WICKED: FOR GOOD Review

With a More Interesting Narrative Perspective and Higher Stakes, Jon M. Chu's Follow-Up is a Meaningful and Compelling Conclusion to the Saga of the Wicked Witch.

RUNNING MAN Review

Despite Glen Powell's Star Power this is Director Edgar Wright's Least Distinctive Effort to Date as it's Never as Biting or Specific as His Riffs on Other Genres.

PREDATOR: BADLANDS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

AFTER THE HUNT Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

ONE BATTLE AFTER ANOTHER Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Trevor Parham. Show all posts
Showing posts with label Trevor Parham. Show all posts

PATERSON Review

Observations that are insightful and honest don't automatically render them entertaining. And maybe entertainment isn't exactly what writer/director Jim Jarmusch is shooting for in his latest endeavor, Paterson, but it can't help but to seem that boredom outweighs any merit born from the introspection on display. More than anything it seems Paterson might be the auteur pushing his limits to their breaking points-seeing just how far people will follow him down the poet hole without promising them much in return. In Paterson, Jarmusch coerces a group of individuals and their routines into a "week in the life" structure that sees the titular Paterson (Adam Driver) going about his business, observing others, and ultimately leaving little impression of his own. Some may argue that the quiet charm of Paterson comes from the way in which he doesn't necessarily participate in life, but how he observes and interprets it as communicated by his writings that are sprawled across the screen. One might say Paterson's appeal comes from the small truths that are highlighted in his relationships with those he encounters on a daily basis whether that be with his wife, Laura (Golshifteh Farahani), his boss, Donny (Rizwan Manji), or the bartender (Barry Shabaka Henley) at his favorite spot that he visits each night not necessarily to shoot the breeze himself, but rather to hear others vent about their own lives. The one aspect in which I could see such a point is in the dynamic Jarmusch allows to play out between Paterson and his dog Marvin. Marvin is a posh little English bulldog who clearly sees himself as the protector of Laura and with whom he shares something of an equal disdain with Paterson. Watching the two eye one another and the contemptuous nature of the relationship go back and forth makes for some of the films biggest laughs and unfortunately for some of the only entertaining moments in an otherwise routine film about routine. In essence, Paterson is a film not without its charms, but its paper thin premise proves unable to support its two hour runtime with the intention to uncover how a very structured and sobering existence might still prove to be surprising only revealing as much to be just as ordinary as one may expect.