FIST FIGHT Review

Going in with low to optimistic expectations there was no great weight on the shoulders of Fist Fight. It's February and Fist Fight is a comedy starring Ice Cube and what you get from Charlie Day in between seasons of It's Always Sunny in Philadelphia-which is more or less the same Charlie Day, but likely a little less energetic and manic due to his more lax schedule. There was no reason to believe Fist Fight would be a memorable comedic experience and it isn't, but it isn't the cheap altogether crap fest it very well could have turned out to be either. Rather, Fist Fight is a comedy that understands its premise is outlandish and unrealistic from the get-go and thus never takes itself seriously as a representation of the public school system (though some aspects could certainly be interpreted as exaggerated issues) and thus ramps up the ridiculous with every scene-testing the limits of how far the individual audience member is willing to go with them. It would be easy to drop off of the ride at any point along the way, but Ice Cube and Day offer a funny and different enough dynamic that the two parallel arcs are interesting enough to watch develop and culminate for the scant ninety minute running time. Sure, the premise is slim and one can feel the ride straining itself a bit as it nears the inevitable third act, but with a one-two punch of climactic scenes that includes both an elementary school talent show as well as the titular fight (which more than delivers on its promise) there is plenty to be pleased with once the credits begin to roll and the bloopers begin to play. Of course, Fist Fight isn't the pinnacle of comedic filmmaking and it certainly isn't what Thomas Edison had in mind when he imagined what his motion picture camera might one day be able to achieve, but as far as comic relief it is exactly that-it serves the purpose it was intended for squarely. We know what Ice Cube excels at and we know what we're getting when Charlie Day pops up on screen and the best thing to be said for Fist Fight is that it plays up those two personas until it forces them to collide and while that may indicate there is nothing new to be found in either the story or the performances it does mean it features two charismatic and admittedly funny people doing what they do best-what's wrong with that? Not a whole lot in my humble opinion.

OFFICE CHRISTMAS PARTY Review

What is there to say about a movie that knows exactly what it is and executes itself in competent fashion? Turns out, not too much really-especially when one is talking specifically about something as frivolous as Office Christmas Party. After watching this hour and forty-five minute comedy my friend and co-host at Initial Reaction summed up what we'd just experienced perfectly. Describing the "here for a good time" flick that actually ends up overstaying its welcome as a raunchier version of one of those holiday themed, multi-plotted, department store advertisements as directed by the late Garry Marshall, Office Christmas Party piles on the recognizable names and faces (Hey! There's Jennifer Aniston again!), juggles a handful of plotlines, and ultimately comes off as trying too hard to have some kind of genuine heart when we all know the only reason it actually exists is to cash in on certain weekends of the year when viewers seek reminders for how they should/would like to feel around the holidays. This wouldn't be so bad considering Office Christmas Party has a more than capable cast and isn't nearly as hokey as those aforementioned Marshall pictures, but the film ultimately tries to do too much with very little when it would have been fine had it simply allowed its talented comedic ensemble to feed off one another. While Marshall's films more or less turned a holiday of its choosing into a combination of Crash and any Hallmark movie ever Office Christmas Party at least has a driving plot that keeps the focus on only the characters involved in the central narrative and has each of them chasing and contributing to the same goal. There are no extraneous stories that have to strain to connect all the random characters together, but that doesn't mean every subplot should have been kept either. It is in its inability to restrain from both following one too many superfluous factors as well as devolving into something it clearly had no intention of being until it realized the credits had to roll at some point that Office Christmas Party suffers, but when it is having fun, making jokes, and letting the comedic talent it has enlisted to roam freely it's a consistently hilarious time that delivers on what its promotional campaign promised.

THE NIGHT BEFORE Review

Sitting down for a Seth Rogen comedy now means one of two things in that 1) we're either going to get a stoner comedy extravaganza with over the top comedic bits or 2) we'll still get those things, but they will be balanced out by some type of life lesson that typically holds real dramatic weight. Which Seth Rogen movie we end up getting usually depends on who he's collaborating with and lucky for us, with The Night Before, Rogen and Joseph Gordon-Levitt have reunited with their 50/50 director Jonathan Levine. 50/50 was one of my favorite films from 2011, but I haven't felt the need to re-visit it as often as I'd initially imagined. While The Night Before isn't as impactful simply by virtue of not dealing with as serious a subject as cancer it is a film I could see myself returning to more often than not, especially during the holiday season, due to the fact it's solid, raunchy fun. While the gist of the film is just that, to be a dirty, filthy, drug-fueled and foul language-filled R-rated Christmas comedy, there is clearly something more at play here and we can sense that from the opening sequence in which Tracy Morgan narrates as if reading a classic Christmas storybook. The film is framed and presented as something of a spoof on the traditional Christmas movie where everything is softly lit as if every viewer is cuddled up next to a fireplace watching and finding solace in the thought that things will never change and traditions will hold up for decades upon decades, but that is the exact theme in which The Night Before hopes to tackle. One has to wonder how long Rogen and his writing partner Evan Goldberg (who is credited as a screenwriter here along with Levine and two other writers) were going to continue to harp on the themes of boys becoming men and growing up even if it's something you don't necessarily want to accept. They have more or less been harping on these ideas for ten years now as here Rogen is playing the opposite of his Knocked Up character and the movie overall is something of a Superbad eight years down the road. The catch is, it works, and it puts a kind of kibosh on the theme as each character either comes to realize these truths or is able to get over the hump of revealing them to the ones they care about most.

