Showing posts with label Ana Dela Cruz. Show all posts
Showing posts with label Ana Dela Cruz. Show all posts
THE FAULT IN OUR STARS Review
What makes The Fault in Our Stars such a massive yet precise story is that in its universal themes we find the story of young love. You can call young love universal as everyone's lives have no doubt been touched with some slight experience of it. To couple that young love with the less innocent, more universally crushing realities of knowing someone who suffers from the malady we call cancer make it all the more affecting. The Fault in Our Stars, a film based on a young adult novel that features a different kind of lead female heroine is not so much a story intent on making you cry, but at the very least intent on making you realize. As written by John Green we experience the trials and tribulations of being a teenager with cancer through the eyes of Hazel Grace Lancaster. Hazel Grace, as she is so lovingly and consistently referred to by the great star-crossed love of her life, is a highly articulate and intelligent young woman whose diagnosis (because to say battle or fight would be to label the situation as something it so clearly isn't in the way we typically think of those terms) has allowed her serious perspective for her age. For Hazel everything is about perspective and everything that consumes her life is a measure of leaving as little hurt as possible behind when, not if, she dies. This selflessness is admirable and we understand her reasoning despite the fact our natural tendencies are to make sure we leave some kind of legacy, but it is this string of thought, and this need to feel substantial that comes to form the backbone of the relationship that develops between Hazel and Augustus Waters. As a film, this story is still able to exist solely within the view of Hazel and how she appropriately approaches her world. As she tells her story there is never a sense of pretension or ingenuity that would strike one of expounding these ideas on others solely for the satisfaction of the attention it might receive. Hazel's ideas instead simply relay a story that meant a lot to her as Peter Van Houten and his novel, An Imperial Affliction, did for her. She doesn't need the acknowledgments or the congratulations to know she and her love story are appreciated. It is in the power that has come in the form of the real-world reaction to this material that we believe in Hazel Grace and that the tears she causes come from the most sincere of places.
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