OFFICE CHRISTMAS PARTY Review

What is there to say about a movie that knows exactly what it is and executes itself in competent fashion? Turns out, not too much really-especially when one is talking specifically about something as frivolous as Office Christmas Party. After watching this hour and forty-five minute comedy my friend and co-host at Initial Reaction summed up what we'd just experienced perfectly. Describing the "here for a good time" flick that actually ends up overstaying its welcome as a raunchier version of one of those holiday themed, multi-plotted, department store advertisements as directed by the late Garry Marshall, Office Christmas Party piles on the recognizable names and faces (Hey! There's Jennifer Aniston again!), juggles a handful of plotlines, and ultimately comes off as trying too hard to have some kind of genuine heart when we all know the only reason it actually exists is to cash in on certain weekends of the year when viewers seek reminders for how they should/would like to feel around the holidays. This wouldn't be so bad considering Office Christmas Party has a more than capable cast and isn't nearly as hokey as those aforementioned Marshall pictures, but the film ultimately tries to do too much with very little when it would have been fine had it simply allowed its talented comedic ensemble to feed off one another. While Marshall's films more or less turned a holiday of its choosing into a combination of Crash and any Hallmark movie ever Office Christmas Party at least has a driving plot that keeps the focus on only the characters involved in the central narrative and has each of them chasing and contributing to the same goal. There are no extraneous stories that have to strain to connect all the random characters together, but that doesn't mean every subplot should have been kept either. It is in its inability to restrain from both following one too many superfluous factors as well as devolving into something it clearly had no intention of being until it realized the credits had to roll at some point that Office Christmas Party suffers, but when it is having fun, making jokes, and letting the comedic talent it has enlisted to roam freely it's a consistently hilarious time that delivers on what its promotional campaign promised.

STORKS Review

I see what Warner Brothers Animation is attempting to do here and I can dig it. After finding great success with The LEGO Movie and the fact they acquired the likes of Phil Lord and Chris Miller who directed 21 and 22 Jump Street (as well as Cloudy With a Chance of Meatballs, to their credit) to helm that hit animated movie the thought of continuing to try their hand at bringing in R-rated comedy directors and seeing how they operate within the world of children’s entertainment is a ballsy, but interesting move. Much like with the case of The LEGO Movie Warner Bros. was likely hoping this formula might produce something both mature and goofy with the plus of remaining consistently funny throughout the majority of its runtime. It makes sense and what better way to test said formula than with the likes of Nicolas Stoller, director of such films as Forgetting Sarah Marshall and the two Neighbors movies, thus the reason we now have Storks. Because of this inclination to take someone known for one thing and put them just far enough outside of their element, their comfort zone if you will, I was inclined to be more interested in this seemingly agreeable animated family movie than I might have been otherwise. I love it when directors or studios cast an actor known for one type or style of work, especially comedians, and place them in a different setting where we see them challenged in new/different ways that usually result in a more fascinating piece of work by virtue of the outside influences and persona that performer brings with them. That is kind of what is happening here though maybe not to the extreme of, say, Jim Carrey in The Truman Show. Rather, Stoller is being challenged by the limits of a PG-rating and how far he can go with his comedy inadvertently forcing him to be more creative with how he comes up with the laughs needed for a 90-minute children's film. And so, how does all of this hype and build-up effect the final product? Well, in many ways this is a disappointment when considering the potential the film had considering the interesting premise, its insanely talented and funny voice cast, and of course the presence of Stoller in the director's chair. Instead of producing anything unique or of distinguishable value Storks more or less plays by the rules of Pixar and DreamWorks movies where the narrative sees a couple of characters going on a quest to achieve a goal that will allow them to discover new things about themselves along the way. There's nothing especially wrong with this structure especially when executed in fun and interesting ways and Storks certainly has its quirks, but more than anything the film feels far too routine to be a product of someone who should have really been challenging themselves.

CAKE Review

Cake wants to be a lot more than it is, but it is nothing short of well-intentioned with something resembling ambition. What is even more fascinating about a film such as this is the alternate universe where Jennifer Aniston became a strictly dramatic actress and this film is given more weight than it's currently receiving. Given Aniston is largely known for her comedic work and as something of a lesser, more archetypal actress it is when she does something pointedly dramatic it's automatically assumed it's nothing more than an Oscar bid. This could be taken in a number of ways given Aniston not only stars as the face on the poster here, but executive produced the effort and so one might cynically see it as a power play to cast herself in a movie she wouldn't normally be picked for putting herself in better standing as a "real" actress. The thing is, Aniston has already proved she's a real actress if not with 2002's The Good Girl, but with her inherent ability to relate to almost anyone in the audience. Aniston, especially in her comedies, has always had the uncanny ability to serve as the common audience members way into the world of whatever movie she is starring in with the added bonus of being what every female viewer would like to envision themselves as physically and an ideal image of what every male viewer imagines himself being with. Aniston is one of us, or at least she is able to convey that sense of community, and while many may not consider her exceptionally talented it's difficult to find anyone who doesn't necessarily like her. While one may not consider that talent, it certainly takes a lot of skill. In Cake, Aniston uses this skill of relatabilty to gain access to the psychology of a lost cause. Aniston's character, Claire Bennett, is a mysterious figure to us, frustrated and consistently irritated by the people around her. We don't know why, but this is who we go on a journey with and in the end it's not so much about Aniston's performance as it is the disappointing fact she's still looking for the right vehicle with which she might spread her wings.

