FLORENCE FOSTER JENKINS Review

It was late in the summer of 2009. The first weekend of August with the understanding I was now closer to starting a new semester instead of the end of the last one. The Hangover was the break out flick of the summer, Harry Potter and the Half Blood Prince had us all on pins and needles waiting for the two-part finale that wouldn't come around for more than a year and G.I. Joe had just extinguished any hope of it actually being decent after checking it off on its opening Friday night. And so, just like summer that first weekend in August was coming to an end, but before it did a friend asked me if I wanted to join him and a few others to see Julie & Julia on that Sunday afternoon. I wasn't familiar with Julia Child, I wasn't overly interested in the film, but I knew Meryl Streep was in it and who doesn't have a soft spot for Nora Ephron, right? Strangely enough, Julie & Julia has become one of those movies that hits just the right comforting spot when in need of something to view on a rainy night or lazy weekend afternoon. It is a unique true life story that is able to convey some major life themes and the struggles as much entails through something we all, to some degree, have in common: cooking. All of this is to say that, given the time of year and somewhat similar subject matter (true story, I mean) I was hoping to have very much the same warm reception to this new Streep vehicle as I did that Ephron's final picture. To be fair, Florence Foster Jenkins has a lot of charm and beyond the obvious intrigue of having one of the planet's greatest actors in the lead with such steadfast support from Hugh Grant and a notable turn from The Big Bang Theory's Simon Helberg not to mention the film was directed by Stephen Frears (The Queen, Philomena). Essentially, the credentials for this thing are through the roof as far as creating something reliably entertaining goes, but that's the thing-Florence Foster Jenkins is reliable and little more. The film hits the expected and necessary moments for the audience to understand the story and feel just enough sympathy for the right characters, but there is nothing about the film that transcends the standard or average conventions this type of movie fits into. This is a bit ironic considering the film tells the story of a woman who defied conventions and expectations despite not having the talent to match her ambition whereas this feature film version of her life has all the talent and tools at their dispense to defy as much, but delivers a final product more tedious than tremendous.

WOMAN IN GOLD Review

Woman in Gold is a perfectly fine film. It is as competent as it is generic. The issue with the film though is that it so clearly wants to be more than that. It has a sense of needing to feel important based on the origins of its story when, in reality, the fashion with which it's told and the narrative structure it's delivered through make it appeal as little more than light, afternoon fluff with only a slight edge in existing over something that is purely melodramatic. There is nothing wrong with being no more than an afternoon distraction or even a slight piece of information that serves to highlight little known aspects of major events we've heard about time and time again, but Woman in Gold, while recognizing a number of themes dealing with mortality, isn't the heavy handed drama it seems to want to be or thinks it is. And so, while director Simon Curtis (My Week With Marilyn) and first-time screenwriter Alexi Kaye Campbell may or may not have been aiming for one thing by casting Helen Mirren in a role so perfect for Helen Mirren it's almost cliche to have her actually play it and doing the opposite with Ryan Reynolds as he plays against type while dealing with a story that involves Nazi's it would of course seem one would have the perfect formula for a pre-packaged Oscar contender. What Curtis and Campbell have actually delivered though is ironically something largely opposite the heady and often too artsy for mainstream movie-goers the Academy does nominate in delivering a by the numbers account of a true story that both rouses the human spirit and will no doubt be appreciated by older audiences for its clean sense of class and respect for history. More times than not it is the straightforward, fluff-type films that serve ones interests better and for that, Woman in Gold has nothing to be ashamed of simply because it doesn't reach the heights it seemed manufactured to scale. I'm not necessarily saying this is a film worth seeking out, but it definitely isn't a bad option if you're looking for something to take your (grand)parents to this weekend.