AQUAMAN AND THE LOST KINGDOM Review

The irony of Zack Snyder's latest sci-fi epic releasing on Netflix essentially the same day as what will be the final relic of his orchestration at Warner Bros. with regards to the DC Extended Universe (DCEU) is undoubtedly significant in some somber, unfortunate way yet I can't quite put my finger on why this congregation of Snyder's new and old universes feels sad on both accounts. It's paradoxical, sure, but I guess in the broader sense it simply seems like despite the DCEU not going his way that he has recovered by making a two-part, $166 million Star Wars rip-off for the biggest streaming service in the world and yet, it doesn't feel like a recovery at all; somehow it feels like a failure on two fronts which is what makes Aquaman and the Lost Kingdom all the more depressing. 

Remember when Willem Dafoe was in an Aquaman movie? Doesn't that feel like a lifetime ago and a universe away? Unfortunately, thanks to the pandemic and James Gunn both things are by and large true. Aquaman and the Lost Kingdom is the end of an era, the last of a dying breed, and though certainly not how Snyder saw things ending, the movie itself is not the worst note the current iteration of the DCEU could have gone out on (that would have been The Flash). It's not good, don't get me wrong, but there is a certain charm that director James Wan and, of course, star Jason Momoa bring to what are already absurd proceedings. Likely not the better movie of the two, but because I went into this much-delayed and much-maligned sequel five years after having been conditioned to certain expectations, this was a better overall experience because of the (much) lower anticipation level. All things considered, Wan is still very much a world-class filmmaker who knows how to mount a handsomely constructed action-adventure romp and when hung on the back of a comically over the top lead it couldn't be more perfect for feeding every Saturday morning desire of every nine-year-old out there.

AQUAMAN Review

Look, I get it, Aquaman was never going to be an easy movie to make-especially given the weight of the pressure on the film to make or break Warner Bros.' DC Extended Universe. The losses certainly outweigh the wins at this point, but there was a hope that after the triumph of Wonder Woman and the hurried process of simply getting through Justice League (a movie already in production when Batman v Superman received its backlash and essentially completed when WW turned things around) that James Wan's Aquaman might be able to finally allow this rival to the Marvel Studios cinematic universe to settle on and find its own distinct tone. Aquaman somewhat accomplishes this as the movie certainly settles on its own tone-one that is arguably appropriate for a movie about a man who can talk to fish-but Aquaman also never seems to find its rhythm. Wan, a master of suspense and horror, translated his skills into the bigger, action-oriented realm fairly well with Furious 7, but while Aquaman features some of the best choreographed and executed fight sequences of the year everything around them feels like an exercise in trying to figure out how best to configure an underwater world that the movie still hasn't figured out by the time it reaches its final, climactic battle. So listen, I understand there is only so much one can do with an Aquaman movie, I really do, but while the ambition is there and the movie offers some genuine fun in fits and starts the product as a whole never gels in the fashion that it feels like a complete, satisfactory work. Wan's Aquaman, as penned by David Leslie Johnson-McGoldrick and Will Beall, feels like if the Power Rangers series had decided to grow up with the generation Mighty Morphin premiered with, but never developed mentally past that of an eight-year-old's mindset. Meaning, the only thing growing with the audience was the budget while still retaining the mentality and most importantly, the sense of humor, of that core demographic of fourth and fifth graders. Aquaman is a Saturday morning live-action cartoon on steroids likely meaning a certain, large demographic of the audience will absolutely love and revel in what Wan has put together and to be frank, upon further re-watches I can see how it might become more endearing, but upon first impression Aquaman leaves much to be desired in terms of substance despite indulging its audience in eye candy and overwhelming them with silliness.

