AMERICAN ASSASSIN Review

When you're one of those people that goes to the cinema a lot it is movies such as American Assassin that seem to become the most stale and the most generic the fastest. Of course, to audiences that only see a few movies in theaters every year American Assassin will be a perfectly acceptable piece of action pulp. American Assassin is a film that will no doubt fulfill expectations for those that felt intrigued enough by the trailers to go out and buy a ticket, but while American Assassin is acceptable in terms of technical prowess, some interesting performance choices, and a rather straightforward if not clichéd plot it fails to really exceed in any way within the narrow parameters it has given itself to operate and exist within. No doubt hoping to piggy back off the success of last September's secret assassin thriller, The Accountant, American Assassin has neither the intrigue nor the style that picture had, but rather with this adaptation of the Vince Flynn airport novel director Michael Cuesta (the criminally overlooked Kill the Messenger) has settled squarely into middle-of-the-road  territory with a story that isn't afraid to go big, with Cuesta (in his first major studio movie) unfortunately deciding it best to stay as safe as possible. This inherent feeling stay as safe as possible is to be understood in many ways for, by making this a competent action/thriller and little more, Cuesta stood more of a chance to please the general public than he did taking risks and appeasing a few critics. With such a consensus comes a solid return and more opportunity and eventually, more power over ones endeavors. Cuesta is playing by the rules in American Assassin. To the movie's credit, it does subvert a handful of expectations within certain scenarios while never being afraid to flaunt its more brutal aspects, but it also never embraces its own genre for the more exciting aspects that such a genre has to offer. Rather, this is a movie that is given ample opportunity by its genre to do some cool things with the story it is telling, but rather than take advantage of them American Assassin seems to consistently waste each and every one of them.

Teaser Trailer for AMERICAN ASSASSIN

Lionsgate and CBS Films have released a first look at their feature adaptation for the late Vince Flynn's long-running series that centers around character Mitch Rapp. While I haven't personally read any of Flynn's novels there are apparently a lot of people who do. Each one of Flynn's fifteen (fifteen!) novels that are set in the world of counter terrorism and feature Rapp have been a New York Times best-seller, the three most recent entries having gone to number one, with the series as a whole having sold nearly 20 million copies to date. While we're on the subject, it seems American Assassin is actually the eleventh book in Flynn's series, but the first chronologically. This makes sense as to why the studio would then cast Dylan O'Brien in the lead role at the ripe old age of twenty-five as they are no doubt hoping this film might potentially kick-off a profitable franchise for them. All of that taken into consideration, this teaser for American Assassin is quite terrific and promises everything one could hope for from a piece of genre filmmaking like this. Director Michael Cuesta made one of the more underseen investigative procedural's and all-around underrated films of three years ago with Kill the Messenger and with the tone of the story he's working with here as well as an screenplay adapted by the likes of Michael Finch (Predators), Marshall Herskovitch (The Last Samurai), Stephen Schiff (The Americans), and director Edward Zwick (Blood Diamond) it would seem Cuesta might be able to bring that same sense of urgency, suspense, and intrigue that he did with his last feature. Here's to hoping this is more along the lines of Christopher McQuarrie's Jack Reacher than that of Zwick's lackluster sequel from last year. American Assassin also stars Michael Keaton, Sanaa Lathan, Shiva Negar, Taylor Kitsch,and opens on September 15, 2017.

