SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Matt Lintz. Show all posts
Showing posts with label Matt Lintz. Show all posts

PIXELS Review

This is not your yearly dose of Dennis Dugan's Adam Sandler if that's what you're thinking. No, as big as Pixels looks in its marketing it actually is on the big screen. There seems to have been no expense too big, which includes flawless special effects, big action set pieces, legitimate craftsmanship and, unfortunately for Sandler, the hiring of quality actors to play opposite him that only stand to make him look all the more lazy. While this isn't your typical Dugan/Sandler fest in the vein of Grown Ups or Jack and Jill it is still Sandler phoning it in, doing what he's done every summer since about 2002 when Mr. Deeds more or less set him on a patterned course. There have naturally been deviations both in his comedy and into more serious territory since then, but the comedian always returns to his safe zone and delivers exactly what he believes his teen and contemporary audiences want from him. There is too much going on in Pixels for this to count purely as another Sandler bomb though and fortunately Pixels won't be judged on the immediate reactions of modern critics looking to dismiss the movie because of a single component before even walking into the theater. It is sometimes shocking, the vitriol which is spewed in Sandler's general direction, but I admit the majority of it is well-founded. With Pixels though, it will be the children of today who truly define what role this film will play as part of our pop culture society. In case you are unfamiliar with the name Chris Columbus (and no, not the Italian explorer) he is the guy that brought to life some of my generations favorite childhood films whether they be both Home Alone 1 and 2, Mrs. Doubtfire or even the first two Harry Potter films. Columbus has a knack for tapping into what makes kids enlist their truest sense of wonderment and he seems to have modernized that technique here while still remaining true to the decade that gave him his start. I'm not saying Pixels is as good as anything else in Columbus's filmography, but I am saying kids will love this movie and likely champion it through their teenage years and into their twenties as a haze of nostalgia will keep their love of it intact.