CREED II Review

The "sins of the father" idea has been played out time and time again since first making its appearance in the books of Exodus and Deuteronomy, but never has it been so deliciously executed as it is in Creed II given the poetry or, as one commentator within the film calls it, "Shakespearean" nature of one Adonis Creed (Michael B. Jordan), the son of former heavyweight world champion Apollo Creed, coming face to face with the son of Ivan Drago (Dolph Lundgren) some thirty-three years after he killed his father in what was supposed to be an exhibition match. The weight of these circumstances would certainly be hailed as nothing short of mythic to any innocent bystander filled in on the details just prior to the projector heating up and then rolling the whole of Creed II, but for anyone who has seen or been a fan of the Rocky franchise for any amount of time and has specifically basked in the glory of all that is simultaneously great and terrible about Rocky IV then it's not as difficult to see how easily Creed II could have turned into an unmitigated dumpster fire that was unable to capitalize on the great mythology of these events because it couldn't re-configure the tone. The tone of Rocky IV, while featuring Rocky's most formidable opponent and the death of his former enemy turned best friend, is somehow largely light and alarmingly disengaged from the consequences of any of the actions any of the characters take, but what it has afforded this new generation of Rocky films that take the name Creed is the opportunity to see these events through an era where sequels aren't simply cash grabs, but rather that they are taken seriously and can be exceptionally executed pieces of cinema depending on the creative team and the amount of freedom afforded them. In taking advantage of the studio who wanted to take advantage of credible filmmakers who were interested in continuing the story of Rocky Balboa, the result so far has been two films that not only revel in the training montages set to motivational music or intensely choreographed boxing matches (though they still take full advantage of these staples), but films that are also genuinely interested in chronicling the present generation and how they operate based on the influence (and sins) of those that came before them. Whereas 2015's Creed showed us Jordan's Adonis figuring out who he wanted to be and overcoming the obstacles and shadow of his father to get there, Creed II continues this development by pushing our protagonist past the point in life where his father found himself; forcing the new heavyweight champ to determine how history will define him outside of being the son of Apollo Creed.

Final Trailer for AQUAMAN Starring Jason Momoa

Warner Bros. has dropped the final trailer for director James Wan's Aquaman. The film follows Arthur Curry who learns that he is the heir to the underwater kingdom of Atlantis, and must step forward to lead his people and to be a hero to the world. It feels rather odd we're finally upon the release of the character's solo outing given a year ago at this time we were just getting our first glimpse of the DC hero in the unequivocal failure that was Justice League. Never mind the fact we were only getting our first glimpse of Aquaman for the first time in what should have been an accumulation of individual films, but more that the result of this botched team-up would produce anything resembling hope seemed all but lost after this same weekend last year. And yet, as Warner Bros. announced with the release of this trailer today that fans, specifically Amazon Prime members, can see the film a week early in theaters which prompts one to think they certainly don't plan on hiding this one the way they did the Zack Snyder/Joss Whedon film. And there seems no reason to as this final trailer looks visually stunning. If this clip should suggest anything it is that Wan (Saw, Insidious, The Conjuring, and Furious 7) has delivered an action/adventure film in every sense of the word that looks to be about as fun as a film can be; here's to hoping that the pacing and energy of the trailer are notes that have been taken from the finished film. Aquaman stars Jason Momoa as the titular hero, Amber Heard as Mera, Willem Dafoe as Vulko, Temuera Morrison as Tom Curry, Dolph Lundgren as Nereus, Yahya Abdul-Mateen II as Black Manta, Patrick Wilson as Orm/Ocean Master, and Nicole Kidman as Atlanna. The movie opens December 21, 2018.

SDCC: Official Trailer for AQUAMAN Starring Jason Momoa

Warner Bros. has dropped the first trailer for director James Wan's Aquaman Starring Jason Momoa as Aquaman, Amber Heard as Mera, Willem Dafoe as Vulko, Temuera Morrison as Tom Curry, Dolph Lundgren as Nereus, Yahya Abdul-Mateen II as Black Manta, Patrick Wilson as Orm/Ocean Master, and Nicole Kidman as Atlanna. The movie opens December 21, 2018.

