SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Stanley Townsend. Show all posts
Showing posts with label Stanley Townsend. Show all posts

FLORENCE FOSTER JENKINS Review

It was late in the summer of 2009. The first weekend of August with the understanding I was now closer to starting a new semester instead of the end of the last one. The Hangover was the break out flick of the summer, Harry Potter and the Half Blood Prince had us all on pins and needles waiting for the two-part finale that wouldn't come around for more than a year and G.I. Joe had just extinguished any hope of it actually being decent after checking it off on its opening Friday night. And so, just like summer that first weekend in August was coming to an end, but before it did a friend asked me if I wanted to join him and a few others to see Julie & Julia on that Sunday afternoon. I wasn't familiar with Julia Child, I wasn't overly interested in the film, but I knew Meryl Streep was in it and who doesn't have a soft spot for Nora Ephron, right? Strangely enough, Julie & Julia has become one of those movies that hits just the right comforting spot when in need of something to view on a rainy night or lazy weekend afternoon. It is a unique true life story that is able to convey some major life themes and the struggles as much entails through something we all, to some degree, have in common: cooking. All of this is to say that, given the time of year and somewhat similar subject matter (true story, I mean) I was hoping to have very much the same warm reception to this new Streep vehicle as I did that Ephron's final picture. To be fair, Florence Foster Jenkins has a lot of charm and beyond the obvious intrigue of having one of the planet's greatest actors in the lead with such steadfast support from Hugh Grant and a notable turn from The Big Bang Theory's Simon Helberg not to mention the film was directed by Stephen Frears (The Queen, Philomena). Essentially, the credentials for this thing are through the roof as far as creating something reliably entertaining goes, but that's the thing-Florence Foster Jenkins is reliable and little more. The film hits the expected and necessary moments for the audience to understand the story and feel just enough sympathy for the right characters, but there is nothing about the film that transcends the standard or average conventions this type of movie fits into. This is a bit ironic considering the film tells the story of a woman who defied conventions and expectations despite not having the talent to match her ambition whereas this feature film version of her life has all the talent and tools at their dispense to defy as much, but delivers a final product more tedious than tremendous.