SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Emerald Fennell. Show all posts
Showing posts with label Emerald Fennell. Show all posts

THE DANISH GIRL Review

Note: This is a reprint of my review for The Danish Girl, which originally ran on September 13, 2015 after seeing it at the Toronto Film Festival. I am publishing it again today as it hits theaters this weekend.

Despite The Danish Girl being one of the more anticipated premieres at the Toronto International Film Festival this year (it's technically just the North American premiere if you paying attention to those types of things) I couldn't have been more hesitant to embrace the film. This has nothing to do with the fact it consists of a story about the first man to undergo a sex reassignment surgery, but more it so blatantly felt like awards fodder. Everything about the film screams Oscar. It is directed by Tom Hooper (The King's Speech, Les Misérables), is a period piece, deals in a very hot topic at the moment, and stars Eddie Redmayne who won the Best Actor award last year for playing Stephen Hawking. After playing a real-life person with a severe disability what is the second most obvious choice for an actor to play if they hope to be nominated or win an Oscar? Well, playing a woman of course. Beyond this, I haven't been a fan of Redmayne's up until this point either. I'd not seen him in anything prior to My Week With Marilyn and thought him fine in that, but he only irritated me as Marius in Les Mis, he was gloriously bad (not over the top, just irritatingly bombastic) in Jupiter Ascending (I know, what wasn't in that film?) and I personally didn't think he deserved the Best Actor statue over Michael Keaton last year. And yet, here we are with Redmayne having delivered a performance I would have no issue with him winning for because despite all its obvious pandering The Danish Girl is an affecting and beautifully captured story of bravery and inspiration that shouldn't be boiled down to or judged by it's perceived intentions. That said, the one shortcoming with the film is that it fails to really leave an impression. In the moment, it is very much a moving and undeniably powerful portrait of a disorder many don't care to understand, but further out the only lasting memory of the film is just how good Alicia Vikander is. Still, that moment counts for something and when in the throes of the experience it's admittedly difficult to avoid the word "exceptional" to describe much of what you're witnessing.

TIFF 2015: THE DANISH GIRL Review

Despite The Danish Girl being one of the more anticipated premieres at the Toronto International Film Festival this year (it's technically just the North American premiere if you paying attention to those types of things) I couldn't have been more hesitant to embrace the film. This has nothing to do with the fact it consists of a story about the first man to undergo a sex reassignment surgery, but more it so blatantly felt like awards fodder. Everything about the film screams Oscar. It is directed by Tom Hooper (The King's Speech, Les Misérables), is a period piece, deals in a very hot topic at the moment and stars Eddie Redmayne who won the Best Actor award last year for playing Stephen Hawking. After playing a real-life person with a severe disability what is the second most obvious choice for an actor to play if they hope to be nominated or win an Oscar? Well, playing a woman of course. Beyond this, I haven't been a fan of Redmayne's up until this point either. I'd not seen him in anything prior to My Week With Marilyn and thought him fine in that, but he only irritated me as Marius in Les Mis, he was gloriously bad in Jupiter Ascending (I know, what wasn't in that film?) and I personally didn't think he deserved the Best Actor statue over Michael Keaton last year. And yet here we are with Redmayne having delivered a performance I would have no issue with him winning for because despite all it's obvious pandering The Danish Girl is an affecting and beautifully captured story of bravery and inspiration that shouldn't be boiled down to or judged by it's perceived intentions.