First Trailer for CREED II Starring Michael B. Jordan

There is both much to be excited and much to be pessimistic about when it comes to Creed II. This sequel to the 2015 Ryan Coogler-directed film that continued the story of former World Heavyweight Champion Rocky Balboa as he served as a trainer to Adonis Johnson, the son of his late friend Apollo Creed, is a sequel MGM and Warner Bros. wanted to move forward with despite Coogler's obligation to Marvel and Black Panther. That is the first point of concern as Coogler, who had made only one feature prior to Creed, the cutting Fruitvale Station (also starring Michael B. Jordan), is/was a voice on the rise and it was his touch that made Creed a vital part of the Balboa mythology rather than just another way to capitalize on a known brand. For the sequel, the studios brought in Steven Caple Jr. who has also only directed only a single feature thus far, but has a fair amount of TV work on his résumé including episodes of Grown-ish and the documentary miniseries, Rapture, about hip-hop's impact on global culture that is now available to stream on Netflix. I haven't seen any of Caple's previous work, but judging by the look and feel of this first trailer it seems the guy has a capable pair of hands that this franchise has thankfully been placed in. They say the greatest weapon in a director's arsenal is a strategically placed song and even if Caple had no input on the trailer itself the use of Kendrick Lamar‘s “DNA” is a perfect pairing that indicates what is hopefully the overall tone and style of the picture. The other aspect that is somewhat concerning is the fact Sylvester Stallone penned the script for this thing along with Luke Cage scribe Cheo Hodari Coker, but to what degree they collaborated is unknown. Yes, it's a nice thought the writer/director/star of the original Rocky film has such a heavy hand in continuing the arc of characters born out of his original franchise, but given the plot details we know thus far it seems reasonable to worry this might be a re-hash of what has come before rather than Jordan's Adonis and his family unit making the franchise their own. Then again, I did enjoy 2013's Homefront so what do I know? All of that said, this trailer is indeed pretty great and if the final film carries out the energy and drama hinted at here I can't imagine being disappointed in what Caple, Stallone, and Coker have cooked up. Creed II also stars Florian Munteanu, Dolph Lundgren, Tessa Thompson, Phylicia Rashad, Wood Harris, Andre Ward, Russell Hornsby, and opens November 21st, 2018.

THE EXPENDABLES 3 Review

Sylvester Stallone has defied what it means to be restless. The guy is beyond restless, he is still hungry and at 68 that is truly astonishing. You might think he and half of his co-stars in this third flick in the Expendables franchise might be tired of going through the motions and introducing new characters who are old friends with simple backstories, but defy you they will and with The Expendables 3 Stallone and crew have turned up the volume while toning down the blood and the swearing. I will admit to always having a good amount of fun with these movies and never really seeing any need to complain as they know what they are and more or less deliver on what they promise. To that point, I actually enjoyed what I can remember about the second one more than what I can remember about the first largely due to that finale where Stallone along with Arnold Schwarzenegger and Bruce Willis lined up and just gave us what we desperately hoped the first would deliver, not to mention the hand to hand combat showdown between Stallone and Jean Claude Van Damme. I appreciated the mixing of Stallone's mentality with Jason Statham who more or less is leading a new wave of action heroes today. These were elements we are meant to enjoy because of what they represent within the context of pop culture society and so I was at least appreciative for the countless winks and nods, the bad dialogue and the blood that spewed everywhere because that's what audiences wanted and that's what this mixed bag of knitty-gritty 80's stars and newly relevant tough guys planned to deliver. As we come to the third chapter in the saga though it is as if you can feel the toll the last two adventures have taken on our aging actioners no matter how much they try to mask it. The new rating wipes out a lot of the more honest aspects of what kind of relationships exist in a large group of all men and it certainly takes the CGI blood down a few notches (now there's just impact sounds!), but the elements of a large cast and a big action scene every now and then are still here, but the energy is clearly stalling.

New Trailer for THE EXPENDABLES 3

The Expendables films have not necessarily been good ones, but they have at least been good fun. I enjoyed the first one well enough to go see the second and the second one is so outrageous it almost bursts through its ceiling, but does well enough to maintain what this franchise set its sights on from the get-go. These aren't movies looking for high praise or top-caliber acting chops, but instead they are a mash-up of nostalgia and primitive movie-making that become as much an experiment as an experience. An experiment because they have, to this point, avoided computerized weaponry and other high-tech gadgets for pure, meat-headed bliss and an experience of nostalgia because it is what we expect from the mind of Sylvester Stallone. With the script penned by two others besides Stallone and the director chair taken by newcomer to the series Patrick Hughes I can only hope the series isn't getting away from what made the original so appealing in its premise and execution. These films are supposed to transcend current Hollywood trends and be nothing more than pure 80's pulp, but in what has become an ever changing roster of aging and up and coming action stars the films have been more about the expanding universe than the central conceit. Director of part two Simon West knew his way around an old-school action movie, but the text alone in this new trailer along with the sleek sky-diving shots against blue-lit buildings suggests something much more modern in the Expendables future. I can only hope Stallone reminded Hughes of this series' roots and that they keep this frame of mind intact as it would be a shame to waste the additions of Harrison Ford and Mel Gibson on a lousy third (and possibly final) act. The Expendables 3 also stars Wesley Snipes, Antonio Banderas, Kelsey Grammer, Arnold Schwarzenegger, Jason Statham, Jet Li, Dolph Lundgren, Randy Couture, Terry Crews, Kellan Lutz, Ronda Rousey, Victor Ortiz, Glen Powell and opens August 15.

