SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Jack Black. Show all posts
Showing posts with label Jack Black. Show all posts

JUMANJI: THE NEXT LEVEL Review

Much like the challenges a sequel faces in trying to stand on its own while recapturing the magic of what made the original so special, the teenage characters we met in 2017’s Jumanji: Welcome to the Jungle have found it difficult to completely move on from their own experiences within the video game world; longing to reclaim such feelings of empowerment and intelligence while not being constrained by their earthly forms-the separation of this experience and actual reality has been tougher for some more than others. This is especially true for Alex Wolf’s character, Spencer, who has spent his freshman year at college feeling completely invisible and unworthy of the long-distance relationship he and Martha (Morgan Turner) are having to actually work for. In this way, Jumanji: The Next Level begins not by jumping straight back into the central gag, but instead by offering a surprising study of why someone in their seemingly logical mind would want to risk their life by going back into the game in the first place. This was always going to be the conundrum for a sequel to the reboot (I feel ridiculous writing that, but it is what it is) as there was no choice other than to either have the same people return to the game or have the video game land in new hands, but regardless of who would be controlling the avatars Dwayne Johnson, Kevin Hart, Karen Gillan and Jack Black were still going to be the stars. And so, in Jake Kasdan’s sequel (co-written by Kasdan, Jeff Pinkner and Scott Rosenberg) this somewhat weighty approach is taken in order to explain how another sequel is even possible and while this along with The Rock’s Danny DeVito impersonation, Hart’s superb turn as Danny Glover and Awkwafina’s eventual turn as DeVito are all equally appreciated The Next Level ultimately skimps on the weight of the main idea that’s powering it (not to mention it being the one facet that might allow a hint of the original Jumanji’s tone to seep into this new series) in favor of broader comedy and bigger set pieces. It’s not that these aspects are bad, cheapen the experience or even feel lazy, but more that The Next Level is very much like vanilla ice cream that could have sprung for sprinkles or syrup, but chose not to not because of cost or fear of diluting the inherent flavor, but more out of convenience. Safe without being boring, fun without being interesting, The Next Level is simply fine.

Official Trailer for JUMANJI: THE NEXT LEVEL

In a not-so-surprising turn, Sony has released the first, full length trailer for the sequel to their Christmas 2017 smash, Jumanji: Welcome to the Jungle, the day before Spider-Man: Far From Home officially opens. Given Welcome to the Jungle is Sony's all-time top domestic earner and the film earned an insane $962 million worldwide two years ago it was a no-brainer the studio would pump out a sequel as soon as it could, but while this may feel slightly rushed in terms of attempting to capitalize on this surprise sequel, the studio was able to gather back all of the original cast members as well as director Jake Kasdan with the most surprising part being that the two (returning) screenwriters, Scott Rosenberg and Jeff Pinkner, have seemingly cooked up a story that will change things up enough from the previous film while still utilizing the aspects that made that film work so well in the first place. That is to say, Sony can seemingly keep this franchise going as long as they want given the avatars are the stars of the film and not the human counterparts who become trapped in said board/video game. To boot, the idea of having Dwayne Johnson, Kevin Hart, Jack Black, and Karen Gillan being able to adopt different personalities in each movie depending on who gets sucked into the game is a great concept and one the studio and filmmakers could have a lot of fun with over the course of a few more sequels. In Jumanji: The Next Level, our real-world friends from the previous film return to Jumanji to rescue one of their own but discover that nothing is as they expect. The players need to brave parts unknown, from arid deserts to snowy mountains, in order to escape the world's most dangerous game. Of course, the hook here is that Hart and Johnson are no longer playing polar opposite high school kids, but two curmudgeonly old friends in the form of Danny DeVito and Danny Glover. Needless to say, Johnson and Hart doing impressions of DeVito and Glover is the last thing I thought I needed in my life, but after today I need it more than most things. This should be another fun adventure flick with a strong re-watchability factor and I can't wait to see what Kasdan and crew have in store this Christmas. Jumanji: The Next Level also sees the return of Alex Wolff, Madison Iseman, Morgan Turner, Ser'Darius Blain, Nick Jonas, Rhys Darby, and Colin Hanks while Awkwafina and Dania Ramirez join the cast as the film is set to open on December 13th, 2019.

