Showing posts with label Jeanne Abraham. Show all posts
Showing posts with label Jeanne Abraham. Show all posts
THE DANISH GIRL Review
Note: This is a reprint of my review for The Danish Girl, which originally ran on September 13, 2015 after seeing it at the Toronto Film Festival. I am publishing it again today as it hits theaters this weekend.
Despite The Danish Girl being one of the more anticipated premieres at the Toronto International Film Festival this year (it's technically just the North American premiere if you paying attention to those types of things) I couldn't have been more hesitant to embrace the film. This has nothing to do with the fact it consists of a story about the first man to undergo a sex reassignment surgery, but more it so blatantly felt like awards fodder. Everything about the film screams Oscar. It is directed by Tom Hooper (The King's Speech, Les Misérables), is a period piece, deals in a very hot topic at the moment, and stars Eddie Redmayne who won the Best Actor award last year for playing Stephen Hawking. After playing a real-life person with a severe disability what is the second most obvious choice for an actor to play if they hope to be nominated or win an Oscar? Well, playing a woman of course. Beyond this, I haven't been a fan of Redmayne's up until this point either. I'd not seen him in anything prior to My Week With Marilyn and thought him fine in that, but he only irritated me as Marius in Les Mis, he was gloriously bad (not over the top, just irritatingly bombastic) in Jupiter Ascending (I know, what wasn't in that film?) and I personally didn't think he deserved the Best Actor statue over Michael Keaton last year. And yet, here we are with Redmayne having delivered a performance I would have no issue with him winning for because despite all its obvious pandering The Danish Girl is an affecting and beautifully captured story of bravery and inspiration that shouldn't be boiled down to or judged by it's perceived intentions. That said, the one shortcoming with the film is that it fails to really leave an impression. In the moment, it is very much a moving and undeniably powerful portrait of a disorder many don't care to understand, but further out the only lasting memory of the film is just how good Alicia Vikander is. Still, that moment counts for something and when in the throes of the experience it's admittedly difficult to avoid the word "exceptional" to describe much of what you're witnessing.
Despite The Danish Girl being one of the more anticipated premieres at the Toronto International Film Festival this year (it's technically just the North American premiere if you paying attention to those types of things) I couldn't have been more hesitant to embrace the film. This has nothing to do with the fact it consists of a story about the first man to undergo a sex reassignment surgery, but more it so blatantly felt like awards fodder. Everything about the film screams Oscar. It is directed by Tom Hooper (The King's Speech, Les Misérables), is a period piece, deals in a very hot topic at the moment, and stars Eddie Redmayne who won the Best Actor award last year for playing Stephen Hawking. After playing a real-life person with a severe disability what is the second most obvious choice for an actor to play if they hope to be nominated or win an Oscar? Well, playing a woman of course. Beyond this, I haven't been a fan of Redmayne's up until this point either. I'd not seen him in anything prior to My Week With Marilyn and thought him fine in that, but he only irritated me as Marius in Les Mis, he was gloriously bad (not over the top, just irritatingly bombastic) in Jupiter Ascending (I know, what wasn't in that film?) and I personally didn't think he deserved the Best Actor statue over Michael Keaton last year. And yet, here we are with Redmayne having delivered a performance I would have no issue with him winning for because despite all its obvious pandering The Danish Girl is an affecting and beautifully captured story of bravery and inspiration that shouldn't be boiled down to or judged by it's perceived intentions. That said, the one shortcoming with the film is that it fails to really leave an impression. In the moment, it is very much a moving and undeniably powerful portrait of a disorder many don't care to understand, but further out the only lasting memory of the film is just how good Alicia Vikander is. Still, that moment counts for something and when in the throes of the experience it's admittedly difficult to avoid the word "exceptional" to describe much of what you're witnessing.
TIFF 2015: THE DANISH GIRL Review
Despite The Danish Girl being one of the more anticipated premieres at the Toronto International Film Festival this year (it's technically just the North American premiere if you paying attention to those types of things) I couldn't have been more hesitant to embrace the film. This has nothing to do with the fact it consists of a story about the first man to undergo a sex reassignment surgery, but more it so blatantly felt like awards fodder. Everything about the film screams Oscar. It is directed by Tom Hooper (The King's Speech, Les Misérables), is a period piece, deals in a very hot topic at the moment and stars Eddie Redmayne who won the Best Actor award last year for playing Stephen Hawking. After playing a real-life person with a severe disability what is the second most obvious choice for an actor to play if they hope to be nominated or win an Oscar? Well, playing a woman of course. Beyond this, I haven't been a fan of Redmayne's up until this point either. I'd not seen him in anything prior to My Week With Marilyn and thought him fine in that, but he only irritated me as Marius in Les Mis, he was gloriously bad in Jupiter Ascending (I know, what wasn't in that film?) and I personally didn't think he deserved the Best Actor statue over Michael Keaton last year. And yet here we are with Redmayne having delivered a performance I would have no issue with him winning for because despite all it's obvious pandering The Danish Girl is an affecting and beautifully captured story of bravery and inspiration that shouldn't be boiled down to or judged by it's perceived intentions.
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