SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Michael O'Neill. Show all posts
Showing posts with label Michael O'Neill. Show all posts

DALLAS BUYER'S CLUB Review

I never thought myself smart enough to be a doctor and never had any ambition as a child to reach for those stars, but as I got older it became more and more clear why the rewards of such a job might not justify the many negatives that come along with the business of saving lives. There always seem to be these rules in place to dictate how we live and how our society operates and we always seem to come across scenarios where those rules seem completely out of sync with the reality of what is going on in the world. While the latest film in Matthew McConaughey's career turn-around isn't fueled by these issues, but more so by the strength of the human condition, it takes them into a large account due to the fact that in this case our protagonist must deal with humanity as a business and push back against those attempting to somehow make the case that the aforementioned rules outweigh actual humanity. How it all boils down to being a business rather than abiding by the no doubt patient-centric ideals of their mission statement, the pharmaceutical companies and the FDA are the baddies here; one paying the other to push their product no matter the health of their "customers" or the opposing team McConaughey's Ron Woodroof brings to the game that might be better, but doesn't carry the backing which means little extra profit for anyone involved. Why someone chose to tell the story of Woodroof though is because he decided to take up arms against the corporation that began as a gratifying profession and has evolved in many aspects to a business much like any other that deals with products that bring comfort and luxury to our lives but are not providing the luxury of sustaining life as hospitals do (a point many of the doctors represented in the film seem to be missing). Woodroof wasn't the most ideal of people to head this kind of revolution up, he had more faults than he did kind qualities, but it sometimes takes that kind of attitude to say, "screw it, I'll do it my own way if the only option you're offering is to die comfortably." There is just the right amount of rebel cowboy and logical thinking in our main character for him to stand by those words and provide the incredibly gratifying character arc in which director Jean-Marc Vallée's film delivers while opening our eyes to the harsh realities of our systems flawed philosophies.