THE HOUSE WITH A CLOCK IN ITS WALLS Review

Eli Roth’s The House with a Clock in Its Walls, despite being a straight-up kids movie with a release date in the dead of September, was one of my most anticipated films of the fall if not of the entire year. Despite the obvious warning signs though, I think it’s actually pretty easy to see why this was the case. First, there is Jack Black who has done well to understand the current phase of his career; with last year's Jumanji sequel as well as Goosebumps he is slowly establishing himself as the guy that will be fondly remembered by the tweens and younger teens of the current generation as that funny guy who was in all of their favorite movies. Better even, when those same kids get older they can go back and discover more of Black's rather impressive collection of work. Another encouraging factor going in was the fact this was a kids movie with Cate freakin' Blanchett in it. Now, Blanchett has been doing more work in more commercially viable popcorn flicks as of late with the last Thor film and Ocean's 8, but it seemed it would take a really great script or great character to really entice an actor of her caliber. Blanchett certainly seems to be having a great time exploring the genre, but unfortunately she doesn’t have nearly as much to do as one would expect sans the excellent bickering back and forth between her and Black. This cast, this genre, this time of year...what more could there be that might help propel this project to the heights it seemed so obviously destined to reach? I say this somewhat ironically as it seems most critics and audiences didn't expect much from another kid-centric Black film-especially one based on a children's book from the seventies and especially not one directed by the guy who made 2018's Death Wish, but alas...here we are. As someone who has always adored Black's range and versatility there was this sense of optimism and support, but the point of concern was always Roth. Roth is a director raised on the Amblin films that are very clearly an inspiration for his The House with a Clock in Its Walls, but unfortunately Roth's homage to spooky if not exactly scary kids fare doesn't pass that test of being a magical film about magical people. The finished product can certainly be endearing for long stretches, but the big picture never gels and is more a hodge-podge of several different "chosen one" archetypes than it is a single, focused, satisfying narrative. And though The House with a Clock in Its Walls proved to be more disappointing than hoped for it’s not impossible to see how the film might become more appealing over time-especially to the generation that will grow up on it.

New Trailer for THE HOUSE WITH A CLOCK IN ITS WALLS

The House with a Clock in Its Walls, despite being a straight-up kids movie with a release date in the dead of September, is one of my most anticipated of the fall if not of the entire year. Why you might ask? Well, first there is Jack Black who has done well to understand the current phase of his career and with last year's Jumanji sequel as well as Goosebumps he is kind of establishing himself as the guy that will be fondly remembered by the tweens and younger teens of the current generation for being the funny dude in all of their favorite movies-that is, if this turns out to be as good as it promises to be. Better even, when those same kids get older, they can go back and discover even more of Black's rather impressive collection of work. Second, this is a kids movie with Cate freakin' Blanchett in it. Now, I know Blanchett has been doing a more commercially viable popcorn work lately with the last Thor film and Ocean's 8, but it seems it would take a really great script or idea or whatever it is at the heart of this story that is based on John Bellairs' 1973 novel of the same name to entice her into doing something explicitly for the children. That said, the actress looks as if she is having a great time with this role as she gets to play a witch who lives next door to Black's Warlock as he introduces his young nephew (Daddy's Home alum Owen Vaccaro) to a world of magic and sorcery. Third, and this is more a point of curiosity than intrigue, is the fact Eli Roth is directing. Yes, that would be the Eli Roth who made Cabin Fever and Hostel and who starred in Inglorious Basterds, but who hasn't had a hit movie since maybe The Green Inferno (maybe? It barely made it's $5 million budget back, but it created a fair amount of conversation at the time). All of that taken into account, it will be interesting to see how the guy who's already re-made Death Wish earlier this year fares with full-on kids material. My hope is that with his sensibilities, if they were well-balanced, he was able to keep the film appropriately scary while injecting an underlying quality of sincere terror. The point being, I'm always down for a movie aimed at kids that looks as if it could become a Halloween staple and this certainly seems to have all the ingredients to create such a favorite. The House with a Clock in Its Walls also stars Kyle MacLachlan, Colleen Camp, Renée Elise Goldsberry, Vanessa Anne Williams, Sunny Suljic, and opens on September 21st, 2018.