THE EXPENDABLES 2 Review

In my review of the first Expendables film I ended it by saying that the film was nothing more than a good time and I imagine that is all Sylvester Stallone really desired for his audience to have. That he did a fine job at achieving that goal and that I couldn't wait for the sequel, quipping that maybe Jean-Claude Van Damme would show up next time. One can imagine my excitement when it was actually announced that the Muscles from Brussels would not only be showing up in The Expendables 2, but would be playing the bad guy. Perfect! It is easy to criticize these films for their lack of any kind of ambition outside of the bad 80's action flicks they intend to pay homage to, but that is their purpose and if you go in wanting or expecting anything more than that you will be sorely disappointed. If you know what to expect at all though I can't see how one could not thoroughly enjoy themselves as this sequel is everything the sequels of that action hey day aspired to be. Bigger, louder, and packed with even more action heroes with more bullets to hand out than you could ever imagine. While I looked forward to the first film for the reasons of seeing Stallone's old school style and ideals mix with someone leading the new school such as Jason Statham that excitement has passed and so to find something to actually look forward to and invest in with the sequel we find it to be the fact that there is an even bigger palette of action stars than the first one offered. We look to see the minor cameo roles of Bruce Willis and Arnold Schwarzenegger expand to where these three titans of the genre stand together on the front lines. The last twenty minutes is worth the price of admission alone and to boot, this is so ridiculously entertaining you'll find your self surprised at how much you can't wait to see The Expendables 3.

From left: Maggie (Yu Nan), Caesar (Terry Crews), Barney
(Sylvester Stallone), Road (Randy Couture) and Gunner
(Dolph Lundgren) are the Expendables.

While story only matters so much in a movie like this, there is a surprising amount of attention paid to the details here. We open this time with a major action set piece, something I wanted from the first film that felt a little underwhelming. Barney Ross (Stallone) and his crew that includes Lee Christmas (Statham), Yin Yang (Jet Li), Gunnar Jensen (Dolph Lundgren), Hale Caesar (Terry Crews), Toll Road (Randy Couture) and newcomer Billy the Kid (Liam Hemsworth) bust through some poor little Nepal town where the old school mercenaries blow holes in everyone who gets in their way, busting down structures with their parade of tanks all in order to rescue a Chinese businessman for God knows what reasons. It is purely the set up to re-introduce us to the wide cast of characters while putting on display exactly how outlandish and graphic the violence of the film is going to be. Li's character is dismissed early as he escorts the businessman back to their hometown so we are treated to some nice bonding moments and a hint at a storyline that is never further explored that has Barney disliking Christmas's plans to move forward in his relationship after the cheating episode of part one. This is minor to the introduction of little Hemsworth though who is an expert sniper and slowly taking that place of Barney's right hand man from Christmas. That is, until Billy admits the life isn't for him. The thick of the plot begins when Willis's Church comes a callin' for the payback Barney and his boys owe him. Church sends them on a seemingly simple mission that asks them to take along female tech genius Maggie (Yu Nan) and retrieve an item from a safe on an airplane that crashed in Albania. The mission is completed quickly, but the victory is short lived as Jean Vilain (Van Damme) and yes, that's seriously his characters name, kidnaps one of the Expendables and demands the item from the plane. Barney is hesitant, but gives in while Vilain takes the life of his captive anyway. It is now personal, and you know they're going to make sure they get revenge.

Trench (Arnold Schwarzenegger), Barney, and Church
(Bruce Willis) let loose on their enemies.

