SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Adewale Akinnuoye-Agbaje. Show all posts
Showing posts with label Adewale Akinnuoye-Agbaje. Show all posts

SUICIDE SQUAD Review

Don't believe everything you hear. That would be the first thing I would tell people if they were to ask what I thought about the latest entry in the DC Comics extended universe as funded by Warner Brothers. Don't believe everything you hear in that Suicide Squad isn't nearly as terrible as those early reviews have made it out to be, but don't believe everything you saw in those trailers that made you think this might be a new super hero masterpiece either. Suicide Squad has its flaws. Plenty of them in fact-the biggest perpetrator being the convoluted  story that ultimately does so many circles around itself that it becomes a pointless exercise in power for Amanda Waller (as played by the wonderful Viola Davis). Suicide Squad also has its fair share of highlights as well-most of them concerning the effort the cast is putting into making this group of misfits feel like a family when the script gives them little to work with. This is all very disappointing mind you as writer/director David Ayer (who wrote Training Day and who wrote and directed the likes of End of Watch and Fury) clearly has a knack for these types of characters and putting such characters in high-stakes situations that bring out qualities and traits viewers will find endearing and affecting despite potentially being revolting. The issue here is that Ayer seemingly felt the need to include so many characters that he let his storytelling techniques get away from him and instead decided to give us an introductory hour where we are presented with each of the ten (count 'em ten) main characters as well as how they all ended up together and walking into the plot device that is both meant to unite them and that could have also been completely avoided if the idea to bring them together was rejected in the first place. There is interesting ideas aplenty here and the film very well could have explored the difference between bad and evil and how many bad things one has to do or ends up doing before they cross that line. Instead, Ayer uses this opportunity to bring together his comic book version of the Dirty Dozen and expose them at face value, for what they are, and how they work together. Just so we're all on the same page-that would have been fine. I don't have an issue, especially at this stage of the game, with a DC film not leaning too hard on the philosophical stuff and instead focusing more on simply having fun, but even in doing this Ayer's story does itself no favors by making everything interconnected to the point the film renders itself irrelevant when all he really needed to do was give these usual foes a formidable one of their own.

Third Trailer for SUICIDE SQUAD Starring Will Smith

After what will undoubtedly go down in history if not the record books as something of a disappointing run for Batman V Superman: Dawn of Justice it seems Warner Bros. will not only be "releasing fewer films", but also focusing more on the franchises they already have in motion. The worst thing the studio could do at this point is administer a knee-jerk reaction and completely rethink their DC extended universe plans. So BvS didn't go exactly as they'd hoped critically or commercially-that doesn't mean you scrap your entire slate (which WB would never do, but they might certainly alter it significantly) and it shouldn't mean that you start trying to bend to the whim of every internet comments section, especially when you have something as unique and fantastic seeming as Suicide Squad on the horizon. By the time August comes around BvS will already be on home video outlets everywhere allowing more people to discover the film for the first time and for those who disliked it the first time, a chance to give it another shot and possibly warm up to it more. If Suicide Squad is indeed as good as its trailers have indicated so far Warner Bros. could essentially move the conversation in their favor and have people once again excited for next summer's Wonder Woman and possibly even next November's Justice League Part I. While the issue with director Zack Snyder is one that looms large over the Warner offices, Suicide Squad comes to us courtesy of acclaimed director David Ayer (End of Watch, Fury) so there is no reason to expect less than excellence from what Suicide Squad promises. Only time will tell, but I sincerely hope Warner Bros. doesn't take too much early action a la those "re-shoots" to make the film more "fun" and simply allows their films and the people behind them a little breathing room. Suicide Squad stars Will Smith, Margot Robbie, Jared Leto, Jai Courtney, Joel Kinnaman, Cara Delevingne, Viola Davis, Adewale Akinnuoye-Agbaje, Adam Beach, Jay Hernandez, Karen Fukahara, and opens on August 5th, 2016.