Movies I Wanna See Most: 2018

With a new year we are brought many a new prospects for our entertainment and in looking forward to 2018 I decided there was more than enough I was looking forward to in order to compile a most anticipated list. Too much, probably. That said, even in counting down twenty-five titles there is still plenty else that I would have loved to include. While I adored writer/director Alex Garland's directorial debut in Ex Machina his follow-up that comes out next month, Annihilation, has seemingly been shifted around in ways that make it feel less of a prospect. While I'm curious I'm not as excited to see the movie as I thought I might be. Others that were close to making the cut were director John Curran's (The Painted Veil) Chappaquiddick about how Ted Kennedy's life and political career became derailed after his involvement in a fatal 1969 car accident that claimed the life of a young campaign strategist. The film received strong reviews out of Toronto last year and I'm anxious to see what all the buzz is about when the film opens in early April. And then, there are of course the obvious big tentpoles that I'll be more than happy to see including The Incredibles 2, Jurassic World: Fallen Kingdom, Ocean's 8, The Predator, Equalizer 2, Sicario 2: Soldado, and Mary Poppins Returns, but beyond being happy to see these come their opening weekends I'm not exactly looking forward to what they'll bring to the table. There is also supposed to be that live-action Mulan from director Niki Caro (McFarland USA) that is set to open this November, but I didn't include it here as I'm rather skeptical given we've heard little about it besides the casting of the lead and the main players in the creative team being in place. Time will tell and I'm looking forward to the film, but if we'll see it in 2018 I'm not sure. Finally, I would love to have highlighted lesser known upcoming titles such as The Diary of a Teenage Girl director Marielle Heller's new film, Can You Ever Forgive Me? Starring Melissa McCarthy as bestselling celebrity biographer, Lee Israel, or John Krasinski's latest directorial effort, A Quiet Place, that stars himself and wife Emily Blunt along with Wonderstruck breakout Millicent Simmonds in what looks to be a departure for the actor/filmmaker. Jim Henson's son, Brian, also returns to feature filmmaking with The Happytime Murders which sounds like a blast and then there is of course the likes of Red Sparrow, the new Steven Soderbergh flick, Unsane, Richard Linklater's Where'd You Go Bernadette? not to mention new efforts from both Adam McKay and Alfonso Cuaron that don't have set release dates yet, but that we can probably expect at some point this year. There just isn't enough space in the world for everything that sounds promising in 2018 and so, here are twenty-five I definitely can't wait to watch and know I'll see this calendar year. 

JUMANJI: WELCOME TO THE JUNGLE Review

I was born in 1987. Meaning I turned a perfect eight years-old in 1995. I don't know if I first saw Joe Johnston's Jumanji when it opened that December, but I know I saw it within a year of that release and many, many times after. Admittedly, I haven't revisited the whole of the picture in quite some time, but what I clearly remember about the experience of Jumanji at that impressionable age was the unexpected grandeur of it all-the substance the film carried in the tragedy of this child disappearing from this pristine town and the unfortunate dynamic between he and his parents that, when he did finally return, would lead to a lifetime of regret. These were big themes for a little kid and maybe even the first time I'd really been forced to contemplate as much. It was a movie that made a big impression if not for the mystery and implied scale, but for these themes of loss that resonated with me and now allow me to have these fond and rather heartfelt memories of the film. And so it goes, I could not have been less excited for a twenty-two-year later sequel that would seemingly have no connection to the original, but instead be branded as such to entice the interest of audiences such as myself while selling the movie to younger crowds on the concept of stars like Dwayne Johnson, Kevin Heart, Jack Black, and Karen Gillan appearing in an all-out action adventure with a cool premise. I wasn't ready to think this kind of backwards engineering of new franchises by mining old movies that appealed to those who now have disposable income and children of their own so as to get as many butts in seats as such brand recognition could, but dammit if this twenty-two-year later sequel isn't a whole lot of fun. Jumanji: Welcome to the Jungle isn't going to break any barriers or win any awards, but that's not its intention and given that intention and my lowered expectations out of nothing more than my affection for the original I went into this new film hoping the well-rounded cast could turn what undoubtedly had to be a half-hearted story into something at least remotely entertaining. Not only is Welcome to the Jungle entertaining though, but it is consistently engaging in the obvious, but well executed video game-level structure it possesses as well as offering far more frequent and less obvious laughs than I would have expected the script to deliver. At just under two hours (credits and all) this belated, but welcome (who would have thought?) expansion on the world of Jumanji is certainly an adventure worth taking for those of us that seek to find a place to leave their world behind (and for those who just want to have a good time at the movies).

