COCO Review

At the heart of all Pixar films there is a journey. There’s the journey to get the thing or the person to the place in order to save the day. This is a template Disney and Pixar have used time and time again in order to ensure a structure and beats that the youngest of audience members can seemingly recognize and appreciate, but I didn’t consider this initially. As an adult viewer I was simply bummed to discover that the studio was once again leaning on this crutch in Coco in order to convey what seemed to be a unique narrative from a marginalized culture. Inside Out did the same thing when it took all of these original ideas and concepts it had and then used them in service of the heroes journey arc we've seen countless times before, and especially in films whose target audience is largely children. What Inside Out did to ultimately reverse this expectation by the end of the film was to of course use that template in service of those original ideas and concepts as a way to explore them as well as the ideas and themes the filmmakers were keen on conveying. It worked. I teared up. Coco more or less does the same thing in that this is a heroes journey of self-discovery for our protagonist, Miguel (voice of Anthony Gonzalez), and it is an entertaining one at that, but while these familiar beats are present to allow the younger audience members a sense of connection and understanding it is the emotional strands of family, legacy, and pride in that family history that are woven throughout this otherwise standard structure to be the connective tissue for what Coco is truly meant to represent. This dawned on me as the credits began to roll and I was feeling content with what I'd just experienced if not bowled over by the visual prowess that Pixar is now achieving, but as I looked down at my three year-old daughter sitting next to me and asked her if she enjoyed the movie it became obvious as to why there needs to be this accessible structure by which the character's and their story arcs relate to younger viewer's otherwise Pixar would strictly be making films for adults. Pixar does make films for adults wrapped in the facade of colorful children's fables, we've known this for years, but with Coco it became more evident why this approach has been so important in that, as my three year-old grows up and continues to watch Coco, she will only gain more from it on each viewing. In this way, Coco carries on the great tradition of Pixar while continuing to diversify and expand that special brand it has now seemingly perfected.

Official Trailer for Disney & Pixar's COCO

Disney and Pixar have released the second, official trailer for what what will be their second feature to be released this year. Not waiting for Cars 3 to hit theaters next week, the studio is getting a slight jump on their trilogy capper and while I'm not remotely excited to see a third Cars movie these Coco trailers continue to intrigue. Coco is the one to look forward to this year though, as it offers the first original story from the studio since the one-two punch of Inside Out and The Good Dinosaur in 2015. With this official trailer we are again treated to a clip of the film's protagonist, a young boy named Miguel (voice of  Anthony Gonzalez), who we are told is the first living person to ever visit the Land of the Dead. All of this is beautifully rendered in warm colors with tinges of infectious melodies due to Miguel's ancestry and their seeming affinity for music, but the weight of the film seems to still very much rest on what themes the narrative might actually be grappling with. Knowing only that Coco, like 2014's The Book of Life, would in one way or another incorporate Día de Muertos or the Mexican holiday known as the Day of the Dead it might be easy to assume what ideas around death and remembrance that Disney and Pixar might utilize, but I still wasn't sure what to expect. Hinting at ideas of legacy and influence and the amalgamation of what such words can lead to all conveyed through this specific cultural event that honors as much it seems Coco certainly has the potential to be one of those Pixar features that seems to be reaching for more and with the already impressive visuals highlighted here as well as the sense of humor the film will carry I can't wait to see the journey on which the film takes us. Coco also features the voice talents of Gael García Bernal, Benjamin Bratt, Renée Victor, Sofía Espinosa, Luis Valdez, Lombardo Boyar, Edward James Olmos, Gabriel Iglesias, Cheech Marin, Blanca Araceli,and opens on November 22nd, 2017.

Teaser Trailer for Disney & PIxar's COCO

Disney and Pixar have released the first look at what will be their second feature to be released this year after this summer's Cars 3 in Coco. Not waiting for Cars 3 to hit theaters before they ramp up the marketing push, the studio is getting a slight teaser out in front of this week's Beauty and the Beast and oh, what a teaser it is. Having never been a fan of the Cars franchise and always being slightly disappointed when that is what comes up on the roster for the year in Pixar it was always reassuring to know there would be another, original Disney/Pixar movie coming down the line not too long after. Cars 3 will do well enough and do its job of selling merchandise far and wide, but Coco is the one to look forward to this year as it offers the first original story from the studio since the one-two punch of Inside Out and The Good Dinosaur in 2015. Getting back to the trailer though, the clip begins by highlighting a young boy named Miguel and his infatuation with what we are led to believe is a family member who was famous for his musical talents in which Miguel also shares a passion. All of this is beautifully rendered in warm colors with tinges of infectious melodies, but the real weight comes when the text outlines what the narrative might actually be grappling with. Knowing only that Coco, like 2014's The Book of Life, would in one way or another incorporate Día de Muertos or the Mexican holiday known as the Day of the Dead I wasn't sure what to expect, but as this teaser highlights it will seemingly reach for more than just the fantastic visual sense the holiday might bring to the screen, but it will capture the essence-the soul-of why such a day is celebrated rather than mourned over. The text throughout the trailer tells the audience, "We are all a part of those who came before," hinting at ideas of legacy and influence and the amalgamation of what such words can lead to all conveyed through this specific cultural event that honors as much. In short, this is one of those Pixar features that seems to be reaching for more and with that already impressive piece of the score highlighted here as well as the visuals towards the end I can't wait to see the journey on which the film takes us. Coco features the voice talents of Anthony Gonzalez, Gael García Bernal, Benjamin Bratt, Renée Victor, and opens on November 22nd, 2017. 