DOCTOR STRANGE Review

From the outset where Marvel Studios shows off its brand new logo that features clips of its heroes in action from previous films rather than clips of art from their older comic books it is clear just how much of a brand this studio and their particular type of super hero films have become. What is more telling though, is just how aware Marvel is of this fact and how boldly they state their accomplishments in this re-branding of their title card. This slight boasting by the company sets up good and bad expectations for the film that proceeds it as Doctor Strange very much operates within the familiar world Marvel has built while at the same time reminding us of just how high Marvel can fly leaving this rule of a movie to be something of a letdown. Of course, that is the one glaring barrier all Marvel movies now have to overcome in how do they not just play as large scale TV episodes, but more singular stories that feel worthy of the big screen treatment. It's not necessarily that Dr. Stephen Strange isn't worthy of such treatment, but more in the pantheon of all Marvel has done before and all it plans to do in the future this initial outing with the soon-to-be Sorcerer Supreme feels as brisk and as superfluous to the Marvel Cinematic Universe as The Incredible Hulk now ranks. Not that Doctor Strange doesn't introduce a whole new dimension of possibilities to the MCU, but were this film to not work out the way Marvel expects it to for some reason they could essentially ignore its existence and move on with the physical dangers the film tells us The Avengers protect our world from. That won't happen, of course, but that's the type of indifferent feeling director Scott Derrickson's (The Exorcism of Emily Rose, Sinister) take on a Marvel property unfortunately conjures up. Making this worse is the fact that Doctor Strange features some of the more daring and downright trippy visuals that have been seen in a Marvel movie as well as some of the weirder sequences in the studios filmography that, while visually enchanting, make it even more apparent just how standard the narrative is. Why Marvel and Kevin Feige were willing to go out on something of a risky limb with their visuals as well as just how far Strange can push his powers, but not with the story that brings the titular Doctor into the world of magic and mysticism is a little perplexing, but at the end of the day it's clear this is a board room picture designed to change up Marvel's winning formula just enough so as to appear to be something new and different, but what in reality will rely on the same tricks that have guaranteed consistent hints for eight years now.

New Trailer for DOCTOR STRANGE Starring Benedict Cumberbatch

I don't know much about Doctor Strange, but I'm beginning to feel like the only one who is kind of "meh" on the whole thing. Having not read many comics much less those of Marvel's Sorcerer Supreme I come at director Scott Derickson's (The Exorcism of Emily Rose, Sinister) take on the Marvel hero and his entry into the Marvel Cinematic Universe the same way I came at Thor-intrigued, but slightly concerned. This is clearly somewhat new territory for the company given Doctor Strange very much exists in a magical reality. While Thor exists among the Gods and the Guardians of the Galaxy exist among the cosmos it feels as if Doctor Strange has the biggest potential to come off as cheesy and/or slightly corny. Say what you will, but that's how that tag joke struck me-cheesier than anything else. Do I actually think Doctor Strange will be the movie that sinks the Marvel ship? Absolutely not-this company is a juggernaut with no end in sight, but do I feel like Strange will make a cultural impact the way the Guardians did or that Benedict Cumberbatch will completely own the titular role the way that say, Chris Hemsworth or Robert Downey Jr. do? No, not really. That feels crazy to say given the incredible cast this thing has assembled and being a fan of Derickson's previous work in the horror genre I'm optimistic about what he might do in the realm of the astral plane, but something just feels lacking in the footage we've seen so far. More interesting though is that it seems Derickson and his team haven't had to adhere to as many story points as Thor's first outing which gives hope that we might really be allowed to dig in and get to know this character without having to worry about extraneous plot strands. While this full-length trailer didn't do much for me I'm still excited to see what the feature brings to the MCU and have enough faith in Derickson, his long-time collaborator and screenwriter C. Robert Cargill, as well as Jon Spaihts (Prometheus) to hope for the best. Doctor Strange also stars Rachel McAdams, Tilda Swinton, Mads Mikkelsen, Chiwetel Ejiofor, Michael Stuhlbarg, Benedict Wong, Scott Adkins, and opens on November 4th, 2016.