New Trailers for JUMANJI: WELCOME TO THE JUNGLE Starring Dwayne Johnson

To the surprise of everyone the first trailers for Juamji: Welcome to the Jungle that dropped in June made it seem not terrible, but instead...potentially really fun. Updating from the board game that was used in the 1995 Robin Williams original to that of a 90's-era video game is a great hook and having four Breakfast Club-like archetypes stumble upon it in detention only to be sucked into the game and transform into the avatars they choose is another gem of an idea. While Welcome to the Jungle will no doubt profit from being yet another Dwayne Johnson vehicle, and he looks to be in fine comic form here, what is most exciting about this premise for me is being able to see Jack Black get a showy role that he can really elicit some big laughs from (which you see more of in the international trailer). Black has done well to understand the current phase of his career and with both this and Goosebumps the comedian is establishing himself as the guy who will be fondly remembered by the tweens and younger teens of the current generation for being the funny dude in all of their favorite movies-that is, if this turns out to be as good as it looks. Better even, when they get older, they can go back and discover even more of Black's rather impressive collection of work. Also of note is the inclusion of Kevin Hart who I am happy to see reunite with Johnson on any level after the terrific chemistry they displayed in Central Intelligence and who I look forward to seeing mix it up with Black as well. The wild card of the bunch is Karen Gillan, but these second trailers do well to establish her as one of the more confident members of the team while playing up the riffs on video game tropes. While I still can't get over how much better this looks than I initially imagined I'll hold out any official celebrations until after the movie opens this Christmas. Jumanji: Welcome to the Jungle also stars Missi Pyle, Bobby Cannavale, Rhys Darby, Marc Evan Jackson, Nick Jonas, Alex Wolff, Madison Iseman, Ser'Darius Blain, Morgan Turner, and opens on December 20th, 2017.

Official Trailer for JUMANJI: WELCOME TO THE JUNGLE Starring Dwayne Johnson

I, along with most of my generation, are massive fans of 1995's Jumanji that saw Robin Williams as a man who'd been trapped for decades in a board game and could only be saved by having new players finish the game. It was terrific, imaginative, and exactly the kind of movie that made being a kid in the 90's so much fun. Needless to say, when most of us heard Sony would be making a new Jumanji film after the passing of Williams in 2014 it seemed there could only be one way in which such a thing would turn out: as total garbage. Ahead of Sony's co-producing effort with Marvel next week on the latest Spider-Man film the studio has dropped our first look at the new Jumaji and to my great surprise the film, subtitled Welcome to the Jungle, looks like a blast (though I like the tone of the international trailer more). Updating the board game to that of a 90's-style video game is a nice touch and having four Breakfast Club-like archetypes stumble upon it in detention only to play it and be sucked into the game and transform into the avatars they chose is another. While Juamji: Welcome to the Jungle will no doubt profit from being yet another Dwayne Johnson vehicle, and he looks to be in fine comic form here, what is more exciting about this premise for me is being able to see Jack Black get a showy role that he could really elicit some big laughs from. Black has done well to understand the current phase of his career and with both this and Goosebumps he is kind of establishing himself as the guy that will be fondly remembered by the tweens and younger teens of the current generation for being the funny dude in all of their favorite movies-that is, if this turns out to be as good as it looks. Better even, when they get older, they can go back and discover even more of Black's rather impressive collection of work. Also of note is the inclusion of Kevin Hart who I am happy to see reunite with Johnson on any level after Central Intelligence and who I look forward to seeing mix it up with Black as well-there could certainly be some untapped comedic chemistry between the two especially given the characters they are playing here. The wild card of the bunch is Karen Gillan whose outfit was criticized after the first cast photo was released, but trust there is justification stated for it here. I greatly enjoyed Gillan's performance in Guardians Vol. 2 and hope she doesn't remain the wild card for much of this films runtime and is welcomed into the boys club with open arms. While I still can't get over how much better this looks than I initially imagined I'll hold out any official celebrations until after the movie opens this Christmas. Jumanji: Welcome to the Jungle also stars Missi Pyle, Bobby Cannavale, Rhys Darby, Marc Evan Jackson, Nick Jonas, Alex Wolff, Madison Iseman, Ser'Darius Blain, Morgan Turner, and opens on December 20th, 2017.