GOOSEBUMPS Review

As a child of the nineties, as someone who was in fourth and fifth grade at the dead center of the decade I was completely immersed in the Goosebumps books. I can easily recall going to Wal-Mart with my mom every month and constantly checking to see if the new book was on the shelves yet. I would devour these books to the point of ridiculousness and their popularity was such that at this point in time even my fourth grade teacher decided to read one of author R.L. Stine's works of adolescent horror to the class so as to appeal to those who weren't on board with Tuck Everlasting. While the books meant a great deal to me and I was a big fan of the Fox Kids Saturday morning line-up at the time I was unfortunately never able to get into their live-action adaptations of Stine's stories in the TV series that ran from 1995 to 1998. There was all the excitement in the world for such a series, but once it premiered there was never enough to keep me coming back-unlike the books. And so, how would a live-action movie version of such stories be any different? Given I was also twenty years removed from the source material, would I even care if a Goosebumps movie did honorable service to the literature or was it time to move on and accept that whatever it was that made these books so captivating to so many kids on the brink of their teenage years in the mid-nineties was just an elusive quality never to be contained on celluloid? It turns out, all the material needed was a dash of meta-comedy that allowed the story to not only incorporate several of Stine's most popular characters, but Stine himself. With this opportunity to tell a brand new story rather than simply rehashing one of Stine's more popular titles the film is given a fresh idea that combines the likes of something akin to Jumanji or Zathura with the perfect balance of slightly off-kilter comedy and scary scenarios with over-the-top monsters that made the books so engaging. In short, this new Goosebumps film exceeded all expectations by delivering a fun and charming horror flick for kids that will undoubtedly be brought out every year around Halloween for a long time to come.

Red Band Trailer for THE NIGHT BEFORE

Joseph Gordon-Levitt is putting in work in some high caliber projects this fall by portraying real-life figures Edward Snowden and Philippe Petit in movies for Robert Zemeckis and Oliver Stone. Seth Rogen is also portraying a real-life figure as Steve Wozniak for director Danny Boyle while Anthony Mackie will play a supporting role alongside Sandy Bullock in director David Gordon Green's Our Brand is Crisis that just received an Awards-friendly release date yesterday. Needless to say, these three young actors from varying backgrounds have a lot going on later this year, but that hasn't stopped them from getting together to make a comedy about getting together and continuing a tradition. In The Night Before (formerly titled X-Mas) Ethan (Gordon-Levitt), Isaac (Rogen) and Chris (Mackie) come together for one last debauchery-filled Christmas Eve reunion before officially becoming too old for the tradition. Chris is apparently some sort of sports star which makes it difficult for the three to carry out their tradition without some sort of interruption and Isaac is getting ready to become a father which will mean holidays equal family only from this point on. There is the glaring omission of any reasoning behind Ethan's need to move on, but I'm sure that is where co-writer/director Jonathan Levine (50/50, Warm Bodies) will find his opportunity to include the more dramatic and emotional side of things. Taken on its own though, this red-band trailer delivers some serious laughs and looks to be a nice deviation from the family-friendly material that will crowd the cineplexes during the "most winderful time of the year." The Night Before also stars Mindy Kailing, Lizzy Caplan, Jillian Bell, Kanye West, Lorraine Toussaint, Heléne Yorke, Michael Shannon and opens on November 25th.

First Trailer for GOOSEBUMPS

If you're a kid who grew up in the nineties then odds are you read a Goosebumps book or two. If that first sentence is true odds are also pretty good you woke up on Saturday mornings to enjoy Fox Kids line-up of cartoons and other child's entertainment that, at one point, included a live-action adaptation of some of the more popular stories from the books. I remember enjoying it fine enough, but I also remember going to Wal-Mart in order to pick up the next book in the series every month or so. The consistency with which author R.L. Stine pumped these things out was rather insane. As hardly anything can be released with expectations of doing well without being based on an already established brand these days it comes as no surprise that we now have a new film adaptation of Stine's series, this time brought to you by the team who gave us 2010's Gulliver's Travels (remember that one?). Still, without holding anything against it, this first trailer for the kid-friendly horror comedy is somewhat surprising if not rather by the numbers. From this almost 3-minute clip it is easy to glean what story beats will be hit upon and what tone of humor is being chased, but all in all it looks pretty solid in terms of the idea of how to bring multiple characters and stories from the books to life while incorporating a semi-fictionalized version of Stine himself in the form of Jack Black. The monster designs look pretty neat and the trailer got at least one legitimate chuckle out of me, so here's hoping the film is more about the journey than the destination. Goosebumps also stars Amy Ryan, Dylan Minnette, Odeya Rush, Ryan Lee, Jillian Bell, Ken Marino, Kumail Nanjiani and arrives just in time for Halloween on October 16th.

