows for Stillman's latest venture to stand out in the way that it does as not only is it unlike any film one has ever seen set in this era or a similar one, but that it deals in its subject matter not as a Pride & Prejudice adaptation would, but rather with a tone that is sometimes screwy and a little eccentric, but always hilarious and maybe even more importantly-frequently impulsive. It can't help but to seem that films set during a time period such as this are met with preconceived notions that carry negative connotations by today's younger audiences, but Downton Abbey (though I haven't seen a single episode) has seemingly bucked that trend to a certain degree and it only seems Stillman has pushed these notions even further by creating a film of Victorian-like structure and style that resonates a certain freshness one would never expect from such material. I cannot emphasize enough how simply delightful Love & Friendship is if not for how surprisingly fun it is, but for the career best performance delivered by Kate Beckinsale.