STORKS Review

I see what Warner Brothers Animation is attempting to do here and I can dig it. After finding great success with The LEGO Movie and the fact they acquired the likes of Phil Lord and Chris Miller who directed 21 and 22 Jump Street (as well as Cloudy With a Chance of Meatballs, to their credit) to helm that hit animated movie the thought of continuing to try their hand at bringing in R-rated comedy directors and seeing how they operate within the world of children’s entertainment is a ballsy, but interesting move. Much like with the case of The LEGO Movie Warner Bros. was likely hoping this formula might produce something both mature and goofy with the plus of remaining consistently funny throughout the majority of its runtime. It makes sense and what better way to test said formula than with the likes of Nicolas Stoller, director of such films as Forgetting Sarah Marshall and the two Neighbors movies, thus the reason we now have Storks. Because of this inclination to take someone known for one thing and put them just far enough outside of their element, their comfort zone if you will, I was inclined to be more interested in this seemingly agreeable animated family movie than I might have been otherwise. I love it when directors or studios cast an actor known for one type or style of work, especially comedians, and place them in a different setting where we see them challenged in new/different ways that usually result in a more fascinating piece of work by virtue of the outside influences and persona that performer brings with them. That is kind of what is happening here though maybe not to the extreme of, say, Jim Carrey in The Truman Show. Rather, Stoller is being challenged by the limits of a PG-rating and how far he can go with his comedy inadvertently forcing him to be more creative with how he comes up with the laughs needed for a 90-minute children's film. And so, how does all of this hype and build-up effect the final product? Well, in many ways this is a disappointment when considering the potential the film had considering the interesting premise, its insanely talented and funny voice cast, and of course the presence of Stoller in the director's chair. Instead of producing anything unique or of distinguishable value Storks more or less plays by the rules of Pixar and DreamWorks movies where the narrative sees a couple of characters going on a quest to achieve a goal that will allow them to discover new things about themselves along the way. There's nothing especially wrong with this structure especially when executed in fun and interesting ways and Storks certainly has its quirks, but more than anything the film feels far too routine to be a product of someone who should have really been challenging themselves.

TRANSFOMERS: AGE OF EXTINCTION Review

Is escapism really that if the relief we seek turns out to be just as unpleasant as the reality? It is questions such as this that begin to seep into your mind during the exhausting, nearly three-hour experience that is Transformers: Age of Extinction. Director Michael Bay has no intentions of creating anything other than grand escapism here in that this is not a film intended for a specific audience or niche, but is mass appeal in the largest sense possible. The thing about Bay that most people hate is that he has the mentality of a 12 year-old boy and composes his films from that perspective while being technically proficient. While there will be those who ask what might be wrong with the imagination of a pre-teen boy splattered across an IMAX screen the answer is technically, nothing, but might result in some incohesive story elements and slight exploitation of the young female body. There are stereotypes thrown around here from time to time, but the racism has been dialed back considerably from the truly messy second installment, Revenge of the Fallen. There is no mention of Sam Witwicky anywhere and thus there is no forced feeling of having to evolve that character from where we saw him last allowing for the new humans to simply exist in order to aid the giant robots in whatever quest they are out to achieve this time. The film is unnecessarily, even punishingly long in that you'll be sitting in the theater for over three hours if you arrive early and catch the previews. Bay could have easily kept this at a strict two hours while providing some solid entertainment, some stunning visuals and a story the majority of us could follow with ease, but he doesn't. Bay is not one to avoid indulgence and so what we have actually been given is an over-complicated version of a rather simple story that in being so big forgets the little things such as a reason for shoe-horning in robot dinosaurs. To be fair, Age of Extinction is in some ways an improvement over the last two films in that Bay seems to try and take the criticisms he's given and apply them to improving his work (the streamlined story, the less distracting human characters) yet in the end it more or less feels like we're watching the same things we've already seen before.

New Trailer for THE EXPENDABLES 3

The Expendables films have not necessarily been good ones, but they have at least been good fun. I enjoyed the first one well enough to go see the second and the second one is so outrageous it almost bursts through its ceiling, but does well enough to maintain what this franchise set its sights on from the get-go. These aren't movies looking for high praise or top-caliber acting chops, but instead they are a mash-up of nostalgia and primitive movie-making that become as much an experiment as an experience. An experiment because they have, to this point, avoided computerized weaponry and other high-tech gadgets for pure, meat-headed bliss and an experience of nostalgia because it is what we expect from the mind of Sylvester Stallone. With the script penned by two others besides Stallone and the director chair taken by newcomer to the series Patrick Hughes I can only hope the series isn't getting away from what made the original so appealing in its premise and execution. These films are supposed to transcend current Hollywood trends and be nothing more than pure 80's pulp, but in what has become an ever changing roster of aging and up and coming action stars the films have been more about the expanding universe than the central conceit. Director of part two Simon West knew his way around an old-school action movie, but the text alone in this new trailer along with the sleek sky-diving shots against blue-lit buildings suggests something much more modern in the Expendables future. I can only hope Stallone reminded Hughes of this series' roots and that they keep this frame of mind intact as it would be a shame to waste the additions of Harrison Ford and Mel Gibson on a lousy third (and possibly final) act. The Expendables 3 also stars Wesley Snipes, Antonio Banderas, Kelsey Grammer, Arnold Schwarzenegger, Jason Statham, Jet Li, Dolph Lundgren, Randy Couture, Terry Crews, Kellan Lutz, Ronda Rousey, Victor Ortiz, Glen Powell and opens August 15.

Full Trailer for TRANSFORMERS: AGE OF EXTINCTION

It has been three years since we've seen Optimus Prime and his fellow Autobots on the big screen and that last impression left by Dark of the Moon was at least better than Revenge of the Fallen though it came with -an air of conclusion, that this was the end of a good run and one that would be re-visited by youngsters again and again as time went by and the films became more regarded for what they were rather than what grown-up fanboys wanted them to be upon initial arrival. They are beautifully rendered images of giant robots fighting one another that provide guilty pleasure entertainment for the more sophisticated mind and awe-inspiring wonder for those who are just discovering what movies can really do when the cinema screen is taken advantage of. Unfortunately, most of Michael Bay's films get a bad wrap on the fact he takes pleasure in consistently directing as if he were a 13 year-old boy. Still, when this mentality is applied to the premise of, again, giant robots fighting one another I don't necessarily understand why it is a bad thing and have to wonder how it could be done better? Today we get our first look at the fourth installment in the series (the one Bay said he wouldn't be back for, but is) and how the franchise will live on with Shia LaBeouf (I think it will be fine, they got Mark Wahlberg). I was skeptical of where Bay would take his robots this time around, but getting a certified movie star like Wahlberg to take the leading role does nothing but lend this installment a renewed sense of credibility. Though it is hard to take a robot riding a dinosaur robot while holding a sword seriously, the first trailer for Age of Extinction does its best to make us believe this will be a nice departure from the previous trilogy and that there is renewed reason for us to be investing in these robots again. Transformers: Age of Extinction stars Nicola Peltz, Jack Reynor, Kelsey Grammer, Stanley Tucci, T.J. Miller, Titus Welliver, Han Geng, Sophia Myles, Li Bingbing and opens June 27th.