HORRIBLE BOSSES 2 Review

What do you get when you take an outlandish premise that every middle class American can relate to, mix it with a cast chock full of more diverse talent than any other comedy in recent memory and let them both free to wander where the wind takes them? That would be the original Horrible Bosses which, back in 2011, stuck out to me as one of my favorite comedies so far that year. It was just effortless. And that is saying a lot in a summer that also counted Bridesmaids among its hits. The film was immediately funny and fast paced with a cleverly written script that gave the summer season a feeling the raunchy R-rated comedy was here to stay. Naturally, after this type of high came the downslide with the less broad, but not as bad as everyone says Bad Teacher and the truly terrible Change-Up in which Jason Bateman also starred. Every year we get this slew of raunchy summer comedies intended for the masses that studios have thought we craved since Wedding Crashers truly revitalized their appeal, but only a couple, if any, ever break out to become genuinely funny over time or command real staying power. I liked Horrible Bosses the first time I saw it and probably watched it two or three more times once I bought it on blu-ray, but did it have the staying power of such recent classics that have also commanded sequels such as 21 Jump Street or Ted? Maybe not, but much like with the fellas from the Hangover series I simply like having the opportunity to hang out with these characters so a sequel seeing Kurt (Jason Sudeikis), Nick (Bateman) and Dale (Charlie Day) get into more mischief was completely acceptable and more than justified if not really necessary. At all.

New Trailer for HORRIBLE BOSSES 2

I was pretty taken in the dead of summer 2011 when Horrible Bosses showed up and gave us an original comedy that delivered moreso than the comedy sequel we'd been waiting on that year, The Hangover Part II. There was just something about the ensemble cast, the films carefree tone and slapstick roots that meshed brilliantly with the chemistry the three leads were able to pull together. In short, it became one of those comedies I could watch over and over again once it hit home video. In the days of short attention spans and legacies that never last though, if one wants to remain relevant they must continue to deliver and so this year, when we've already had both a successful original comedy (Neighbors) and a successful sequel to a comedy (22 Jump Street) it feels we're a bit spoiled by the fact we get another high profile comedy sequel, but unfortunately it also feels (at least on first impression) totally unnecessary. Don't get me wrong, like The Hangover trilogy, I wouldn't mind watching another one of these movies simply as an excuse to hang out with the leads, but the first film was such a solid single entry it seemed making a follow-up with the same characters having just as wild an experience would do nothing but devalue the memory of the first film. As is typically the case though, this new trailer for the film makes our boys look qualified for a comeback as kidnappers rather than murderers in pretty funny fashion. Horrible Bosses 2 stars Jason Bateman, Jason Sudeikis, Charlie Day, Jennifer Aniston, Jamie Foxx, Christoph Waltz, Chris Pine, Kevin Spacey and opens November 26th. Check out both the new trailer and poster after the jump.

WE'RE THE MILLERS Review

I love early August comedy releases. Though this spot is usually reserved for a Will Ferrell comedy every other year and thus may be the reason it holds a special place in my heart, We're the Millers does a fine enough job of filling that void until Ferrell unleashes his massive sequel he's saved for Christmas this year. While this has been a particularly stale year for American comedy, not to mention this summer, with the most memorable thing to come out so far being the very meta, very elaborate inside joke we all felt a part of that was This is the End. What was unfortunate about that film was that it didn't leave the big cultural impression I expected it to, or hasn't immediately anyway. It may pick up steam once it arrives on Blu-Ray and DVD as it will no doubt become my default funny flick to toss in when I'm bored, but as for We're the Millers I was hoping for a little something more, something lasting from the summers final funny effort. Director Rawson Marshall Thurber hasn't made a feature film in five years and that one, titled The Mysteries of Pittsburgh, didn't exactly do much (I'd never even heard of it). Before that, his last film was 2004's Dodgeball. Now, I loved Dodgeball as it came during that sweep of a summer that also included Anchorman and was preceded by Starsky & Hutch in March. It was a consistent set of comedy monopolized by the likes of Ben Stiller, Vince Vaughn, Owen Wilson, and Ferrell. It is clear those days are long gone now as not even a Wilson/Vaughn reunion flick garners much excitement, but Thurber is at least intent on trying to keep that type of comedy intact and continuing the tone by any means possible. For, if nothing else, what I took away from We're the Millers was that initially underrated feeling that I will come to love in the long run. I know there are jokes I missed, inflections on certain lines I will laugh at more when I hear them again, and certainly something more to the characters of David and Kenny that I'll end up feeling more akin to and as a result laugh at their jokes even more. It is a comedy that, while funny enough on first viewing, will undoubtedly grow on me as time goes by. That may not be the best compliment to pay a film right out the gate, but as for now that is the biggest highlight of this high concept comedy.

