SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Vincent Piazza. Show all posts
Showing posts with label Vincent Piazza. Show all posts

JERSEY BOYS Review

History is made up of moments better than our current situations or so nostalgia makes it seem. This obviously isn't always true and more times than not you will feel the same way about the given moment in ten years as you feel about ten years ago now. Time and perspective can cause both more insightful thinking of what once was while also romanticizing it to a point it becomes nothing like the reality of what actually occurred. This is all to say that much of what we see take place on screen in Jersey Boys feels a little more appealing than it might have actually been for those who lived it. There is a moment near the end of the film where Frankie Valli (John Lloyd Young) is talking into the camera as he reminisces about the best moments of being a part of his musical group, The Four Seasons, and how it came before the group hit it big when they sung acapella under street lamps. There is no doubt some truth to this sentiment, but were these really the best times in that moment when they were happening or did they become cherished memories with the frame of reference time helped lend? How much have these memories been idealized? In that actual point in their lives those four guys wanted nothing more than to get out from under the street lamps and get onto bigger stages with the only lights being the ones that hold their names. Per the usual, once that level of success is achieved there is always someone who can't deal with all that fame brings. It is even written into the tag line that time does funny things to memories in that, "Everybody remembers it how they need to," and with each of The Four Seasons giving us versions of certain moments we can only assume this compilation of recollections is as close to the truth we will get, no matter how heightened it might be. The question is, as with every film, why should we care? Jersey Boys had the unique opportunity to bring to the screen a story we've seen a million times before in a fashion that might seem more arbitrary and authentic to audiences than say the standard music biopic like Ray or Walk the Line. The musical turned movie was going to tell an interesting story of a certain national treasures rise to fame all while keeping the emphasis and the highlights of the production on the music, the one thing that is the reason for being a star, but never gets the attention it deserves in these kinds of movies. So yes, there are plenty of attributes here one could care about but as the credits begin to roll you feel more indifferent than you do starstruck.

First Trailer for Clint Eastwood's JERSEY BOYS

I really wanted to place Clint Eastwood's adaptation of the popular stage play Jersey Boys on my most anticipated movies of the summer list, but without ever having seen the play or even any kind of promotional materials for Eastwood's version I didn't have any idea what to be excited about other than the fact it was a story that concerned the rise and fall of Frankie Valli and The Four Seasons (which probably should have been enough anyway). With this first trailer coming the day after I published my most anticipated list though I am sorely regretting its exclusion because despite the fact I'm still more eager to see Tate Taylor's James Brown biopic as the other main music-themed film this season I would have certainly stuck this in the close calls section over the next Transformers flick. What is interesting about the Jersey Boys film though is the fact it does indeed come from a filmmaker such as Eastwood. It is clear the dry color palette and tough guy tone of the story fit his style, but it is nice to see him breaking out of the straight drama mold and entering into the unknown territory of a movie-musical. I'm attempting to convince myself that the aesthetic and pool of knowledge that Eastwood works in and can infuse into this genre of film will offer audiences something truly different when innovation feels stagnant. I'm a huge fan of all musical stylings and to be able to see not only this time in musical history come to life through not only the time period details, but the actual popular music of the time should be something Eastwood embraced and if not succeeded at least tried earnestly to bring to the screen. Jersey Boys stars John Lloyd Young, Erich Bergen, Vincent Piazza, Michael Lomenda, Christopher Walken and opens in theaters on June 20th.