With the likes of Venom and James Bond taking back the limelight that has evaded the movie industry for the better part of two years and with it now being mid-October it was time Michael Myers was afforded his time to shine. Director David Gordon Green's Halloween Kills, the twelfth film in the franchise overall and the direct sequel to Green's 2018 reboot AKA "HallowGreen", straight-up murdered the rest of the competition in its first weekend with a $50.4 million debut. This strong showing was especially impressive considering the sequel also premiered on Peacock (the NBC streaming service) the same day. The latest chapter in the horror franchise, again featureing THE Scream Queen in Jamie Lee Curtis, also had a notable showing this past weekend as it scored the highest-grossing opening weekend for a day-and-date premiere (meaning a simultaneous release in theaters and on streaming), as it beat out Godzilla vs. Kong’s $31.6 million opening back in March. Of course, not all new releases welcomed good news as the first of two major Ridley Scott releases this fall, The Last Duel, was essentially dead on arrival bringing in only $4.8 million on a reported $100 million budget. Maybe this shouldn't be surprising given it is a two and a half hour historical drama, but it was also touted as and is the first time Matt Damon and Ben Affleck have collaborated on a writing project since Good Will Hunting and one might think after venturing out for Bond last weekend that older moviegoers might be more inclined to begin giving this year's Oscar bait a chance. Where films like The Last Duel were once the highest form of and most respected Hollywood production they have now been usurped by the prestige TV drama and/or miniseries with movie theaters being dominated by the sequels and shared universes. Enter Halloween Kills which, when broken down, had a $13,589 per-screen average resulting in that $50.4 million haul that, while not reaching the $76.2 million domestic debut of its predecessor, is still considered a big hit given the caveats of its day and date premiere as well as the film's rather warm critical reception. The harsher reception was not only true with critics though as the film received a surprisingly low "B-" CinemaScore grade from opening weekend audiences as well. Internationally, the film earned $5.5 million, bringing its one-week worldwide total to $55.9. While unlikely to match 2018’s $255 million global haul Halloween Kills will still make more than enough profit for Jason Blum and Universal to feel good about next year's trilogy-capper in Halloween Ends. As always, be sure to follow the official TAVERN TALK by Initial Reaction YouTube channel as well as on Facebook, Instagram, and Twitter where you can find a new review (or reviews) each week!
Tavern Talk: Video Review - HALLOWEEN KILLS
By
Vandy Price
With the likes of Venom and James Bond taking back the limelight that has evaded the movie industry for the better part of two years and with it now being mid-October it was time Michael Myers was afforded his time to shine. Director David Gordon Green's Halloween Kills, the twelfth film in the franchise overall and the direct sequel to Green's 2018 reboot AKA "HallowGreen", straight-up murdered the rest of the competition in its first weekend with a $50.4 million debut. This strong showing was especially impressive considering the sequel also premiered on Peacock (the NBC streaming service) the same day. The latest chapter in the horror franchise, again featureing THE Scream Queen in Jamie Lee Curtis, also had a notable showing this past weekend as it scored the highest-grossing opening weekend for a day-and-date premiere (meaning a simultaneous release in theaters and on streaming), as it beat out Godzilla vs. Kong’s $31.6 million opening back in March. Of course, not all new releases welcomed good news as the first of two major Ridley Scott releases this fall, The Last Duel, was essentially dead on arrival bringing in only $4.8 million on a reported $100 million budget. Maybe this shouldn't be surprising given it is a two and a half hour historical drama, but it was also touted as and is the first time Matt Damon and Ben Affleck have collaborated on a writing project since Good Will Hunting and one might think after venturing out for Bond last weekend that older moviegoers might be more inclined to begin giving this year's Oscar bait a chance. Where films like The Last Duel were once the highest form of and most respected Hollywood production they have now been usurped by the prestige TV drama and/or miniseries with movie theaters being dominated by the sequels and shared universes. Enter Halloween Kills which, when broken down, had a $13,589 per-screen average resulting in that $50.4 million haul that, while not reaching the $76.2 million domestic debut of its predecessor, is still considered a big hit given the caveats of its day and date premiere as well as the film's rather warm critical reception. The harsher reception was not only true with critics though as the film received a surprisingly low "B-" CinemaScore grade from opening weekend audiences as well. Internationally, the film earned $5.5 million, bringing its one-week worldwide total to $55.9. While unlikely to match 2018’s $255 million global haul Halloween Kills will still make more than enough profit for Jason Blum and Universal to feel good about next year's trilogy-capper in Halloween Ends. As always, be sure to follow the official TAVERN TALK by Initial Reaction YouTube channel as well as on Facebook, Instagram, and Twitter where you can find a new review (or reviews) each week!
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