Showing posts with label Dallas Roberts. Show all posts
Showing posts with label Dallas Roberts. Show all posts
DALLAS BUYER'S CLUB Review
I never thought myself smart enough to be a doctor and never had any ambition as a child to reach for those stars, but as I got older it became more and more clear why the rewards of such a job might not justify the many negatives that come along with the business of saving lives. There always seem to be these rules in place to dictate how we live and how our society operates and we always seem to come across scenarios where those rules seem completely out of sync with the reality of what is going on in the world. While the latest film in Matthew McConaughey's career turn-around isn't fueled by these issues, but more so by the strength of the human condition, it takes them into a large account due to the fact that in this case our protagonist must deal with humanity as a business and push back against those attempting to somehow make the case that the aforementioned rules outweigh actual humanity. How it all boils down to being a business rather than abiding by the no doubt patient-centric ideals of their mission statement, the pharmaceutical companies and the FDA are the baddies here; one paying the other to push their product no matter the health of their "customers" or the opposing team McConaughey's Ron Woodroof brings to the game that might be better, but doesn't carry the backing which means little extra profit for anyone involved. Why someone chose to tell the story of Woodroof though is because he decided to take up arms against the corporation that began as a gratifying profession and has evolved in many aspects to a business much like any other that deals with products that bring comfort and luxury to our lives but are not providing the luxury of sustaining life as hospitals do (a point many of the doctors represented in the film seem to be missing). Woodroof wasn't the most ideal of people to head this kind of revolution up, he had more faults than he did kind qualities, but it sometimes takes that kind of attitude to say, "screw it, I'll do it my own way if the only option you're offering is to die comfortably." There is just the right amount of rebel cowboy and logical thinking in our main character for him to stand by those words and provide the incredibly gratifying character arc in which director Jean-Marc Vallée's film delivers while opening our eyes to the harsh realities of our systems flawed philosophies.
First Trailer for THE DALLAS BUYERS CLUB
By
Vandy Price
Labels:
Dallas Roberts,
Jared Leto,
Jennifer Garner,
Matthew McConaughey,
Steve Zahn
The career renaissance of Matthew McConaughey continues on as the once rom-com staple stars in director Jean-Marc Vallée's (The Young Victoria) film based on the real life story of Ron Woodroof, a Texas electrician who was diagnosed with AIDS in 1986 and was given only thirty days to live. Woodroof's reaction to this disturbing news is naturally to figure out how he might cure himself, but when he learns the U.S. is still internally divided over how to combat the virus and is restricting medications he turns to smuggling alternative and illegal treatments into the country while not just helping out himself, but other patients. We've seen plenty of press for this film as it is the one where the set photos captured a scarily thin McConaughey, but it seems evident from this first look that all the hard work was indeed worth it as the character of Woodroof and his overcoming of the odds arc seems a perfect vehicle for the actor to give a dramatically effecting performance while utilizing his wealth of charm for the more comedic aspects of the film. I'm glad to see this isn't going to be a dour experience, but more a heartfelt drama that will contain the multiple elements and emotions that make up everyday-life. Though this is clearly McConaughey's show and he seems to be intent on getting an Oscar nomination, if not a win, there is an exemplary supporting cast here as well that seems to be doing some great work, especially Jared Leto. He clearly has the flashiest role as a transsexual that goes into business with Woodroof and the versatile actor looks to be bringing his A-game along with his co-star. The rest of the cast is made up by the likes of Jennifer Garner, Steve Zahn, Dallas Roberts, Griffin Dunne, Denis O’Hare, and Bradford Cox. Dallas Buyers Club will have its premiere at the upcoming Toronto International Film Festival and I look forward to hearing the reaction. The rest of us will have to wait until November 1st when it opens in limited release and expands nationwide over the following weeks. Hit the jump to check out the first trailer.
THE GREY Review
By
Vandy Price
Labels:
Dallas Roberts,
Dermont Mulroney,
Joe Carnahan,
Liam Neeson
There is an air of mystery around Joe Carnahan's "The Grey" as I expected a non-stop action thriller but what I received was a brooding, almost character study of a man who feels he is already at the end of his road when faced with a horrible accident and forced to lead a pack of men to survive the Alaskan wilderness. I was not just surprised by the restraint shown by director Carnahan in both his directing and his script but with the tone his film carried overall. I loved his 2010 "re-imagination" of the cheesy TV show "The A-Team" despite its poor box office return. It was a fun and ridiculous film, but it was clear the guy had a knack for action pieces as well as gritty drama as he also directed the underrated 2002 film "Narc". Carnahan merges his skills here and creates a classic tale of survival with an engaging and heartbreaking group of men that occasionally dips into something more. There are hints of psychological musings throughout the film and it almost makes the film rise above a standard action flick, but even without it this is not your typical, primitive B-movie. The pacing is off and Liam Neeson is both an actor's actor and a man, who since "Taken" has been considered a serious action star. He always added weight to mainstream films like "Batman Begins" and "The Phantom Menace" but that leading turn made his name worthy of the title and he has proven continuously that he deserves it. This is maybe the best display of that as Neeson gives a performance that is both touching in the most human of ways while also displaying his characters intuitive knowledge of his surroundings. He is the alpha male and that is the character we come to learn about. This is not a story about survival in the ways we would normally assume, but is instead a story of survival of the human soul.
