New Trailer for GUARDIANS OF THE GALAXY VOL. 2
I'm as excited as the next guy for Director James Gunn's Guardians of the Galaxy Vol. 2, but did we really need another trailer? That full-length trailer we got back in December that has been playing in theaters for months now kills every time and after the new clips released during the Super Bowl it seemed there would be no need for anything else major from the Guardians of the Galaxy promotional team, at least not until a couple of weeks before release when momentum really needs to buid. Alas, here we are still with three months to go until the official release date of the film and we have yet another full-length trailer set to the tune of yet another seventies soft rock track (this time it's Fleetwood Mac's "The Chain," from 1977) that infuses the clip with a nice amount of momentum and surprising freshness. With Guardians of the Galaxy Vol. 2 kicking off the summer of 2017 in that first weekend of May slot that Marvel has now dominated and considering that recent news story that touted the film receiving a rare 100 score in test screenings one can understand why Marvel and is intent on riding the hype train through the next three months as well as giving audiences venturing out to see Logan this weekend something new to chew on until then. Given the trailer Gunn and his team have put together one can bet it will do just that. Surprisingly, we get to see a lot of new footage here with the trailer mainly focusing on the rag tag group that make up the titular guardians while highlighting the humorous banter between them as it intends to sell the humor of the piece just as much as it does the special effects and action. Luckily, we still don't have a real keen sense of what story the film will be telling though we do get our first glimpses of Ayesha (Elizabeth Debicki) and Ego (Kurt Russell) in motion for the first time. In the end, this trailer is as promising as one could hope while still seeming to maintain much of what the film truly has to offer. Guardians of the Galaxy Vol.2 also stars Chris Pratt, Zoe Zaldana, Dave Bautista, Bradley Cooper, Vin Diesel, Karen Gillian, Michael Rooker, Glenn Close, and opens on May 5th, 2017.
Full Trailer for ALIEN : COVENANT
I am among those of the mind that consider Prometheus an astonishing achievement. A careful consideration of some very big questions that is as self-serious as could be, but with valid reasoning. Also, those visuals. The look of Prometheus is one that has stayed with me and has been hard to compete with even in the five plus years since its debut. With this new, full trailer though, we finally get a much better, more immersive look at Alien: Covenant in which Scott seems to be more interested in reprogramming Alien than the continuing adventures of Noomi Rapace’s Elizabeth and Michael Fassbender’s David. Given Covenant finds Fassbender reprising his role as the android and the fact the script comes from John Logan who adapted Hugo and had a hand in writing Skyfall and The Last Samurai I am optimistic there could be enough here to sustain and interest me in this new chapter of the franchise. All of that said, I've never been into the Alien mythos enough to be truly excited for this film, but the casting is intriguing and the reveal of the premise of the mission certainly raises some questions I look forward to finding out the answers to. It definitely seems as if Scott is going more for the horror genre than that of pure science fiction, but while that may reassure most I preferred the direction Prometheus was going rather than the isolated story Alien presented. In the trailer we see the crew of the titular Covenant discover what seems to be an “uncharted paradise” whose only inhabitant is Fassbender's David. As is also made clear, it doesn't seem it takes too long after the crew encounters David that things begin to go horribly wrong and they're forced to find daring ways in which to escape. Still, those visuals. I'll give the trailer that even if I'm still not convinced this will match the hype. Alien: Covenant also stars Katherine Waterston, Billy Crudup, Demián Bichir, Carmen Ejogo, Jussie Smollet, Amy Seimetz, James Franco, Danny McBride, and opens on May 19th, 2017.
Teaser Trailer for BRIGHT Starring Will Smith
By
Vandy Price
Labels:
Edgar Ramirez,
Ike Barinholtz,
Joel Edgerton,
Lucy Fry,
Margaret Cho,
Noomi Rapace,
Will Smith
During the Oscar telecast on Sunday night Netflix decided to debut a first look trailer for their latest original feature film, Bright, which is written by Max Landis (Chronicle, American Ultra), directed by David Ayer (Fury, Suicide Squad), and stars Will Smith. Yes, Will Smith is in a feature length film that will not be making its premiere theatrically, but rather through the streaming service that you can enjoy from the comfort of your own home, on your own TV, on what would typically be a night out at the movies. The pros are obvious: your $10 a month subscription saves you a fair amount in ticket costs, the boxes of candy from Walgreen's are less than one box at the theater, you have a twelve pack of sodas in the fridge that cost less than the smallest drink at your local franchised cinema, and depending on your entertainment set-up your viewing experience might even be comparable to that of what a theater can offer, so what might the cons be? The theatrical-going experience is one of the last standing traditions in the world that can bring people together without much risk of tearing them apart at the same time. The theatrical experience is something you can't re-create in your home no matter how big of a television, projector, or how many people you watch with; there is something singular about sitting in the dark with strangers and experiencing an artists singular vision no matter the genre classification. Whether the purpose is to move us, make us laugh, or frighten us such an experience can only be felt or conveyed when it becomes apparent how a film might not have affected just you, but those from different walks of life who just witnessed the same thing. The last edge the theater chains held over the heads of its competitors was exclusivity in material, but with Netflix now holding the keys to movies with stars such as Will Smith in them the tide suddenly seems to be changing at a much faster rate. All of that said, Landis has called Bright his Star Wars as it is set in a modern take on a fantasy world where Smith's human cop is forced to work with an orc partner (Joel Edgerton) in order to find a powerful wand sought after by many. Bright also stars Noomi Rapace, Lucy Fry, Edgar Ramirez, Margaret Cho, Ike Barinholtz, and debuts globally this December.
2017 Academy Award Winners & Round-Up
By
Vandy Price
It is easy, as a member of an unofficial community of online film lovers, to forget that the majority of America and some parts of the rest of the world tune into the Oscars in order to see some of the most famous movie stars on the planet act like normal people and reward themselves or better yet, recognize the best of what they had to offer from the previous year, and not because they've actually seen many of the films. There was a little less of that this year with Hidden Figures, Arrival, and La La Land all pulling in pretty good box office numbers (though it was actually less than last years combined Mad Max: Fury Road, The Martian, and The Revenant totals), but it was with some of the second tier nominees such as Fences, Hacksaw Ridge, and even Hell or High Water that had time to gestate with mainstream audiences due to their earlier release dates and home video releases or the presence of a genuine movie star like Denzel Washington that there seemed a little more familiarity with many of the nominated films this year. Of course, on the other end of the spectrum one can pnly hope that the light the Academy Awards has shone on films like Moonlight, Manchester by the Sea, Lion, and Jackie will only increase their visibility in the crowded marketplace and help them to find wider audiences as each are certainly worthy of as much. As for the ceremony itself, Jimmy Kimmel turned out to be an inspired choice as not only did he opt to let Justin Timberlake handle the opening number duties singing his hit, "Can't Stop the Feeling," from Trolls which was nominated in Best Original Song, but for allowing the tone to be set for a fun and rather care-free night that culminated with one of if not the biggest Oscar snafu in history. Of course, if you've looked at any news this morning what is largely being reported on is the Best Picture mix-up which originally gave the honor to La La Land, but was then given to Moonlight after someone from PricewaterhouseCooper, who count the votes and determine the winners, informed those accepting on behalf of La La Land, Jimmy Kimmel, and presenter Warren Beatty. It was a weird turn of events.
Subscribe to:
Posts (Atom)