KUNG FU PANDA 3 Review

The Kung Fu Panda films hold something of a special place in my heart for reasons I'm not really sure of. The first was a blockbuster of an original for DreamWorks, who'd been struggling to produce a hit outside the Shrek and Madagascar franchises, signaled the start of something new. It didn't hurt that it premiered during a summer that felt rather exceptional as it counts among its company the likes of Iron Man, The Dark Knight, and Tropic Thunder. Of course, by the time the sequel came around three years later it was considered something of a disappointment as it opened to only $46 million (the original opened to $60m without the 3D bump of the sequel), but in terms of quality it was right up there with the first, if not better. Maybe the idea that since I'd ventured out to see the sequel and didn't understand the drop in anticipation made me feel as if I should hold the film more sacred (though the same is now true with How to Train Your Dragon 2), but something akin to as much happened and five years later I could not have been happier to see Po and the furious five returning. I realize how odd it may sound for a grown man whose only child isn't even old enough to go to the movies yet to be excited for an animated children's film, but much like the films of Pixar, certain DreamWorks properties have that transcendent quality where age doesn't matter. The Kung Fu Panda franchise, for me at least, is one of those. It is one of those franchises that I can't wait to share with my children in the hopes they embrace the ideas and themes these movies so boldly teach. Po has always been about defying expectations and not judging books by their covers which, in the realm of kids movies, aren't exactly new ideas, but they bring them to life in such a reverential way that it is impossible not to appreciate the craft and skill that has gone into creating a compelling narrative around such basic ideas. In the great tradition of the series, Kung Fu Panda 3 is a riveting and completely fun chapter that is gorgeous in its visual representations, effectively moving in its weightier moments, and satisfying in a manner that Po's story has come full circle and feels complete.

GOOSEBUMPS Review

As a child of the nineties, as someone who was in fourth and fifth grade at the dead center of the decade I was completely immersed in the Goosebumps books. I can easily recall going to Wal-Mart with my mom every month and constantly checking to see if the new book was on the shelves yet. I would devour these books to the point of ridiculousness and their popularity was such that at this point in time even my fourth grade teacher decided to read one of author R.L. Stine's works of adolescent horror to the class so as to appeal to those who weren't on board with Tuck Everlasting. While the books meant a great deal to me and I was a big fan of the Fox Kids Saturday morning line-up at the time I was unfortunately never able to get into their live-action adaptations of Stine's stories in the TV series that ran from 1995 to 1998. There was all the excitement in the world for such a series, but once it premiered there was never enough to keep me coming back-unlike the books. And so, how would a live-action movie version of such stories be any different? Given I was also twenty years removed from the source material, would I even care if a Goosebumps movie did honorable service to the literature or was it time to move on and accept that whatever it was that made these books so captivating to so many kids on the brink of their teenage years in the mid-nineties was just an elusive quality never to be contained on celluloid? It turns out, all the material needed was a dash of meta-comedy that allowed the story to not only incorporate several of Stine's most popular characters, but Stine himself. With this opportunity to tell a brand new story rather than simply rehashing one of Stine's more popular titles the film is given a fresh idea that combines the likes of something akin to Jumanji or Zathura with the perfect balance of slightly off-kilter comedy and scary scenarios with over-the-top monsters that made the books so engaging. In short, this new Goosebumps film exceeded all expectations by delivering a fun and charming horror flick for kids that will undoubtedly be brought out every year around Halloween for a long time to come.