CRIMINAL Review

There was a time when something like Criminal would have reigned supreme at the box office and likely been heralded to some degree as unique in its premise if not necessarily successful in its execution, but in this day and age not only is Criminal not fresh or unique, but it's extremely tried and rote. I don't know that there was a time when Kevin Costner was a box office gold type name on the poster, but there was certainly a time when Costner was considered a surefire movie star that would at least guarantee a certain number of butts in seats. It seems, at least from what I hear of the movie star heyday, that there was a time Costner could have more or less played this same role in the same movie and it would have been a much buzzier film with bigger box office prospects based off his name alone (not to mention co-stars Gary Oldman and Tommy Lee Jones being value add elements). Unfortunately for Costner this is not the world we live in anymore. Instead, we live in a world where the best hope you have of becoming something even resembling a cultural phenomenon is being based off a comic book, young adult literary series, or have any other type of brand recognition/nostalgia factor you can tap into. When it comes to original action dramas like Criminal though, chances are slim of anything greater coming of your efforts unless you have David Fincher behind the camera. All of that said, this is a movie that squanders any potential it might have had at being an exception to the rule by adhering to very little coherence and even less logic. Truth is, I wanted to enjoy Criminal-I wanted to dig into it like the fictionalized Dateline episode I expected/hoped it would be and get wrapped up in the sci-fi tinged mystery that it presented, but instead the film plods along at an unusually clunky pace, never deciding what type of movie it wants to be yet appearing very obviously to be a very specific type of movie from the cast, narrative, and creative team alone. It's not that Criminal is necessarily a terrible movie, though it has some terrible parts, but it is most certainly not a good movie and even worse is it's not even a movie worth watching passively.

First Trailer for Marvel's DOCTOR STRANGE

I don't know much of Doctor Strange. I've never read any comics much less those of the Marvel's Sorcerer Supreme and more importantly the character never had a 90's animated series for me to latch onto. And so, I come at director Scott Derickson's (The Exorcism of Emily Rose, Sinister) take on the Marvel hero and his entry into the Marvel Cinematic Universe the same way I came at Thor-intrigued, but slightly concerned. This is clearly somewhat new territory for the company given Doctor Strange very much exists in a magical reality. While Thor exists among the Gods and the Guardians of the Galaxy exist among the cosmos it feels as if Doctor Strange has the biggest potential to come off as cheesy and/or slightly corny. I don't actually believe it will be an issue given Marvel has been able to overcome both of those obstacles with the aforementioned properties, but still. With Doctor Strange the credibility is already upped quite a bit given they were able to cast Benedict Cumberbatch as Master of the Mystic Arts. With this first look at footage from the film I feel very much the same way I did about Thor after its first trailer in that visually it looks nothing short of impressive and even comes across as confident in its unique charms, but seems to be slightly straining to fit into what has already been molded. Lucky for Derickson and this property in general their movie doesn't seem to be part of a strict plan to lead to an already in motion team-up, though I'd be surprised if Strange didn't show up in Infinity War in some capacity. More, Derickson and his team don't have to adhere to as many story points as Thor giving me even greater hope. No matter what, I'm excited to see what the feature brings to the MCU and have enough faith in Derickson, his long-time collaborator and screenwriter C. Robert Cargill, and Jon Spaihts (Prometheus) to hope for the best. Doctor Strange also stars Rachel McAdams, Tilda Swinton, Mads Mikkelsen, Chiwetel Ejiofor, Michael Stuhlbarg, Benedict Wong, Scott Adkins, and opens on November 4th, 2016.

