SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Michael Wildman. Show all posts
Showing posts with label Michael Wildman. Show all posts

AMERICAN ASSASSIN Review

When you're one of those people that goes to the cinema a lot it is movies such as American Assassin that seem to become the most stale and the most generic the fastest. Of course, to audiences that only see a few movies in theaters every year American Assassin will be a perfectly acceptable piece of action pulp. American Assassin is a film that will no doubt fulfill expectations for those that felt intrigued enough by the trailers to go out and buy a ticket, but while American Assassin is acceptable in terms of technical prowess, some interesting performance choices, and a rather straightforward if not clichéd plot it fails to really exceed in any way within the narrow parameters it has given itself to operate and exist within. No doubt hoping to piggy back off the success of last September's secret assassin thriller, The Accountant, American Assassin has neither the intrigue nor the style that picture had, but rather with this adaptation of the Vince Flynn airport novel director Michael Cuesta (the criminally overlooked Kill the Messenger) has settled squarely into middle-of-the-road  territory with a story that isn't afraid to go big, with Cuesta (in his first major studio movie) unfortunately deciding it best to stay as safe as possible. This inherent feeling stay as safe as possible is to be understood in many ways for, by making this a competent action/thriller and little more, Cuesta stood more of a chance to please the general public than he did taking risks and appeasing a few critics. With such a consensus comes a solid return and more opportunity and eventually, more power over ones endeavors. Cuesta is playing by the rules in American Assassin. To the movie's credit, it does subvert a handful of expectations within certain scenarios while never being afraid to flaunt its more brutal aspects, but it also never embraces its own genre for the more exciting aspects that such a genre has to offer. Rather, this is a movie that is given ample opportunity by its genre to do some cool things with the story it is telling, but rather than take advantage of them American Assassin seems to consistently waste each and every one of them.