DOCTOR STRANGE Review

From the outset where Marvel Studios shows off its brand new logo that features clips of its heroes in action from previous films rather than clips of art from their older comic books it is clear just how much of a brand this studio and their particular type of super hero films have become. What is more telling though, is just how aware Marvel is of this fact and how boldly they state their accomplishments in this re-branding of their title card. This slight boasting by the company sets up good and bad expectations for the film that proceeds it as Doctor Strange very much operates within the familiar world Marvel has built while at the same time reminding us of just how high Marvel can fly leaving this rule of a movie to be something of a letdown. Of course, that is the one glaring barrier all Marvel movies now have to overcome in how do they not just play as large scale TV episodes, but more singular stories that feel worthy of the big screen treatment. It's not necessarily that Dr. Stephen Strange isn't worthy of such treatment, but more in the pantheon of all Marvel has done before and all it plans to do in the future this initial outing with the soon-to-be Sorcerer Supreme feels as brisk and as superfluous to the Marvel Cinematic Universe as The Incredible Hulk now ranks. Not that Doctor Strange doesn't introduce a whole new dimension of possibilities to the MCU, but were this film to not work out the way Marvel expects it to for some reason they could essentially ignore its existence and move on with the physical dangers the film tells us The Avengers protect our world from. That won't happen, of course, but that's the type of indifferent feeling director Scott Derrickson's (The Exorcism of Emily Rose, Sinister) take on a Marvel property unfortunately conjures up. Making this worse is the fact that Doctor Strange features some of the more daring and downright trippy visuals that have been seen in a Marvel movie as well as some of the weirder sequences in the studios filmography that, while visually enchanting, make it even more apparent just how standard the narrative is. Why Marvel and Kevin Feige were willing to go out on something of a risky limb with their visuals as well as just how far Strange can push his powers, but not with the story that brings the titular Doctor into the world of magic and mysticism is a little perplexing, but at the end of the day it's clear this is a board room picture designed to change up Marvel's winning formula just enough so as to appear to be something new and different, but what in reality will rely on the same tricks that have guaranteed consistent hints for eight years now.

THE INFILTRATOR Review

The Infiltrator opens with a nice little tracking shot through a 1985 bowling alley as Rush plays on the soundtrack and arcade games make up the lighting. We're informed we're in Tampa yet we're following a man with hair so black it can't be natural and who is wearing a jacket in what is no doubt an insanely hot summer. Something feels off. When the camera finally pans around from the back of the figures head to reveal Bryan Cranston's face and all the stories it tells with its many cracks and crevices, but still ruggedly handsome and definitive features most will know the set-up we've been dropped into. Given the context clues provided not only by the title of the film, but by what we see in the opening seconds it is clear Cranston is undercover and is preparing for a moment of some sort. He's effortless in his adaptation of the customs and dialect in which the men he's now keeping company with do business. From here we are given a brief and subtle glimpse of how adept Cranston's character, who we come to learn is U.S. Customs and Drug Enforcement Agent Robert Mazur, actually is at modifying his persona and adjusting to whatever the situation might call for which will naturally inform moments later in the film to be filled with even more tension once we become invested in the characters. In all honesty, you've seen this movie before. It is easy to pick up on the beats of the story and understand where things are headed even if the real life events this film depicts are likely much more complicated than we're led to believe. By containing this story to what are more or less genre trappings though, director Brad Furman (The Lincoln Lawyer) doesn't limit the power of the story or the tension that unfolds from these moments, but rather gives what is undoubtedly a sprawling epic guidelines by which the highlights and necessary information of Mazur's story can be communicated to a mass audience in a clear and effective way. The Infiltrator may feel somewhat familiar in its execution, but the exceptional cast led by Cranston and by virtue of the unique details that make up the familiar plot there is much to be taken from the film if one is looking for a white-knuckle crime drama worthy of that descriptor.