THE BROTHERS GRIMSBY Review

Now more than ever Sacha Baron Cohen seems to be looked to for cheap comedy rather than the once prestigious, if not still outrageous version of comedy that he was known for. This transition seems to have largely occurred due to two factors in that 1) Cohen became too famous to fool the commoner, politicians, or other celebrities into thinking his bits weren't bits and because 2) his targets haven't been as precise as they once were. Borat is now ten years old and I can remember sitting in a packed theater opening night and experiencing more consistent laughter than I have maybe ever during a theatrical experience (Step Brothers is a close second), but last night I sat with only my friend at a 10:00 pm showing in an empty theater to watch the latest from Cohen and whether it was the atmosphere (or lack thereof) or the fact the movie really is as lackluster as it seemed one truth remains evident: for someone who has seemingly come so far Cohen has regressed more than anything. Sure, The Brothers Grimsby is a raunchy, over the top action comedy that pushes Cohen's comedy to even more ridiculous heights, but ultimately the film feels so slapdash and something of a mess that it is hard to take the jokes seriously. I realize that may sound contradictory, as in it doesn't make sense given that making jokes is the exact opposite of being serious, but what I mean to say is that there is hardly any substance left for Cohen to squander on his projects and rather than writing a story or coming up with a character in which the comedy naturally and inherently flows out of the comedian seems to have become more focused on coming up with gross out gags first and then going back to figuring out a story to work around them. I remain stern in my thought that Borat is one of the best comedies of the last twenty years (probably more than that even, but I won't test my limits) and hoped that Bruno was only something of a misstep, but while The Dictator was fine enough if not mostly forgettable The Brothers Grimsby once again skirts that line of being fine, but nothing special and nothing that will be remembered past this weekend no matter how ridiculous the stunts he pulls.

First Trailer for CRIMINAL Starring Kevin Costner

I'm not sure what to make of this trailer. Part of me wants to believe the film it's advertising could hold some potential given the cast and the old school style of the procedural it seems to be mimicking, but the other part of me believes it could be little more than an off-shoot sequel to last years Self/less that will wind up being as irrelevant and inconsequential as that film was. It is strange how similar the plots of both this film and that Ryan Reynolds-starrer from last summer are especially given Reynolds has a bit part here that this time has his memories and mind going into someone else's body instead of the other way around. Needless to say, Criminal has a lot going on and while most of the time it is easy to pick up on how a film will eventually turn out from the trailers and promotional materials I have a feeling this is either going to be as big of a train wreck as it clearly has the potential to be or it could be a rather pleasant surprise. Given the talent behind the camera includes The Iceman director Ariel Vromen and writers David Weisberg and Douglas Cook (The Rock, Double Jeopardy) there is certainly a possibility of the latter coming true. In that this was written by who it was written by and feels like a pure nineties action thriller it is fitting that Kevin Costner should be the lead and Tommy Lee Jones is also showing up, but more than simply imitating those types of films from that decade I'm hopeful Vromen can put a unique spin on the procedural while not having it spin out of control as it seems the plot has already taken care of that. Color me curious. Criminal also stars Gary Oldman, Gal Gadot, Alice Eve, Scott Adkins, Michael Pitt and opens on April 15th, 2016.

Red Band Trailer for THE BROTHERS GRIMSBY

It's hard to get excited for a Sacha Baron Cohen movie these days.What has he done since bringing Borat to the states in feature film form that has garnered him the same acclaim, but more importantly reached the same comedic heights? Bruno was a mess of shock for shock value alone while The Dictator ditched the mockumentary style altogether in favor of a traditional fiction narrative structure, but the laughs were still too few and far between to compare to Cohen's debut. Of course, Cohen is also known for his famous Ali G character, but has thankfully never brought that character to the big screen seeing as at this point the odds of it working out for the best are not in his favor. And so, four years after headlining his last major motion picture Cohen is back with frequent collaborator Peter Baynham and screenwriter Phil Johnston (Cedar Rapids, Wreck-It Ralph) to introduce us to a new character known as Nobby. Nobby was separated from his brother when they were younger and the two have grown up to be two very different men. Nobby is a father of nine children and married to the hottest woman in their poor English fishing town, Lindsey (Rebel Wilson). His brother, Sebastian (Mark Strong), on the other hand has become MI6's top assassin. It's easy to see where this screwball action comedy is going given this odd couple set-up, but with this new red band trailer we at least get a few solid sight gags and jokes that were absent from the previous green band trailers that only made the film look stupid and desperate. I still don't have much hope for this movie turning out well on any level, but I'm willing to give Cohen a shot, if at least with the faint hope that he may one day return to the level of Borat. The Brothers Grimsby is directed by Louis Letterrier (Now You See Me) and also stars Penelope Cruz, Isla Fisher, Scott Adkins, Ian McShane, Gabourey Sidibe and opens March 11th, 2016.