First Trailer for GOOSEBUMPS

If you're a kid who grew up in the nineties then odds are you read a Goosebumps book or two. If that first sentence is true odds are also pretty good you woke up on Saturday mornings to enjoy Fox Kids line-up of cartoons and other child's entertainment that, at one point, included a live-action adaptation of some of the more popular stories from the books. I remember enjoying it fine enough, but I also remember going to Wal-Mart in order to pick up the next book in the series every month or so. The consistency with which author R.L. Stine pumped these things out was rather insane. As hardly anything can be released with expectations of doing well without being based on an already established brand these days it comes as no surprise that we now have a new film adaptation of Stine's series, this time brought to you by the team who gave us 2010's Gulliver's Travels (remember that one?). Still, without holding anything against it, this first trailer for the kid-friendly horror comedy is somewhat surprising if not rather by the numbers. From this almost 3-minute clip it is easy to glean what story beats will be hit upon and what tone of humor is being chased, but all in all it looks pretty solid in terms of the idea of how to bring multiple characters and stories from the books to life while incorporating a semi-fictionalized version of Stine himself in the form of Jack Black. The monster designs look pretty neat and the trailer got at least one legitimate chuckle out of me, so here's hoping the film is more about the journey than the destination. Goosebumps also stars Amy Ryan, Dylan Minnette, Odeya Rush, Ryan Lee, Jillian Bell, Ken Marino, Kumail Nanjiani and arrives just in time for Halloween on October 16th.

First Trailer for KUNG FU PANDA 3

By the time time Kung Fu Panda 3 comes out it will have been nearly five years since we last saw Po and the Furious Five on the big screen. It's hard to believe there is even enough excitement to garner another installment in this Jack Black-fronted series as the sequel seemed to come and go with little buzz despite being rather solid in my opinion, but certainly a lesser version of the original. While I have enjoyed both installments in the adventures of Po Ping so far, I can't help but be somewhat weary of this third chapter that will complete what is at least the first trilogy in the Kung Fu Panda saga. If not for the several delays that the project has been subject to, but now for the decided upon release date of January 29, 2016. Typically, January is a wasteland that isn't exactly reputable for producing quality movies, but I understand Dreamworks motivation in that it cleared out of its December release date (just as everything else has) for Star Wars and has chosen its current date as it will open in both America and China the weekend before the beginning of the Chinese New Year celebration that will only boost the sequel's profile. As for the teaser itself, it's a nice bit of an exchange between Black's Po and new character Li (Bryan Cranston) that sets up the basic premise. Kung Fu Panda 3 also features the voices of Rebel Wilson, Angelina Jolie, Jackie Chan, Seth Rogen, David Cross, Lucy Liu, Dustin Hoffman, James Hong, Randall Duk Kim and will play in 3D.

THE D TRAIN Review

The D Train is an odd movie. It's an interesting one, don't get me wrong, but it's an odd one for sure. I'm a rather faithful comedy fan and have said many times on this site before that I carried a rather rabid affinity for the fan appointed "Frat Pack" that originally consisted of Jack Black, Ben Stiller, Owen and Luke Wilson, Vince Vaughn and Will Ferrell. Any time any of these guys decided to head up a film there was a desperate hope they would include a couple of the others in the proceedings. Soon, Judd Apatow and his gang emerged and the universe has been expanding ever since. In the wake of this merger it always felt like Black was somewhat left behind. This was obviously unfortunate given Black is one of those guys who can make you laugh with a simple facial expression, but his output has become increasingly stale since hitting a high mark in 2008 with Tropic Thunder and Kung-Fu Panda. Looking back through his filmography it is almost alarming how little he has done in the past few years with his last out and out feature being the horribly marketed and little-seen The Big Year in 2011. With The D Train, Black seems to be making something of a statement in that, at the very least, he'd like to see his career go in a more mature way, one that puts him in the position of actually investing in his characters and developing his skills rather than simply cashing the quick check and making the same faces. We've seen this before from the comic, especially in the underrated Bernie, but here it is more of a concentrated effort than the seemingly haphazard way in which Black picked projects prior.

First Red-Band Trailer for SEX TAPE

http://www.reviewsfromabed.net/2014/04/first-red-band-trailer-for-sex-tape.html
I was more of a fan of Bad Teacher than anyone around me and so I was anxious to at least see what the new film from director Jake Kasdan that also happened to feature Jason Segel and Cameron Diaz again was all about. Titled Sex Tape it was clear this was going to be a very raunchy sex comedy and if you're going to make a sex comedy at least swing for the fences, but if anything seems clear from the first trailer that dropped yesterday (not coincidentally on the night of the How I Met Your Mother series finale) it is that this all seems to be way too familiar and safe, which might not be cause for too much alarm if it was essentially an extended version of a commercial they premiered, but no, they went the route of the red-band and it still seems like there is much to be desired here. The good news here is that Diaz and Segel have some seemingly great chemistry and could life the one-note plot from the doldrums of comedy failures that seem to be implied by the convoluted reasoning behind all of their friends getting a peak at their sex life. I'm all for ridiculous premises and in a world where everyone shares everything and technology has surpassed us to the point a good many of us don't even realize what we're doing when using some of the gadgets and social media platforms, but the fact the most convincing thing they could come up with entailed giving away iPads as gifts comes off as just, well, outlandish. Making fun of the all mysterious cloud is a nice enough joke as that seems the global consesnsus, but I really hope this turns out to be better than its looking; Still, I love Orange County and Walk Hard grows on me more every time I watch it, so there is indeed hope here. Sex Tape also stars Rob Corddry, Ellie Kemper, Rob Lowe and opens on July 25th.

