SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

852/
Showing posts with label Emma Booth. Show all posts
Showing posts with label Emma Booth. Show all posts

GODS OF EGYPT Review

Gods of Egypt is one of those movies that is so bad that even the inherent campiness of it can't make things the slightest bit fun. At the very least, given the extravagance of the visuals and the outlandish reaches director Alex Proyas (I, Robot, Dark City) goes for here I expected the film to be a good ole' slice of pure entertainment value for the sake of nothing else, but even under these minimal expectations Gods of Egypt fails to be anything but conventional; which is saying a lot for a film that has gigantic flying beetles and Egyptian God transformers dismantling one another. There is seemingly no point to the construction of this universe as far as financial reward goes and the idea of whitewashing these ancient mythological idols is the least of the films problems. Sure, we have Gerard Butler, Nikolaj Coster-Waldau, and Geoffrey Rush all doing variations on their European accents, but none are as distracting as the fully CGI backdrops that look as if they were "completed" in a rush two days before the film's release. Beyond all of the obvious complaints there are to make about this movie though, there was certainly some ambition behind the attempt as well. Unfortunately, these strides end up counting for very little. Still, there are risks taken in the way the Gods are portrayed as being larger and more looming than the mortals who worship them, there is an effort to take the historical context of the film and blend in elements of weird science fiction and fantasy, and the actual world building of this strange universe can be immersive, but more times than not these attempts fail to be what they should be and that is to be cool and appealing. Instead, the ugliness of the shiny yet granular images and the fight scenes that look as if they were ripped from a video game circa 2001 reek of a director out of touch and a storyteller too far removed from these adjectives that everything going on here feels as if it's trying too hard to please too broad an audience. Proyas has always been one to try something outside the box or at least be up for going after the unexpected, but with Gods of Egypt there is no amount of CGI that could cover up the scars it leaves.