As far as summer blockbusters go, it will be hard to beat this one in terms of pure enjoyment. There is a sense of carelessness, of fun that goes along with the ride the film takes you on while still containing some nice attempts at genuine emotional moments as well as several hilarious bits, some of which are even intentional. In this aspect I think I may have laughed at The Expendables 2 more than any other comedy that came out in the past three or four months. There is a point in the film where the team is trapped, surrounded by members of Van Damme's gang known as the Sangs. Naturally, there is no way all of these guys can bite the bullet and so who else is there to come to the rescue but Chuck Norris? Literally every time Norris appears on screen as the lone wolf Booker I was smiling. It completely epitomizes the cheesiness of the series yet perfectly captures the tone that Stallone established in the first one and director Simon West carries over so well in this one. West is no stranger to big, giant action films as he's made a few successful ones of his own including Con Air, Lara Croft: Tomb Raider, as well as working previously with Statham on The Mechanic. The director not only improves on the way in which they convey the intentional, almost satiric tone of the films but he also stages the action pieces with a more brutal force. Whereas under Stallone's direction there were clearly a few messy edits and sloppy action sequences built on great ideas that didn't transition as well to the screen as I would have hoped, they seem all the better choreographed here while still allowing each character a moment to shine. There is no shortage of action here though, and the whole thing is completely relentless in its goal to create an all-out, over the top action movie they just don't make anymore. If they were made more often The Expendable  films likely wouldn't have as much charm as they do, so the film ultimately benefits from being one of a kind in this day and age.

Bad guy Vilain (Jean-Claude Van Damme) faces off against
Barney in the finale.

In my initial reaction to the first film I was so in love with the idea of the film and was satisfied enough with the final product that I gave it a rating of three and a half stars. That was my initial gut in what I would rate this film as well. Looking back I would probably take away the half star or maybe even a whole from the original. That speaks bad for the first film, but it means well for this second entry in the series as it shows the potential for what that first movie should have reached. Does it mean there isn't room for the third one to grow and be even better? Of course not, with this series there will seemingly always be room for improvement and they are far from perfect, but they serve their purpose as well as any Oscar bait drama. There is plenty of bad acting and horrible dialogue here, but Hemsworth lends the movie a bit of credibility while Van Damme is living it up, making what could have been a stale role this juicy experiment as this ridiculous villain who plays up every cliche of a foreign bad guy you could imagine. The final showdown between Van Damme and Stallone will elicit several cheers while the corny dialogue exchanges between Willis and Schwarzenegger in the heat of battle will have you rolling in the aisles. I can only imagine Stallone intended to have another successful franchise on his resume when he began to shape this idea of an orgy of action heroes rolled into one film together into an actual reality and he has delivered what he promised, only improving on the formula this time around. I really am excited about part three coming down the tube. I hear Eastwood may show up next time or we may even get a trip inside the Cage on top of what will no doubt already be the most bombastic chapter yet.

THE EXPENDABLES 2 Review

In my review of the first Expendables film I ended it by saying that the film was nothing more than a good time and I imagine that is all Sylvester Stallone really desired for his audience to have. That he did a fine job at achieving that goal and that I couldn't wait for the sequel, quipping that maybe Jean-Claude Van Damme would show up next time. One can imagine my excitement when it was actually announced that the Muscles from Brussels would not only be showing up in The Expendables 2, but would be playing the bad guy. Perfect! It is easy to criticize these films for their lack of any kind of ambition outside of the bad 80's action flicks they intend to pay homage to, but that is their purpose and if you go in wanting or expecting anything more than that you will be sorely disappointed. If you know what to expect at all though I can't see how one could not thoroughly enjoy themselves as this sequel is everything the sequels of that action hey day aspired to be. Bigger, louder, and packed with even more action heroes with more bullets to hand out than you could ever imagine. While I looked forward to the first film for the reasons of seeing Stallone's old school style and ideals mix with someone leading the new school such as Jason Statham that excitement has passed and so to find something to actually look forward to and invest in with the sequel we find it to be the fact that there is an even bigger palette of action stars than the first one offered. We look to see the minor cameo roles of Bruce Willis and Arnold Schwarzenegger expand to where these three titans of the genre stand together on the front lines. The last twenty minutes is worth the price of admission alone and to boot, this is so ridiculously entertaining you'll find your self surprised at how much you can't wait to see The Expendables 3.