BERNIE Review

Sometimes those true stories that are so strange and intriguing and really deserve the movie treatment are either embellished to the point of non recognition or played so straight its hard to believe we aren't watching a "48 Hours Mystery" episode. What is appealing about Bernie though is the way it walks this line so carefully. Sure, it sways pretty heavily in either direction from time to time but it always regains its balance and in the end delivers a dark comedy that is nothing short of entertaining and completely unbelievable. The unbelievable factor comes squarely from the personification of our title character. He is such a strange and mysterious being. You think you have him figured out and then you learn something else about him, some other aspect of his life and it makes you re-evaluate him completely. In that lead role, Jack Black has given what is one of his finest performances. I have always loved Black and his manic energy despite his many failures as of late. Here, he has calmed himself down and subdued his energy while channeling it into this character that is at times very complex while on the surface remaining a kind of simpleton. He is a gentle man, but someone who clearly has ambitions and motivation and as he becomes the most liked man in a small community in east Texas. While Black delivers on every level he is also backed by a subtle and all too brief performance by Shirley MacLaine and a wonderfully over-the-top turn from Matthew McConaughey. Director Richard Linklater (School of Rock) surrounds these characters with a Greek chorus of town members and fleshes out his story with the most absurd of commentaries. It is a strikingly odd film that even more strangely becomes as appealing and charming as its main character.

Marjorie Nugent (Shirley MacLaine) becomes controlling
of her new found friend Bernie (Jack Black).
The crazy thing about the film, the hook of it, though really is the story and that is a lovely thing. When we first meet Black's Bernie Tiede he has accepted a job as the assistant funeral director in the little town of Carthage, Texas. Bernie quickly becomes a town staple and everyone's favorite person. He is more than just a committed worker at the funeral home, he teaches Sunday school and sings in the church choir. He ran the drama productions in town and he volunteered and would lend a helping hand anywhere he could. It comes as no surprise when Bernie befriends one of the widows of the husbands that has passed away. Marjorie Nugent (MacLaine) is pretty much hated throughout town and has been sued at least once by every member of her family. Marjorie also has a good amount of money to her name and so it works out perfectly that Marjorie can match Bernie's ambition with her finances and Bernie can fulfill Marjorie's desire for a companion. They do in fact become frequent travel buddies and Bernie goes as far as to begin managing her bank accounts, but she pushes him. He becomes more of her servant, waiting on her hand and foot and he is just such of a nice guy that he literally cannot tell her no. Instead of breaking the ties and having to deal with a disheartened friend he kills her. This, I find to be no spoiler because that is not the surprising part about the story. What is indeed surprising about the story is what happens after. The townspeople are glad to be rid of Marjorie and they would rather thank Bernie than condemn him. Bernie doesn't know what to do about what he's done and so he carries on as if nothing happens for nine months and in this time we find it fascinating what we really discover about the character of Bernie.