First Trailers for WE'RE THE MILLERS

Though little has been heard or seen surrounding director Rawson Marshall Thurber's first full length feature since Dodgeball it is on the night before The Hangover Part III is released that we get our first taste of what this comedy promises. As Ed Helms plays a supporting character here we will likely be seeing these trailers in front of that major comedy sequel this weekend, but the main attraction here is that it is a fresh comedy with a zany premise that looks surprisingly promising. Maybe it was the fact Thurber has taken a good amount of time off between directing features or that several of the major comedies this year feel somewhat familiar, but something about the aura this movie is giving off makes me feel it could definitely be the sleeper hit of the summer. There are a good amount of laughs in the trailer that imply an effortless quality to the pacing of the film and the free flowing jokes. Though the highlight of the trailer for many will be Jennifer Aniston playing a stripper it looks like her pretend son Kenny (Will Poulter of The Chronicles of Narnia: The Voyage of the Dawn Treader) might steal this show. People seem to be fairly divisive on whether they think Jason Sudeikis is funny or not, but I've always enjoyed the guy on Saturday Night Live and though besides Horrible Bosses he hasn't really had that great a kick-off to his film career (most have already forgotten Hall Pass and we won't count his supporting role in The Campaign) this could easily jump start his career and put him off and running as he prepares to depart the late night comedy show. Thurber seems to have rounded up a good cast of comedians to fill in the bit parts as Nick Offerman, Kathryn Hahn, Molly Quinn, Emma Roberts and Thomas Lennon will also be joining the party. We’re the Millers opens August 9. Hit the jump to watch the red and green band trailers.

WANDERLUST Review

I was admittedly worried when "Wanderlust" was pushed from last October to February. Though neither month is usually good stomping grounds for movies that studios expect to do well, February is decidedly worse. It is that time of the year when we are coming off all the high prestige projects that are recieving Oscar nominations and all the big budget effects-driven summer films. That time of year when studios dump movies on unsuspecting crowds that might venture out to something they may not have seen were it released at any other point in the year. Fortunately, "Wanderlust" is as funny and ridiculous as I could have hoped for. Director David Wain has a history of not only collaborating with co-writer Ken Marino but also star Paul Rudd. The three have collaborated on "Wet Hot American Summer" and 2008's "Role Models" as well as "The Ten". While they seem to have really found their groove with "Role Models" they continue to grow in the right direction with "Wanderlust". While this may not be as consistently funny as "Role Models" was it certainly has the amount of charm and despite hitting familiar beats story-wise it also has the guts to go a little gonzo and stretch for the slightly weird. This might appeal only to certain movie-goers tastes but it allows itself this quality by sporting such a widely-liked cast that stand by the out-there material while delivering some seriously good laughs along the way. "Wanderlust" may be all I needed it to be but I can understand where some will not be as pleased with it, but even they have to admit that for this time of year "Wanderlust" is giving us a break from the other releases we might have settled for.

George (Paul Rudd) and Linda (Jennifer Aniston) are
relieved after spending their first night at Elysium.

The story here is rather straightforward and like "Role Models' doesn't really matter all that much because the actors involved create characters (or stick with their personas) that elevate not really the material but simply make us more invested in them and convince us they are worth hanging out with for an hour and a half. Rudd and Jennifer Aniston are George and Linda, two New York Manhattanites who love their city life, well kinda. George has an office job that he hates but does well in supporting Linda who hasn't yet found her niche. When we meet them they have just purchased a "micro-loft" which is realtor speak for studio apartment. Linda is trying to pitch a documentary about penguins with cancer to HBO in her latest effort to find a career when George loses his job and now broke and having to sell their new place they have no choice but to travel down to Atlanta where George's brother Rick (a perfectly macho/idiotic/snarky Ken Marino) has a job for him at his porta potty business. Along their way George and Linda stumble upon a hippie commune posing as a bed and breakfast where they have a night of care-free fun that hasn't seemed to be a part of their life for a long time. As it is called, Elysium is a place of free love, pot smoking, and vegans. "Wanderlust" has such a great supporting cast populating the members of this little tribe we understand why George and Linda are so taken by them. Frequent Wain and Rudd collaborator Joe Lo Truglio as Wayne the nudist wine maker, Malin Akerman (The Heartbreak Kid) is Eva who wants to experiment the free love philosophy with George, Kathryn Hahn as Karen (who always seems to be playing the crazy lady whether it be alongside Rudd in "Our Idiot Brother" or alongside Rudd in "How Do You Know" and let's not forget "Step Brothers", "The Goods" etc...) and Justin Theroux as headmaster Seth who steals every scene he decides to show up in. Even Alan Alda as Elysium patriarch Carvin gets a few solid laughs and seems to be having a great time.