Neeson plays Ottway, a man who we learn quickly is getting over a part of his life that is now missing. As Neeson makes his way through the small town where he and his colleagues are waiting to fly out we understand he is not in the mood to fraternize with his co-workers or even speak openly to the bartender after downing a few shots. He is readying himself for what he truly desires and the task it will take to get there. From his opening voice over we can sense the deeper tone, the heavier weight this story will hold and that the struggle he and his fellow oil-riggers will soon face is not just to serve the purpose of fulfilling an audience's cravings for action flicks but also a close portrait of a man on the brink. A man who has no fear of death, just a slight bit of remorse. A sense of possible failure that he will let down the only person in life that he truly cared about. We watch as Ottway goes through the motions. He is on the job as the man who has to understand the wolves and shoot them when they get too close to the oil workers. When their plane goes down it is all at once surreal and yet a very real threat that is completely graphic in what it means to our main character. The moment in which the crash happens goes by in an instant and what we are left to look over is a crash site that is a landscape completely pure that is interrupted only by the staggering bits of plane that lay on fire.
Ottway rounds up his fellow survivors and immediately assumes the role of leader. There are only a handful of men left that really matter and shortly after Neeson delivers one of the most touching moments in the film to a dying man in the wreckage we begin to see what he has been left to work with. There is Falnnery (Joe Anderson), the big mouth who doesn't know when to shut up. We have Hendrick (Dallas Roberts) a loyal and spiritual man that believes in Ottway, as well as Frank Grillo as Diaz, the rebel, and Dermont Mulroney as Talget, the peacekeeper. Each could have been sketched out a little more and lend more of their life and beliefs to the struggle that our protagonist is dealing with, but nonetheless each character is much less stock than they could have been. Mulroney and Roberts are to be comended for their small but integral contributions to the film as characters who at least attempt to get to know Ottway for the man he is rather than simply existing to create conflict. Although it is nice to see Neeson's Ottway put Diaz in his place when the time comes this also presents the one real discretion I had with the film. While I appreciate the film strived to be more that the average action flick I found it dragging at certain points where it could have used a little bit of excitement or better pacing. There is nothing wrong with a survival saga but when it is pitched as an action epic it should contain a little more brawls than "The Grey" actually does. Moments of quick intensity such as when the guys cliff dive or run into the trees to escape the always lurking wolves are too far between. It is by its own luck that the character and actor holding down the lead role make the film a consistently engaging character study. It could have surely done with a little more action to live up to its label, but this is still a solid January release that goes for more rather than just settling for what is expected.
That is the element that stands out as the credits begin to roll. This is not a story that we know is going to end with some helicopter coming to the rescue, in fact we almost know from the very beginning there is no hope for these guys, but we still like to hold out hope. When it comes down to that final scene though we realize the message, or more the idea, of the movie is not that it is whether you live to fight the fight but more about accepting that you've lost when the time comes and finding peace in that. Throughout the film we are given a short verse that Ottway recalls hanging on the wall of his childhood home. A verse his father wrote that goes, "Once more into the fray. Into the last good fight I'll ever know. Live and die on this day. Live and die on this day." It of course carries much meaning for our hero and in those closing minutes we understand fully how much weight it actually does carry. Only Neeson could deliver such lines wth as much meaning and heart and make the audience feel something. It is a great performance and it takes "The Grey" to a level that I didn't expect it to reach. Though Carnahan will not get to make his "A-Team" sequel with Neeson it is lucky for him that Neeson agreed to this and allowed both of their careers a film that lends each credibility and commercial success. If you enjoy all out action films this may tend to be a little lighter than you need, but for those looking for a story that is both compelling and effective you will have to wander no further than into "The Grey".
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John Ottway (Liam Neeson) is assigned to protect oil workers from the wild wolves that pose a threat. |
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The survivors of a horrific plane wreck try to survive the harsh conditions of the Alaskan wilderness. |
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Ottway approaches Diaz (Frank Grillo) in how to scare the ever-present wolves away. |
THE GREY Review
By
Vandy Price
Labels:
Dallas Roberts,
Dermont Mulroney,
Joe Carnahan,
Liam Neeson
There is an air of mystery around Joe Carnahan's "The Grey" as I expected a non-stop action thriller but what I received was a brooding, almost character study of a man who feels he is already at the end of his road when faced with a horrible accident and forced to lead a pack of men to survive the Alaskan wilderness. I was not just surprised by the restraint shown by director Carnahan in both his directing and his script but with the tone his film carried overall. I loved his 2010 "re-imagination" of the cheesy TV show "The A-Team" despite its poor box office return. It was a fun and ridiculous film, but it was clear the guy had a knack for action pieces as well as gritty drama as he also directed the underrated 2002 film "Narc". Carnahan merges his skills here and creates a classic tale of survival with an engaging and heartbreaking group of men that occasionally dips into something more. There are hints of psychological musings throughout the film and it almost makes the film rise above a standard action flick, but even without it this is not your typical, primitive B-movie. The pacing is off and Liam Neeson is both an actor's actor and a man, who since "Taken" has been considered a serious action star. He always added weight to mainstream films like "Batman Begins" and "The Phantom Menace" but that leading turn made his name worthy of the title and he has proven continuously that he deserves it. This is maybe the best display of that as Neeson gives a performance that is both touching in the most human of ways while also displaying his characters intuitive knowledge of his surroundings. He is the alpha male and that is the character we come to learn about. This is not a story about survival in the ways we would normally assume, but is instead a story of survival of the human soul.
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