District Attorney Danny Buck
(Matthew McConaughey) is set
on finding Bernie guilty.
Because this does star Jack Black it might immediately be assumed this is a flat out comedy and this is partly true, but not really. There are funny bits, the commentary by the townspeople in itself is a guaranteed laugh, but there are strong hints of drama here as well. It is more than fitting into these genre lines though, Black makes his character a real human in the way that he captures the restrained madness and conflict that are no doubt hidden below the bubbly surface of Bernie. This becomes more than just a comedy film it is a social commentary on the south, specifically east Texas where the "real south begins....life behind the pine curtain" as one character calls it. That was the intrigue of the subject matter for me. It is all very specific, it knows what it is and it wraps you up in the world it documents while never clarifying or forcing its opinions of the title character on the audience. It leaves that up to us and in doing so it leaves just the right amount open while delivering everything we need to know to come to a well educated opinion. I still don't know what I think of Bernie though. The movie itself I loved, but the man is another case entirely. He is an earnest man and it is clear that he is simply a sweet guy who gets himself in to deep to something that his world and the way he works doesn't know how to deal with. It is interesting though that Bernie befriends most of the widows in town in an effort to keep them company and console them after the loss of their husbands. why he chooses Mrs. Nugent to become so involved with raises the question of is their more of a motive there because of her known wealth. Of course, it could be routed back to the fact they find in one another what no one else can offer but even still, what Marjorie can offer that no one else can is the money. Bernie has a large appetite for helping others and he uses Mrs. Nugent's money to do so in most cases. Even after her death he spends and spends. It is made clear that Bernie spent little to nothing on himself but it does show him, multiple times, taking a plane out for a fly and we assume it is his own personal one.

When this comes down to a trail (which is fittingly the finale of the film) McConaughey's cocky DA Danny Buck uses this angle to work the jury in his favor of putting Bernie away in prison. As a Linklater staple McConaughey doesn't come into play really until about mid-way through the film, but when he does he is certainly a force to be reckoned with and he seems the only one that is fascinated with the spell Bernie has seemed to cast over the townspeople. Director Linklater who also wrote the script was present for the actual trial of Bernie Tiede in the 1990's. This is clearly been a labor of love for the director and he paints a portrait of small town southern America in such a honest and pleasant way that this string of tragic events flows seamlessly as a big screen comedy.

Bernie explains how his fellow neighbors can get tax
deductions for what they've personally spent on
equipment and uniforms for work.
Bernie is absolutely in my top 10 films of the year so far as I loved every minute of it. I was first happy to see Black and Linklater reunite after creating a minor classic in School of Rock almost ten years ago and second to see that Black would get the opportunity to portray a character that didn't fit the bill for his standard roles that have caused him more big budget misfires than hits as of late. I literally don't think he has appeared in a quality film since 2008's Tropic Thunder (I'm not counting his voice work in Kung Fu Panda or his extended cameo in The Muppets either). I have always liked the actors personality and willingness to go as far as it takes to pull off a good joke, but Linklater seems to know best how to focus these assets into a character that supports the story rather than a character who's story is struggling to keep up with him. Black plays the odd man with such a soft spoke, southern voice and hint of feminism that raise questions about his sexuality and only add layers to a man fascinating enough on his won without adding in other questions to make us ponder his true motives. Was the real Bernie Tiede simply too nice a guy too break an old lady s heart? Did he just crave friendship and approval so much that he killed to carry on his charitable works? They are such contrasting thoughts it's hard to even narrow down the real source of why such a thing came to be, but it did and in this crazy true story out of east Texas has come a film that re-defines a career and refreshes faith in a storyteller seeing the value of that over-used tagline "based on a true story".  

BERNIE Review

Sometimes those true stories that are so strange and intriguing and really deserve the movie treatment are either embellished to the point of non recognition or played so straight its hard to believe we aren't watching a "48 Hours Mystery" episode. What is appealing about Bernie though is the way it walks this line so carefully. Sure, it sways pretty heavily in either direction from time to time but it always regains its balance and in the end delivers a dark comedy that is nothing short of entertaining and completely unbelievable. The unbelievable factor comes squarely from the personification of our title character. He is such a strange and mysterious being. You think you have him figured out and then you learn something else about him, some other aspect of his life and it makes you re-evaluate him completely. In that lead role, Jack Black has given what is one of his finest performances. I have always loved Black and his manic energy despite his many failures as of late. Here, he has calmed himself down and subdued his energy while channeling it into this character that is at times very complex while on the surface remaining a kind of simpleton. He is a gentle man, but someone who clearly has ambitions and motivation and as he becomes the most liked man in a small community in east Texas. While Black delivers on every level he is also backed by a subtle and all too brief performance by Shirley MacLaine and a wonderfully over-the-top turn from Matthew McConaughey. Director Richard Linklater (School of Rock) surrounds these characters with a Greek chorus of town members and fleshes out his story with the most absurd of commentaries. It is a strikingly odd film that even more strangely becomes as appealing and charming as its main character.