Showing posts with label Ella Wahlestedt. Show all posts
Showing posts with label Ella Wahlestedt. Show all posts
GOOSEBUMPS Review
As a child of the nineties, as someone who was in fourth and fifth grade at the dead center of the decade I was completely immersed in the Goosebumps books. I can easily recall going to Wal-Mart with my mom every month and constantly checking to see if the new book was on the shelves yet. I would devour these books to the point of ridiculousness and their popularity was such that at this point in time even my fourth grade teacher decided to read one of author R.L. Stine's works of adolescent horror to the class so as to appeal to those who weren't on board with Tuck Everlasting. While the books meant a great deal to me and I was a big fan of the Fox Kids Saturday morning line-up at the time I was unfortunately never able to get into their live-action adaptations of Stine's stories in the TV series that ran from 1995 to 1998. There was all the excitement in the world for such a series, but once it premiered there was never enough to keep me coming back-unlike the books. And so, how would a live-action movie version of such stories be any different? Given I was also twenty years removed from the source material, would I even care if a Goosebumps movie did honorable service to the literature or was it time to move on and accept that whatever it was that made these books so captivating to so many kids on the brink of their teenage years in the mid-nineties was just an elusive quality never to be contained on celluloid? It turns out, all the material needed was a dash of meta-comedy that allowed the story to not only incorporate several of Stine's most popular characters, but Stine himself. With this opportunity to tell a brand new story rather than simply rehashing one of Stine's more popular titles the film is given a fresh idea that combines the likes of something akin to Jumanji or Zathura with the perfect balance of slightly off-kilter comedy and scary scenarios with over-the-top monsters that made the books so engaging. In short, this new Goosebumps film exceeded all expectations by delivering a fun and charming horror flick for kids that will undoubtedly be brought out every year around Halloween for a long time to come.
First Trailer for GOOSEBUMPS
If you're a kid who grew up in the nineties then odds are you read a Goosebumps book or two. If that first sentence is true odds are also pretty good you woke up on Saturday mornings to enjoy Fox Kids line-up of cartoons and other child's entertainment that, at one point, included a live-action adaptation of some of the more popular stories from the books. I remember enjoying it fine enough, but I also remember going to Wal-Mart in order to pick up the next book in the series every month or so. The consistency with which author R.L. Stine pumped these things out was rather insane. As hardly anything can be released with expectations of doing well without being based on an already established brand these days it comes as no surprise that we now have a new film adaptation of Stine's series, this time brought to you by the team who gave us 2010's Gulliver's Travels (remember that one?). Still, without holding anything against it, this first trailer for the kid-friendly horror comedy is somewhat surprising if not rather by the numbers. From this almost 3-minute clip it is easy to glean what story beats will be hit upon and what tone of humor is being chased, but all in all it looks pretty solid in terms of the idea of how to bring multiple characters and stories from the books to life while incorporating a semi-fictionalized version of Stine himself in the form of Jack Black. The monster designs look pretty neat and the trailer got at least one legitimate chuckle out of me, so here's hoping the film is more about the journey than the destination. Goosebumps also stars Amy Ryan, Dylan Minnette, Odeya Rush, Ryan Lee, Jillian Bell, Ken Marino, Kumail Nanjiani and arrives just in time for Halloween on October 16th.
EARTH TO ECHO Review
By
Vandy Price
Labels:
Astro,
Ella Wahlestedt,
Jason Gray-Stanford,
Reese Hartwig,
Teo Helm
Earth to Echo is a critic-proof film. The real question will not be of how much critics sway potential audiences into seeing this film or not, but the reaction of the children and pre-teens in the audience who will either latch onto or dismiss it. Being a few days removed from the film I still can't decide if this is something that will catch on or not, but unfortunately I lean towards the latter. Save for a few of the more visually impressive moments I don't remember much about the film. In a film that is banking on the nostalgia of parents and the innocent mentality of their children this is a film that should be nothing short of a memorable experience, but in a market saturated by science fiction stories and an audience that finds no "out of this world" value or surprise in alien invasion stories you need something different than E.T. The problem is we've all seen the story before and no one cares if you've decided to update it by conveying the narrative through more current technology and by adapting the "found-footage" style that itself is beginning to go out of style. Earth to Echo can be interesting for its look at the way in which kids of today communicate more efficiently (but not necessarily better or less awkwardly) and how smart phones, Face Time, Go Pro Cameras and video chat have enabled them to capture the events of a night such as this documents, but the fact it is more relevant than something like Super 8 doesn't mean we get to know the characters better or invest in them and it most definitely isn't an excuse to re-hash a story we've seen countless times before without adding anything new. The film does have a few character moments, I will give it that, because it isn't completely devoid of innovation. The friendships being pushed to the limits here create some drama for the audience to connect with, but it isn't nearly as compelling as it should be given the child actors (mainly Teo Halm as Alex who is given the more emotional baggage) aren't all that convincing. Regardless of if I am too out of touch with adolescent culture to know if this will connect with them or not (I hope I'm not, I called Despicable Me right out of the gate) or if I've seen one too many movies recycle this same catalyst to precipitate the events that occur this all just feels too tired to be worthy of consideration.
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