New Trailer & Posters for SUICIDE SQUAD

It seems strange that after last summers Comic-Con fiasco where Warner Bros. attempted to have the first footage of Suicide Squad taken down after it was pirated and leaked that they would already be releasing another trailer for the film. Given they were unsuccessful in having the footage removed and ultimately decided to release the high-quality version and because the movie doesn't come out for another six more months one would imagine another trailer would be held at least until the release Batman v Superman, but here we are. The CW aired a special tonight titled The Dawn of the Justice League hosted by Kevin Smith and Geoff Johns, Chief Creative Officer at DC Entertainment, and in lieu of simply giving another thirty second TV spot for Bats vs. Supes DC and WB opted for this two and a half minute peek at the second film in their cinematic universe that runs the risk of feeling old by the time the movie arrives in August. That said, the trailer is pretty fantastic and it's clear director David Ayer (End of Watch, Fury) is really in tune with this band of anti-heroes whose story he is conveying. While I would have kept more of Jared Leto's Joker in the shadows as the first trailer revealed just enough I won't say I wasn't excited to see the footage I just know I'd have been more pleased if I hadn't seen it until I saw it in the context of the film. Suicide Squad also stars Margot Robbie as Harley Quinn, Adewale Akinnuoye-Agbaje as Killer Croc, Will Smith as Deadshot, Jai Courney as Captain Boomerang, Cara Delevingne as Enchantress, Joel Kinnaman as Rick Flagg, Karen Fukuhara as Katana, Jay Hernandez as El Diablo, Viola Davis as Amanda Waller, as well as Jim Parrack, Adam Beach, Scott Eastwood, Common, David Harbour, Ike Barinholtz and opens on August 5, 2016.

Comic-Con Trailer for SUICIDE SQUAD

While many seemed to doubt the organizational skills of Warner Bros. when it came to their own comic book universe, their showing at Comic-Con this past weekend has certainly silenced many. With the one-two punch of Batman V. Superman: Dawn of Justice and now the first look at director David Ayer's (Fury, End of Watch, Training Day) Suicide Squad the DC comics universe is more than ready to stake their claim in todays cinematic landscape. The integration of both Batman and Superman into this world is already very much apparent as there are allusions to The Joker in the BvS trailer while we explicitly see that Ben Affleck's Batman is present in this footage. While I was concerned over how quickly WB seemed to put their plans for a rival comics universe in motion they also seem to have hired people who are very much in tune with the material and who share a common vision for the universe as a whole. It should be noted that WB attempted to have this footage taken down after it was pirated and leaked from Comic-Con on Saturday, but after being unsuccessful have decided to release the high-quality version. This move is defended by President of Worldwide Marketing and International Distribution for WB, Sue Kroll, who says they, "cannot continue to allow the film to be represented by the poor quality of the pirated footage stolen from our presentation.”  Suicide Squad also stars Margot Robbie as Harley Quinn, Adewale Akinnuoye-Agbaje as Killer Croc, Will Smith as Deadshot, Jai Courney as Captain Boomerang, Cara Delevingne as Enchantress, Joel Kinnaman as Rick Flagg, Viola Davis as Amanda Waller, as well as Jim Parrack, Adam Beach, Ike Barinholtz and opens on August 5, 2016. 

ANNIE Review

To set the stage: I've never seen any version of Annie other than the one I'm about to discuss here. I don't know that I would consider it essential viewing and by some off chance I never saw or read the stage play going through the public school system. Sure, I know a few of the famous songs that were spawned from the original production and I know the basic premise of what is going on, but anything more than that consider me in the dark. Having said that, I feel I can safely assume this latest version is a far cry from what the original had to offer, but that isn't the reason this modern day take on the story doesn't work. I was always somewhat hesitant to even be interested in the film as I am clearly not the target audience, but when the first trailer premiered I admit I was pleasantly surprised by the amount of careless fun that seemed to be brightly packaged with the pure pop confection giving the impression it would likely be a big holiday hit with the kiddos. These positive vibes were only reinforced when, upon doing a little further reading, I found out that Will Gluck would be at the helm of the project. Gluck, who has made three solid comedies since 2009 seems to direct what most have so much trouble doing with ease. There is a simplicity to his comedy that oozes naturally out of the characters he has at play and his pacing always compliments the rapid dialogue at which it is exchanged and thus at which the plot is advanced. Easy A is easily one of my favorite comedies of the last ten years as I've watched it more times than I can count and maybe one of the great high school comedies of all time. Needless to say, despite not being familiar with the material and despite knowing this wasn't going to be for me I was still excited to see Gluck work in a slightly different genre as well as what he might have to offer in terms of crafting a children's film that was both highly entertaining and insightful given the obvious emotion at the core of the given story. Unfortunately, this new Annie is anything but fun as it loses its energy and momentum soon after the opening number and is never able to regain that feeling for the remainder of the nearly two hour run time.

