SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Yukiyoshi Ozawa. Show all posts
Showing posts with label Yukiyoshi Ozawa. Show all posts

THE FOREST Review

I've never seen an episode of Game of Thrones. I'm not even sure I could tell you why so many people love it or what the basic premise is. The reason I tell you I'm not familiar with this pop culture phenomenon is because it's inevitable the star of The Forest will garner much good will for her leading lady debut due simply to the fact she's a seemingly well-respected character on that hit TV show. Because I only recognize Natalie Dormer from The Hunger Games: Mockingjay films I have no frame of reference with which to know what I should or shouldn't have been expecting from this January horror release. Of course, that is the other major factor in how one will perceive The Forest before seeing it: it's a January horror release. Generally, studios tend to dump their scrap pile on audiences in the month following the barrage of Oscar hopefuls that they (the studios) hope will continue to earn money throughout awards season while simultaneously clearing their shelves of any long-gestating projects that simply need somewhere to die. In this sense, January is more or less a graveyard of long lost B-movies that will make a few bucks and then disappear after a single weekend never to be heard from again. Once again, in this sense, it seems pointless to even write a review for something like The Forest which will so clearly be dismissed and then buried beneath the rest of January's dull releases to the point by the time this thing comes out on DVD and Blu-ray three and a half months from now most people won't even remember it came out in 2016. Still, I was hopeful that the seemingly buzzy Dormer would make good on her promise of being a performer of integrity and buck the trend of January horror films to deliver something both psychologically disturbing and legitimately scary at the same time. Instead, The Forest is one of those horror movies that feels as if it was pieced together by a creative team that's only watched a few bad horror flicks and still decided they knew well enough what they were doing to take their own crack at it. Relying solely on cheap jump scares and a supposed twist ending that were clearly meant to have audiences reeling, The Forest will instead only leave most dumbfounded that we're expected to be impressed.