RIDE ALONG 2 Review

The first Ride Along movie came out a little over two years ago. I saw that movie in theaters opening weekend, but admittedly haven't returned to the film and never felt any desire to do so (there are much better Kevin Hart comedies out there if you need to fill your Hart quota). Going into this unnecessary, but inevitable sequel (the first earned $134 million domestically on a $25m budget) I attempted to conjure up some type of memory of that first film, but other than the basic premise I had nothing. I couldn't even recall enough to know where they might go with things in this sequel. As it turns out, and if I remember correctly, not much has changed. Hart is basically still at security guard status in terms of how Ice Cube thinks of him and the whole point of the endeavor this time around is so that Hart's rather ignorant and annoying character might prove himself good enough to be a detective rather than simply a police officer. The effort put into story here is almost insulting as writers Phil Hay and Matt Manfredi (two of the four original screenwriters) essentially throw a bunch of clichés at us while having Hart's character try and comment on how clichéd they are by correlating them to the Grand Theft Auto-like video game that he's obsessed with. If you're wondering, yes, playing video games along with the online persona he's created in "Black Hammer" are the biggest character developments of Hart's character that we get. As for Cube, he sticks with the same, stern attitude that hates to put up with his partner's incessant talking, but is somehow okay with this guy marrying his sister and being a part of his life for the foreseeable future. It is this daunting thought that gives way to the epiphany of allowing Hart's Ben Barber to accompany his James Peyton to Miami for what is supposed to be a quick trip to obtain and question a witness. Of course, things don't go as planned and bigger crimes are connected to even bigger crime bosses and you know what beats this thing is going to hit and where it's going from the beginning.

First Trailer for RIDE ALONG 2 Starring Kevin Hart

In January of 2014 Kevin Hart continued his roll of starring in every comedy imaginable and out of all those attempts hit franchise gold in one of them. Cut to two years later and we will receive the sequel to Ride Along. Director Tim Story (Barbershop, Fantastic Four, Think Like A Man-the guy apparently knows sequels) has reunited Hart with Ice Cube and the first trailer just so happened to drop today, on the eve of the release of Straight Outta Compton. The original was average at best, but this time around Hart and Cube are taking their antics to Miami and some of the bits at play here have some strong potential (though I wish they wouldn't have given away as many). The Tyrese cameo, for instance, seems pointless to have in the trailer given he doesn't say a word, but would serve as a nice surprise when they infiltrate the Miami street racing scene (let's just hope Ludacris is on board too). Maybe with cinematic universes becoming such hip things Hart and Cube's characters could eventually team-up with Will Smith's Mike Lowrey and Martin Lawrence's Marcus Burnett, but given we're talking different studios that seems unlikely (I would love to see Lawrence and Hart in a comedy together, though). That said, it does feel like this unnecessary but warranted sequel is trying to emulate the Michael Bay production with the Miami police force aspect that introduces characters played by Olivia Munn and Ken Jeong. Regardless of if this turns out to be utter crap or not, I can't help but laugh at Ice Cube getting angry so I'll no doubt end up seeing it for that alone. Ride Along 2 also stars Benjamin Bratt, Glen Powell, Bruce McGill, Tika Sumpter Sherri Shepherd and opens on January 15, 2016.

CLOUDY WITH A CHANCE OF MEATBALLS 2 Review

Back in 2009 I walked, unsuspecting, into an IMAX theater on a rainy, early morning looking to fill my day with nothing but pure escapism and hopefully a little fun. It was a weekday and no one else was in the theater and so I sat in what I could most accurately pinpoint as the center of this massive room and kicked back in front of the largest screen my state has to offer to watch an animated film. I had no expectations, but I was beginning to attempt to see as many films as possible so I could write about them regularly and though I hadn't heard much about this smaller, but impressively cast flick I was excited because the great Bill Hader was getting a leading role and I'd heard good things about the source material it came from. Needless to say, I came out of Cloudy With a Chance of Meatballs having done nothing short of escaping the dreary day outside and getting wrapped up in the story of Flint Lockwood and Swallow Falls. Not only had the film provided gorgeous animation to drench the world and its creations in, but it was relentlessly funny. I laughed from beginning to end. Directors Chris Miller and Phil Lord (21 Jump Street) had given the film a quirky sense of humor and a pacing that never allowed the audience to get hung up on anything they didn't want them too, keeping the focus on Flint and his invention while littering this world with interesting and funny supporting characters that added layers and layers of, well, character. Once again, needless to say, I was slightly worried when they announced a sequel, but not because I wasn't interested in the further adventures of Flint and his gang, but because Miller and Lord wouldn't be returning to the directors chairs and what set the film apart from the rest of the pack was its off-brand of humor and break-neck pacing that matched its protagonists energy. Cody Cameron and Kris Pearn do well to take notes from their predecessors though as they allow Cloudy 2 to pick up the comedic end of the stick and run with it while delivering all the food puns you could ever hope to enjoy. In a year filled with sub-par animated features, Cloudy With a Chance of Meatballs 2 stands to be the funniest and most enjoyable trip of the year.