First Trailer for Paul Thomas Anderson's INHERENT VICE

It seemed as if we would never get a trailer for the latest Paul Thomas Anderson contraption, Inherent Vice, but now that we have it seems its over two month away release date will take forever to get here. I had no idea what to expect from this adaptation of the Thomas Pynchon novel and knew little about it other than the summary of said book. Given that, I was beyond anxious to dive into the trailer and upon first glance this couldn't be a better mix of everything I hoped it would be considering the style in the stills we'd seen up to this point and an unexpected comic tone that seems in line with Anderson's natural instincts. I love the look of the trailer (Anderson re-teams with cinematographer Robert Elswit after The Master) and I assume he is again shooting on 65 mm film using the Panavision System 65 camera. It gave The Master such sweeping, epic scope and even on your computer screen you can see the depth of some of the shots here. Besides the excitement that comes along with a first glimpse at footage from a new PTA film there is also the brilliant cast he has in place here that is on full display. Joaquin Phoenix re-teams with the director for his second go- around, but this time as drug-fueled detective Larry "Doc" Sportello. The remainder of the cast features Josh Brolin (getting a nice bit in the trailer), Owen Wilson, Katherine Waterston, Reese Witherspoon, Benicio Del Toro, Martin Short, Jena Malone and Joanna Newsom. Inherent Vice opens in limited release on December 12th before going wide on January 9, 2015.

22 JUMP STREET Review

With sequels these days there has come to be a feeling of such necessity that we have therefore come to experience many sequels complacent with simply re-hashing the original. 22 Jump Street is aware of this and especially in the genre of comedy. Most comedies, be it The Hangover, Rush Hour or The Nutty Professor are typically made with no greater ambition than making people laugh and maybe gaining a following once they hit home video, but I can't imagine any of them expected box office success resulting in a second chapter. This was apparent in each of the sequels to the aforementioned comedies, but the second chapter in this Channing Tatum/Jonah Hill collabo not only knows it is a college movie that pays homage to the kind of National Lampoon mainstays (as well as a barrage of other comedic references), but a sequel that subverts sequels. They realize the expectation that everything is supposed to be bigger, more expensive looking, and louder which is why they choose to open this one with a big, fast action sequence. While the heart of the film still deals with the on-going relationship between Hill's Schmidt and Tatum's Jenko the real story of the film is not the one in which these two repeat the same undercover work as last time, but instead how the film goes about commentating on the way studios operate these days and what happens when they run into road blocks and disagreements. In order to set-up the last act of the film our boys are confronted with the issue of having no money left in their police budget, which is to say they've spent it all on that opening chase sequence, upgraded sets and a bigger scope. Lucky for us the third act also helps the film break from the mold of the first film in which it was so eager to repeat so as to not venture outside the safety net of success. Returning directors Phil Lord and Chris Miller (Cloudy with a Chance of Meatballs, The LEGO Movie) understand that everything is funnier the first time around and that the jokes aren't as sharp the second time. They understand audiences think they'll not only be looking for the same things, but wanting them. The truth is, despite the fact audiences think this way, they will leave the theater disappointed if that's what they're given because it wasn't more than they assumed it would be. In responding to these inherent wants and needs Lord and Miller have crafted a film that both meets initial expectations and then bursts through the traditional sequel curse by giving us what we didn't know we wanted until it was served up fresh.

First Red-Band Trailer for 22 JUMP STREET

With the original making my top 10 of 2012 list and this sequel easily making my most anticipated for 2014 it is with great joy that we get our first glimpse at directors Phil Lord and Chris Miller's follow-up to 21 Jump Street which has been appropriately titled 22 Jump Street with ridiculously meta reasoning and all. If you loved the first film you may as well go ahead and sign yourself up for this one because it looks to be more of the same, but instead of latching onto the ever-evolving culture of high school our protagonists Schmidt (Jonah Hill) and Jenko (Channing Tatum) have entered the world of college and it seems they each get more on track with the social status and dynamic they actually lived through in high school. The plot seems to consist of many of the same ups and downs as the first (they come together to have their friendship challenged only to re-kindle it and overcome the opponent), but the jokes seemed to be on point and the mocking of the college culture paired with the ever funny satire of the action, buddy cop films are no doubt in full effect. It is nice to see Ice cube returning as Captain Dickson as he was one of the shining contributions of the first film while the trailer also gives away what seem to be cameo appearances from Rob Riggle and Dave Franco. We can only hope that they have kept a large portion of the surprises and laughs under wrap though and haven't given their best bits away here. If this were under the care of anyone other than Lord and Miller I might be worried, but that they were able to defy all expectations with the first film and decided to come back to this over what I assume were plenty of other offers, I trust that they had good reason and we will see that on full display when 22 Jump Street hits theaters on June 13, 2014.