SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Daniel Huttlestone. Show all posts
Showing posts with label Daniel Huttlestone. Show all posts

THE LOST CITY OF Z Review

The Lost City of Z is a twenty year epic that essentially chronicles the fine line between ambition and irresponsibility. It's an illustration of how one must gauge the ramifications of their actions in the long run to better determine that present decision. In The Lost City of Z we are told the story of Percy Fawcett (Charlie Hunnam) a man who became obsessed with finding what no one around him believed could be true. It wasn't always the driving force in his life, when we meet Fawcett he is simply looking to restore the respect of his name, but as his life evolves and opportunities arise he develops a need or more, the ambition, to discover the unknown that he knows is out there. Even as his wife (a wonderful Sienna Miller) waits at home for him raising what amounts to be their three children. Fawcett is gone for years at a time when on his expeditions and given those twenty years take place between 1905 and 1925 his younger children often forget who he is by the time he returns. The questions Fawcett eventually has to come to terms with are those of if the lost years with his children and wife were worth what was on the other side of the world? It would seem, as the movie tells it, that they were. That there was no letting go of this need to know the unknown and that even if he had done so in favor of remaining with his family for the rest of his days that those final days would have undoubtedly been tinged with regret. It's a difficult position to be in emotionally; knowing you should likely do one thing in favor of the other, but realizing that itch is never going to go way until you scratch it. As a film, this is the angle director James Gray takes in choosing to convey the story of Percy Fawcett. A true story of a man who displays fearlessness from the beginning, a selfishness necessary to leave a certain type of legacy, and a mentality that fully surrenders to the idea that death is the best sauce for life. This may all sound beyond enticing and rather mysterious, but The Lost City of Z is a rather straight-forward and old fashioned adventure movie that delivers its ruminations in subtle enough fashion that an impression is left even if the adventures themselves aren't as grand as one might imagine if they know Fawcett's story before going into the film.

Teaser Trailer for THE LOST CITY OF Z

http://www.reviewsfromabed.com/2016/12/teaser-trailer-for-lost-city-of-z.html
I can understand why Mark Wahlberg may not be in writer/director James Gray's latest given he's been a little pre-occuppied with the likes of Peter Berg and Michael Bay, but it seems curious Joaquin Phoenix isn't anywhere to be seen in this first look at the filmmakers latest effort. I wondered if he may have just had time for a smaller role and so I checked the cast list in iMDB, but nothing. It seems Gray has traded in his usual collaborators for younger, more "of the moment" talent as The Lost City of Z not only stars Charlie Hunnam (Sons of Anarchy, King Arthur), but also Robert Pattinson (The Twilight Series, Rover) as well as our latest Spider-Man actor in Tom Holland. So, what is it that attracted such talent one might ask? Well, apparently the story is based on a true tale of a British military man, Percy Fawcett, (Hunnam) who becomes an explorer in search of a lost city in the Amazon. The facts of the case are that Fawcett, along with his eldest son, disappeared under unknown circumstances in 1925 during an expedition to find "Z" – the name he gave to an ancient lost city, which he and others believed to be El Dorado. The story is certainly engaging and the more interesting facet is that Gray, as a writer, could essentially invent his preferred ending as there is no concrete evidence supporting any one theory about what actually happened to Fawcett and the two men traveling with him. What direction Gray will choose to go will be one of great interest leading up to the films Spring release date, but if the story of Fawcett isn't exactly stated in this "first-look" teaser it at least sets a very specific tone and mood for what we'll be getting. Regardless of whether Gray decides to take a more realistic approach or indulge the mythos of Fawcett with what we might all hope he actually encountered should ultimately be besides the point as what will be more fascinating to see is how Hunnam handles a descent into madness. The Lost City of Z also stars Sienna Miller, Angus Macfadyen, Daniel Huttlestone, Aleksandar Jovanovic, Edward Ashleym, and opens on April 21st 2017.   

INTO THE WOODS Review

Director Rob Marshall (Chicago) returns to the musical with a film adaptation of Into the Woods, Stephen Sondheim's 1986 concoction that intertwines the plots of several Brothers Grimm fairy tales. Given this was produced by Disney though, many will surely think of it as another way for the mouse house to repackage their most classic of animated tales and turn them into a new holiday hit. Those same people will likely be somewhat surprised when some of the more violent twists of the Grimm tales come to light in the film. All of that said, Marshall's version of Into the Woods feels like a missed opportunity more than anything. I haven't seen the Sondheim play that serves as the source material, but I imagine there is much more to it than what has been put to the screen here. This film version never delves too deep into the familiar tales the main characters are taken from (which is fine) but it also doesn't have enough material in its original aspects to fill out the running time of a feature and so the last almost hour ends up feeling completely tacked on. This is a shame, really, because as far as musicals are concerned I was really digging what they were doing story-wise and Marshall has a keen eye for how to shoot people singing dialogue while making it exhilirating. What I don't understand is why they weren't able to somehow extend the story into one cohesive narrative rather than seeming to wrap up all the storylines nicely only to unravel them over the next fifty minutes so we end up with a less than satisfying conclusion that, more than anything, undermines all they'd worked so hard to set-up in the first place. And while this certainly takes a fair amount of enjoyment out of an experience you expect to be filled with familiar character tropes and choreographed numbers there is still plenty to feast your eyes and ears upon. Into the Woods may not be everyone's cup of tea and it may not even prove to be appealing to those who compare it to the stage show, but what it offers and what detracts just about even each other out to the point we care about what's happening while we're watching it, but won't remember a thing the next day.

Teaser Trailer for INTO THE WOODS

I'm not overly familiar with the original stage play that has inspired director Rob Marshall's (Chicago) latest film, but it certainly sounds intriguing. The play debuted in 1986 and features a story based on Bruno Bettelheim's The Uses of Enchantment with music and lyrics by Stephen Sondheim and centers on a childless baker and his wife on their quest to begin a family. On this quest they are taken through the plots of several Brothers Grimm fairy tales that explores the consequences of the characters' wishes and adventures. I have seen a lot of comments that have called this out for looking like Once Upon A Time with musical numbers which clearly isn't true as this came along way before the NBC show, but as NBC is owned by Disney, Disney has a certain stake in the whole fairy tale stories and those seem to be a hot property as of late it makes sense for a film adaptation of this to appear now. I have no relationship with Once Upon A Time as I tried to watch a few episodes on Netflix and couldn't get into it, but I am rather intrigued by this first teaser. The cast is expansive, the photography looks breathtaking and the original play won several Tony Awards when it premiered including Best Score, Best Book and Best Actress for a role that is being played by Emily Blunt in the film. So, there is good reason to be excited. As for director Marshall, the guy made Chicago twelve years ago and has followed it up with Memoirs of a Geisha, Nine and the fourth Pirates of the Caribbean, none of which I minded (though Nine was a total letdown), but were all rather boring if I remember correctly. Hopefully Marshall has his act together this time and will be able to combine his musical stylings and big budget reigns to bring us something truly magical this Christmas. Into the Woods also stars Meryl Streep, James Corden, Anna Kendrick, Chris Pine, Johnny Depp, Lilla Crawford, Daniel Huttlestone, Tracey Ullman, and Christine Baranski. Check out the teaser and several new pictures after the jump.