DESPICABLE ME 2 Review

When a movie only happens because the first was a surprise hit it more times than not has a sense it exists because the iron was hot rather than there being any ideas of value proposed to continue the story. Thus is the dilemma the makers of Despicable Me 2 likely encountered when the small Illumination Entertainment company scored a $540 million worldwide hit with the original film. Naturally, the studio was quick to get to work on a follow-up and now that the minions have become a cultural mainstay with a feature of their own on the way the anticipation for the second installment in what will no doubt become a more extensive series was sky high. The influence of the charming first installment looms over this uneven sequel though and unfortunately that doesn't always bode well as their is plenty going on here, but nothing really feels like it happens. It doesn't make a whole lot of sense if I'm being completely honest because the voice cast is on point, the story is a surprisingly natural extension of where the first one left off and though the animation itself is nowhere up to the standards of titan studios like Pixar, enough care is taken in the execution of the film to include countless side jokes, little details that add real personality to the characters and even a story arc for the minions, but in the end that doesn't make a complete film that is as satisfying as it should be. It is tough to explain and is really disappointing because I genuinely loved the first film and was very much looking forward to this sequel despite the fact I have no small children as excuses to go and see this, but was more than willing to walk up and buy a ticket with my head held high. Maybe it is indeed the fact I had such high expectations going in that I was somewhat let down by what was delivered, but either way it should be understood that Despicable Me 2 is not a bad film by any means, but it is purely an average film that takes advantage of the minion popularity and eager parents willing to shell out money on premium 3D tickets and countless other merchandise opportunities while the film itself feels rushed in all the human aspects it tackled so originally, or at least more interestingly, in the first film.

First Trailer for CLOUDY WITH A CHANCE OF MEATBALLS 2

Back in 2009 I was pleasantly surprised by a little animated film called Cloudy With a Chance of Meatballs. I went in not expecting much above the average, but liking the voice cast well enough to check it out on my own. I came out of that screening a huge fan of the film and continuously smiling throughout the rest of the day thinking of the jokes and left of center humor the feature carried. I was more than pleased to hear there would be a sequel for the film and today we have the first trailer for Cloudy With a Chance of Meatballs 2. The story picks up as our heroes Flint Lockwood (Bill Hader) and Sam Sparks (Anna Faris) return to Swallow Falls to clean up the mess left behind from the first film. Upon arriving they find Flint's machine has created a world where the food is beginning to evolve and take on the form of animals and weird creatures. The animation looks fantastic here and some of the favorite characters from the original are returning as well. The makers also look to have succeeded in keeping the humor intact for this sequel. I laughed several times throughout the trailer and really appreciate the creativity put into the new inhabitants of Swallow Falls. That is what should drive every animated film, and like the original this looks like it is going to be a ton of fun with plenty of color and character for the young ones to enjoy while plenty of subdued humor to keep the adults chuckling and awake. Cloudy With a Chance of Meatballs 2 also features the voices of Andy Samberg, Benjamin Bratt, Terry Crews, and Neil Patrick Harris and opens in 3D on September 27th. Hit the jump to check out the first trailer.

SNITCH Review

Who knew there was any downside to being The Rock? Excuse me, I mean Dwayne Johnson. If the guy didn't seem genuinely nice or completely charming all the time you'd be crazy to assume there was anything wrong with being this bulking, perfectly chiseled statue of a man. Turns out, even the smartest of actors, the nicest of guys can sometimes become confined to what they do best for those exact reasons. Thus is the issue we run into with Snitch and what takes us out of the film rather than complimenting it. While what we usually expect from Johnson is a good old fashioned taking the trash out type story with a different style to elicit diversity among films, what he is trying to do here is restrain those natural instincts, putting himself in an everyman role and it is simply hard to believe this large, bulking guy as someone who would be intimidated so easily. It is absolutely a case of the actors reputation dictating an their screen persona even if that actor is trying to break out (at least a little bit) from the standard roles he or she is constantly offered. It is admirable that Johnson would want to branch out and try to take on material more challenging for him, helping him develop his dramatic acting skills, but Snitch still wants to be an action movie and you can feel it. Sometimes it even seems Johnson is waiting on the action to start. With three more upcoming films in the next three months we will be seeing plenty of The Rock on the big screen and while the other forthcoming projects cater better to the physique of this monster of charisma, Snitch is not a bad way to start things off. It has its fair share of issues but more than anything it suffers from a bad case of miscasting. This isn't our leads fault though as he does the best he can and turns in a rather surprisingly satisfying February film.