First Trailer for ANNIE

I've never been familiar with the story of Annie and have never seen any version of the stage play nor the 1982 film that I assume most would look toward as a point of reference, but it is hard to ignore the noise this one is making. I appreciate Will and Jada Smith as well as Jay-Z (we've always known he had an affinity for the musical) want to give young Quvenzhané Wallis a real shot at this movie star thing and not make her simply a flash in the pan that became the youngest Oscar nominated actress ever only to go on to not find her real acting chops until her mid-20's. I get it and I can appreciate that and the fact all of their friends like Jamie Foxx and Cameron Diaz were willing to jump in and help establish the young girls name by playing roles in a re-make that maybe don't suit their personas, but their names fill the bill and will no doubt have families butts in the seats come Christmas 2014 and this is the obvious choice because nothing screams the holiday season like a musical. The big question hanging over this one though is will anyone really care about it in the film community? No, is the definitive answer to that question and it is clear the film has not been made for the purposes of higher art, but simply to exist as a fun piece of entertainment that will keep kids occupied and their parents up to date on the latest trends as they can see what has been updated from the version they know and how the modernization makes this feel all the cooler to their kids, but will no doubt be just as dated as the previous versions in less time. I hold no prejudice against this new or any version of Annie, but that is only because I'm not familiar with them and so I will see this new adaptation because I enjoy the people partaking and director Will Gluck is a reliable source for solid comedy and so I hold nothing but optimism for this project, albeit cautious. Annie also stars Rose Byrne, Bobby Cannavale, Adewale Akinnuoye-Agbaje, David Zayas and opens on December 19th.

POMPEII Review

I've never been a big fan of director Paul W.S. Anderson as I've never even seen a single Resident Evil movie (though he's only directed three of the five) and while I did rather enjoy his 2008 re-make of Death Race that was as much due to the fact it starred Jason Statham as anything else. In light of that film and all of the facets that his 2011 Three Musketeers interpretation had going for it I was rather interested in seeing how it turned out, but I couldn't even make it through the entirety of that flick when I rented it at home and I doubt I would have made it through Pompeii either had I not been sitting in a theater. The story of the city of Pompeii is no doubt a fascinating one as what occurred in the aftermath of Mount Vesuvius exploding in 79 AD and wiping out the entire city, killing two thousand people, within a matter of moments and leaving everything covered in several feet of ash and rock, allowed those moments in time, those moments of fear and humanity to be captured, frozen in time and preserved for thousands of years creating a mystery around the city. It would be impossible not to delve into the stories that exist under the ash, but Anderson is not the director I would have chosen to create what is inherently an epic because once his name was attached it became immediately clear what type of film this would be and the final result proves nothing if not the fact he is a predictable and safe director. While it is only of my opinion, it would seem this kind of story lends itself to that of a gritty realism and an opportunity to ask and address bigger questions such as at the end of the world, what are we? This as well as investigating the human element of survival and of meaning under circumstances completely out of our control. Instead, Anderson makes the whole point of this film feel like a reason for the 3D technology to exist because watching fireballs zoom by and crash into ancient cities is more entertaining than story or character development. I'm all about having fun at the movies and being completely wrapped up in the outlandish worlds of pure popcorn entertainment, but Pompeii doesn't so much have a story as it does serve as an excuse to blow shit up on the biggest scale possible. It is a disaster movie that keeps its promise in terms of action, but only skims the surface of what the circumstances of these events bring to the lives of those who suffered under them.

BULLET TO THE HEAD Review

The three week Expendables solo project run comes to an end after The Last Stand, Parker, and now Bullet to the Head (though it could pick back up next week if you consider A Good Day to Die Hard a solo film for Bruce Willis). This final film in the three week rampage of bullets and brawn may or may not suffer from a bit of fatigue in the throwback action style that has now become so current and cool. Though Stallone is much smarter than anyone gives him credit for and still upholds the bar on which action movies are made to the highest he could possibly achieve this film suffers from a serious case of déjà vu as it echoes every cop or police procedural that you can see on cable TV week in and week out. Still, we know that to go into a Stallone film with as brash a title as Bullet to the Head is to expect exactly what it promises and to that degree the film delivers on all levels. Stallone's career was going nowhere fast as we entered the new millennium and so he proved to the studios he was still a valuable asset by adding films to his Rocky and Rambo franchises and then really revived his career by writing, directing and rounding up an all-star cast of current and yesteryear actioners for The Expendables. In doing this he has allowed himself and his older colleagues to return to making the movies they have a special place in their heart for. Though neither Arnold Schwarzenegger's nor this effort were able to find much of an audience in their opening weekend each of these films seem destined to be fun enough when considered against the rest of these guys filmographies.