SEVENTH SON Review

With it being the time of year it is one knows exactly what they are getting into when buying a ticket to Seventh Son. It is as simple as that, really. Even after only reviewing films legitimately for a couple of years it has become something of a tradition to walk into a sci-fi/fantasy film that has for one reason or another experienced production issues and been delayed because of it and this year begins no differently as Seventh Son is clearly looking to continue an unwanted trend that the likes of Hansel and Gretel: Witch Hunters and I, Frankenstein have made customary as of late. A perfectly average fantasy film within the constraints of the fantasy genre, Seventh Son suffers only from being rather boring in spots with not enough narrative umph to push it towards what feels like the obligatory two-hour mark. It is a movie you know and recognize before it even begins and once it does you recognize every beat because it has seemingly pulled something from every other movie of the same vein. The music is reminiscent of any Hans Zimmer score you've heard over the past few years or any of its multiple imitators after The Dark Knight and it feels like they took the backlot of any number of films set in medieval times and re-used it with no updates or customizations. The stars, Jeff Bridges and Julianne Moore, do what they can without any kind of character development and Bridges, more than anyone else, seems to have taken this on more for a paycheck while delivering a performance so ridiculous he seemed to be testing the limits of just how far his credentials might get him. It is both hilarious at times and incomprehensible at others. I couldn't tell whether or not the pedigreed actor was really trying to develop an original character at first, but by the time he's fighting his third CG monster I imagined any kind of effort that might have been sparked from reading the formulaic script was all but dead and he was just having some fun. I can't really defend the film and there's no reason to. I had a fine enough time with it as I knew what I was getting into and it aligned with those expectations. No more. No less.

HOW TO TRAIN YOUR DRAGON 2 Review

Having re-watched the first installment of Hiccup and Toothless' adventures the night before venturing into the sequel I wondered how things might hold up. I remembered going into How to Train Your Dragon (HTTYD) with nothing in terms of expectations, but looking more for a care-free movie going experience. Clearly, what was found in the film that night was something much more substantial, something special that came completely out of left field and took me by surprise. HTTYD not only exuded a fun, adventure story but it developed relationships to the point of authenticity whether they were between Hiccup and his father, his friends or his dragon. In the four years since the release of the first film it feels only more and more good will have built up for it which built a mounting set of expectation for the sequel, one that would pick up in real time and have the glorious advantage of being summer 2014's animated record-setter. Besides a sequel to last years Planes from Disney that was intended for direct-to-DVD release anyway, Hiccup and Toothless have the season all to themselves and needless to say they take full advantage of it. How to Train Your Dragon 2 (HTTYD2) takes what we enjoyed about the first film and places things on a grander scale, but not because that's necessarily what sequels should do but because with their dragons the people of Berk have a much bigger world to explore. This idea of scope is introduced early when Hiccup skips out on a dragon racing competition and instead has taken Toothless out to explore in hopes of discovering new lands. Hiccup is putting together a map of what he discovers, essentially attempting to piece together the world he lives on. It is an admirable goal and one that shows how much the boy has grown since we last met him. Hiccup's consistent quest to push the envelope and discover the fascinating things around him has not subsided but the scale on which he pursues his inquisitiveness has only been heightened which helps to further define why he is such an interesting and worthy protagonist. He has grown into his lanky build and his just out of bed hairstyle is working much better for him these days, but while all seems well we know there can only be a sequel if trouble is brewing right around the corner. HTTYD2 does its best to make these consequences not feel like a necessity but more the natural progression of Hiccup's adventures and they do and we are all the better off for it.

POMPEII Review

I've never been a big fan of director Paul W.S. Anderson as I've never even seen a single Resident Evil movie (though he's only directed three of the five) and while I did rather enjoy his 2008 re-make of Death Race that was as much due to the fact it starred Jason Statham as anything else. In light of that film and all of the facets that his 2011 Three Musketeers interpretation had going for it I was rather interested in seeing how it turned out, but I couldn't even make it through the entirety of that flick when I rented it at home and I doubt I would have made it through Pompeii either had I not been sitting in a theater. The story of the city of Pompeii is no doubt a fascinating one as what occurred in the aftermath of Mount Vesuvius exploding in 79 AD and wiping out the entire city, killing two thousand people, within a matter of moments and leaving everything covered in several feet of ash and rock, allowed those moments in time, those moments of fear and humanity to be captured, frozen in time and preserved for thousands of years creating a mystery around the city. It would be impossible not to delve into the stories that exist under the ash, but Anderson is not the director I would have chosen to create what is inherently an epic because once his name was attached it became immediately clear what type of film this would be and the final result proves nothing if not the fact he is a predictable and safe director. While it is only of my opinion, it would seem this kind of story lends itself to that of a gritty realism and an opportunity to ask and address bigger questions such as at the end of the world, what are we? This as well as investigating the human element of survival and of meaning under circumstances completely out of our control. Instead, Anderson makes the whole point of this film feel like a reason for the 3D technology to exist because watching fireballs zoom by and crash into ancient cities is more entertaining than story or character development. I'm all about having fun at the movies and being completely wrapped up in the outlandish worlds of pure popcorn entertainment, but Pompeii doesn't so much have a story as it does serve as an excuse to blow shit up on the biggest scale possible. It is a disaster movie that keeps its promise in terms of action, but only skims the surface of what the circumstances of these events bring to the lives of those who suffered under them.