George watches on as Linda loves her new found freedom,
but Seth (Justin Theroux) seems to enjoy her changes more.

It is in this humbled and awkward group of people that George and Linda find a kind of solace from the busy world of, as Seth would put it, "web of beepers and Zenith televisions and Walkmens and discmens and floppy discs and zip drives, laser discs, answering machines and Nintendo Power Glove..." and where director Wain has tapped into a culture with a bizarre sense of humor that is a perfect platform for Rudd and the rest of his cast to lampoon. As Seth, Theroux gets his first real acting break with a role he can really bring something to after being the behind the scenes go-to-man for years. Every line the guy spits out is so full of ridiculous, made-up philosophy it all feels like great improv and on a movie like this you can't ask for much more. He is complimented nicely by the earnest Rudd who is so lovable and has an essence of being that every guy, that family man and to see him go all the way for it and sacrifice himself for a joke is not just endearing but it's hilarious. Every time. Wain knows when to let Rudd shine too, despite the obvious emotional trips his character is taking we watch as George knows what he should do and instead goes completely the wrong direction until his late in the game epiphany that rolls out the expected conclusion. As said earlier though the story stays within a safe structure but it is safe to say the content does not. What made "Wanderlust" so appealing was the idea of being what in essence the movies are about: escaping reality. And as Linda, Aniston continues her winning streak and lets her inhibitions fly free. She is hilarious in small moments and completely convincing in her turn. She is a vet at playing opposite comedic leading men yet this time she is given room to spread her own wings and she nails it.

Rick (Ken Marino) tries to get out of a sticky situation with
wife Marissa (Michaela Watkins).

While "Wanderlust" is certainly not going to be for everyone, for those that love Paul Rudd (how couldn't you?) it is a good time and there are plenty of laughs to be had. Everyone on screen seems to be having such a good time and none of them taking themselves seriously. It is an engaging film that offers up a trip none of us would likely mind taking given the grind of the work week and stress of bills. We are given a buffet of engaging characters and are treated to 98-minutes of consistently funny gags and chuckles. It certainly won't go down as Wain and Rudd's greatest collaboration but it is a noteworthy addition to their already stellar collection. Whether they are sending up cynics and helpful organizations, summer camps or hippies there is a quality about their films that give them a "we're just messin with ya..." vibe that never makes it feel like it would actually offend anyone, rather they would just laugh along at the truth the movie is hitting on and therefor truly bringing the funny. In a cinematic world of comedies that are either big hits or big misses it is nice to have a laid back romp that can offer a getaway and a fun time. Plus if you're not into that whole scene there is always the fall back reason to see this movie which is full frontal nudity by senior citizens. Suck on that for a while and tell me you don't love the idea of "Wanderlust".

WANDERLUST Review

I was admittedly worried when "Wanderlust" was pushed from last October to February. Though neither month is usually good stomping grounds for movies that studios expect to do well, February is decidedly worse. It is that time of the year when we are coming off all the high prestige projects that are recieving Oscar nominations and all the big budget effects-driven summer films. That time of year when studios dump movies on unsuspecting crowds that might venture out to something they may not have seen were it released at any other point in the year. Fortunately, "Wanderlust" is as funny and ridiculous as I could have hoped for. Director David Wain has a history of not only collaborating with co-writer Ken Marino but also star Paul Rudd. The three have collaborated on "Wet Hot American Summer" and 2008's "Role Models" as well as "The Ten". While they seem to have really found their groove with "Role Models" they continue to grow in the right direction with "Wanderlust". While this may not be as consistently funny as "Role Models" was it certainly has the amount of charm and despite hitting familiar beats story-wise it also has the guts to go a little gonzo and stretch for the slightly weird. This might appeal only to certain movie-goers tastes but it allows itself this quality by sporting such a widely-liked cast that stand by the out-there material while delivering some seriously good laughs along the way. "Wanderlust" may be all I needed it to be but I can understand where some will not be as pleased with it, but even they have to admit that for this time of year "Wanderlust" is giving us a break from the other releases we might have settled for.