PIXELS Review

This is not your yearly dose of Dennis Dugan's Adam Sandler if that's what you're thinking. No, as big as Pixels looks in its marketing it actually is on the big screen. There seems to have been no expense too big, which includes flawless special effects, big action set pieces, legitimate craftsmanship and, unfortunately for Sandler, the hiring of quality actors to play opposite him that only stand to make him look all the more lazy. While this isn't your typical Dugan/Sandler fest in the vein of Grown Ups or Jack and Jill it is still Sandler phoning it in, doing what he's done every summer since about 2002 when Mr. Deeds more or less set him on a patterned course. There have naturally been deviations both in his comedy and into more serious territory since then, but the comedian always returns to his safe zone and delivers exactly what he believes his teen and contemporary audiences want from him. There is too much going on in Pixels for this to count purely as another Sandler bomb though and fortunately Pixels won't be judged on the immediate reactions of modern critics looking to dismiss the movie because of a single component before even walking into the theater. It is sometimes shocking, the vitriol which is spewed in Sandler's general direction, but I admit the majority of it is well-founded. With Pixels though, it will be the children of today who truly define what role this film will play as part of our pop culture society. In case you are unfamiliar with the name Chris Columbus (and no, not the Italian explorer) he is the guy that brought to life some of my generations favorite childhood films whether they be both Home Alone 1 and 2, Mrs. Doubtfire or even the first two Harry Potter films. Columbus has a knack for tapping into what makes kids enlist their truest sense of wonderment and he seems to have modernized that technique here while still remaining true to the decade that gave him his start. I'm not saying Pixels is as good as anything else in Columbus's filmography, but I am saying kids will love this movie and likely champion it through their teenage years and into their twenties as a haze of nostalgia will keep their love of it intact.

First Trailer for PIXELS

While Men, Women & Children along with The Cobbler were expected to be something of beginning to an Adam Sandler renaissance they proved non-starters when both received less than flattering reviews at last years Toronto International Film Festival with The Cobbler showing up on Amazon Prime last weekend to almost no ones awareness. So, what exactly does Sandler have to do to rejuvenate his officially fading career. Sure, the Grown Ups films have made solid returns and actually pushed the Sand Man to do his first sequel ever after the likes of That's My Boy and Jack & Jill tanked, but where Sandler has really found success  as of late was with his voice work in Hotel Transylvania. While he has already finished work on the sequel to that 2012 smash he is returning to live-action films aimed at children in director Chris Columbus’ latest film. In what they seem to hope will capitalize on the appeal of Wreck-It Ralph this latest attempt to capitalize on nostalgia revolves around a group of 80's arcade game champions who are called upon to help defend Earth from alien invaders who misinterpreted those classic arcade games as a declaration of war. Regardless of what this film might be jumping on the bandwagon of I can't help but to be both excited and hopeful that this is the one that finally puts Sandler back in somewhat good graces. Pairing Sandler with the likes of Columbus (Home Alone, Harry Potter and the Sorcerer’s Stone) is an inspired choice and the two would seemingly have the right mix of mentalities to pull something like this off perfectly, plus the supporting cast that includes the likes of Peter Dinklage, Michelle Monaghan, Josh Gad, Brian Cox and Kevin James doesn't hurt either. Pixels opens in theaters on July 24, 2015.

THE WEDDING RINGER Review

Writer/director Jimmy Garelick and star Kevin Hart know what they have on their hands with The Wedding Ringer. It is clear from the first moment Hart shows up on screen and they wear it on their sleeve with a badge of honor. In what is essentially a mash-up of Wedding Crashers and I Love You, Man as well as any other movie you've ever seen with "wedding" in the title there is nothing innovative or unconventional about this film, but it has its laughs and that's all that really matters. With that, the film breezes through its expected beats with a care-free tone and consistent laugh factor that kept the audience I saw it with rolling (granted, they did get to see it for free). Still, this is a film that not much was initially expected of and, if anything, solidified the fact that studios were definitely trying to mold Hart into the next Adam Sandler as here the comedian is blatantly ripping on the title of Sandler's 1998 hit. Sandler is currently experiencing something of a slight drought in bankability and so the studios have moved in on who else they might turn to and Hart has proven a winning candidate so far. The man will allow them to throw together slapdash efforts of films that will turn huge profits on minuscule budgets year after year while trusting that the on-set riffs and improvisations are enough to satisfy audiences need for laughter. Yes, The Wedding Ringer is no doubt a film put together by a committee to appeal to as many people as possible and yes, it is predictable, slightly sexist with a cast of male chauvinist pigs at the core and never aspires to be more than it has to be, but in initially setting its bar so low it doesn't have as hard a time surpassing that bar. I realize this isn't high art, but it's not intended to be and so, for what it's worth, I found the film to be highly entertaining, extremely funny at parts and a raunch aspect that serves to ease the fact this is little more than a rom-com from the perspective of the fellas. The Wedding Ringer is what it is and if you buy a ticket knowing that, you'll get what you want. I wanted a mindless comedy and that's what I was given so consider me a happy customer, Mr. Hart.