SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Milica Govich. Show all posts
Showing posts with label Milica Govich. Show all posts

THE FAULT IN OUR STARS Review

What makes The Fault in Our Stars such a massive yet precise story is that in its universal themes we find the story of young love. You can call young love universal as everyone's lives have no doubt been touched with some slight experience of it. To couple that young love with the less innocent, more universally crushing realities of knowing someone who suffers from the malady we call cancer make it all the more affecting. The Fault in Our Stars, a film based on a young adult novel that features a different kind of lead female heroine is not so much a story intent on making you cry, but at the very least intent on making you realize. As written by John Green we experience the trials and tribulations of being a teenager with cancer through the eyes of Hazel Grace Lancaster. Hazel Grace, as she is so lovingly and consistently referred to by the great star-crossed love of her life, is a highly articulate and intelligent young woman whose diagnosis (because to say battle or fight would be to label the situation as something it so clearly isn't in the way we typically think of those terms) has allowed her serious perspective for her age. For Hazel everything is about perspective and everything that consumes her life is a measure of leaving as little hurt as possible behind when, not if, she dies. This selflessness is admirable and we understand her reasoning despite the fact our natural tendencies are to make sure we leave some kind of legacy, but it is this string of thought, and this need to feel substantial that comes to form the backbone of the relationship that develops between Hazel and Augustus Waters. As a film, this story is still able to exist solely within the view of Hazel and how she appropriately approaches her world. As she tells her story there is never a sense of pretension or ingenuity that would strike one of expounding these ideas on others solely for the satisfaction of the attention it might receive. Hazel's ideas instead simply relay a story that meant a lot to her as Peter Van Houten and his novel, An Imperial Affliction, did for her. She doesn't need the acknowledgments or the congratulations to know she and her love story are appreciated. It is in the power that has come in the form of the real-world reaction to this material that we believe in Hazel Grace and that the tears she causes come from the most sincere of places.